SSI 2010

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Robert Deutsch Posted: Mar 28, 2010 1 comments
"Oh ho they're playing my song
Oh yeah they're playing my song
And when they're playing my song
Everybody's got to
Sh Sh Sh"
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Stephen Mejias Posted: Mar 28, 2010 1 comments
To Kevin Mokry and Meghan Hutchinson, I’m just another old dude at a hi-fi show. Which is awesome, because I’m tired of being the new guy, and I’m always happy to see young, enthusiastic faces enjoying high quality sound. Kevin is just 18 years old and already deep into hi-fi and A/V gear, selling for his dad at Quebec’s Centre Hi-Fi, and Meghan is very impressed by the robust bass of Monster’s Beats by Dr. Dre headphones ($350).
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Stephen Mejias Posted: Mar 28, 2010 3 comments
Isn't she?
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Art Dudley Posted: Mar 28, 2010 4 comments
As a Quad ESL enthusiast, I know how difficult it is to blend subwoofers with very good, very fast loudspeakers. Consequently, I was impressed with the new A225-M powered subwoofer from the Swiss company PSI, on demonstration at the Simplifi Audio room. Used with the Gradient Helsinki loudspeaker, of which I also have some experience, a pair of PSI subs ($4500 each) provided lots of deep, impactful bass with no apparent change in the Gradients' timbral character: very impressive. The subwoofer was housed within one of the the same IKEA units as Simplifi's Tim Ryan was using for component stands, to show that high-quality sound can still be domestically acceptable.
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Robert Deutsch Posted: Mar 28, 2010 4 comments
Audio show exhibitors have a lot of obstacles to contend with: equipment not showing up or showing up damaged, problem with room acoustics, problems with the electrical supply, equipment malfunctioning just as the show starts, and countless others. Ian Grant of Grant Fidelity told me that when he first set up his turntable front end it was picking up the signal from a local radio station! Being an ingenious engineering-type, he located the source of the interference (he could see the station's antenna from the hotel window), and got some building insulation material that had aluminum foil as part of its construction, and taped it to the hotel window. Voilà! Problem solved!
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John Atkinson Posted: Mar 28, 2010 1 comments
I was immensely impressed by the dCS Puccini SACD player and U-Clock when I reviewed the British combination last December. But as the physical discs becomes a legacy source of music, there was obviously a need for a related D/A product. SSI saw the public debut of the dCS Debussy ($10,999 with remote), shown off here by Tempo Marketing's John Quick. The Debussy basically combines the D/A, DSP, and analog board from the Puccini with the true asynchronous USB input topology from the U-Clock in a slim, attractive package. There are two AES/EBU and two S/PDIF inputs, as well as USB, and there is also a word-clock input to allow the Debussy to be controlled by an external master clock unit. Two digital filters are included, one a conventional symmetrical type, the other a variant of the increasingly popular minimum-phase "apodizing" type.
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Robert Deutsch Posted: Mar 28, 2010 5 comments
As a fan of electrostatics—I used to own KLH Nines and original Quad 57s—I was intrigued by the favorable reports of the King Sound Prince II full-range electrostatics in both the 2010 CES and the Axpona show reportss, and was pleased to find out King Sound listed on the list of exhibitors at SSI 2010. It was one of the few exhibits that I actually sought out rather than just allowing myself to find it in the course of walking the show floor. And I was most impressed. The sound—with electronics from McAlister, a company that I'll be writing about in a separate blog entry—had the clarity and lack of "speaker" coloration that reminded me of the KLH Nines and Quads, but the speaker seemed to be able to play louder than than these classic 'static designs. The retail price of $6500/pair seems very reasonable. I think I've found my next speaker to review. Or maybe the King II, which is just being introduced—but it may be too big for my room.
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Stephen Mejias Posted: Mar 28, 2010 3 comments
Introduced at January’s CES, Sennheiser’s RS 180 wireless headphones ($500) are so light and comfortable, you hardly know you’re wearing them. Rechargeable batteries are concealed within the right earcap, which also holds controls for volume and balance. The ‘phones have a range of 100m, and offered a full, round sound with impressive imaging.
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Stephen Mejias Posted: Mar 28, 2010 0 comments
In the Son Ideal room, Harbeth’s Compact 7ES-3 loudspeakers were being driven by Rogue Audio’s Cronus Magnum ($2200), which swaps the standard Cronus’s EL34s for beefier KT90s, delivering 90Wpc for a more extended top end and more robust bottom, Robert DeKoninck told me. I’ve been interested in Rogue Audio for awhile, and hope to listen to a Cronus soon.
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Art Dudley Posted: Mar 27, 2010 6 comments
Maybe I don't know everything after all. In all candor, Legacy loudspeakers had never struck me as the sorts of things I might like. But here at FSI, driven by an attractive Ayon Triton integrated amplifier ($8500), itself fed by an Ayon CD-5 CD player ($9450), I very much enjoyed the big Legacy Whisper XD speakers ($20,000/pair). I wasn't surprised by the punchy, wide-range presentation, but there was a lot more realistic texture and timbral color than I ever expected. And the very nice young couple who ran the suite were patient with my seemingly limitless supply of inane questions. A fine experience.
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Art Dudley Posted: Mar 27, 2010 2 comments
On a number of occasions I've heard the CD-77 CD player from Abbingdon Music Research sound wonderful: organic, textured, and altogether analogish. Today was no exception, as proven by the latest 77.1 version of the AMR player ($9995), distributed in the US by Avatar Acoustics. (Avatar also distributes the unique tuning accessories made by Franck Tchang of Acoustic Systems International.) Other components on dem were a beautiful tube preamp and power amp from Japan's Mactone (price to be determined) and Teo Audio's interesting new Runa loudspeaker (projected to sell for $12,000/pair), all wired together with the latest interconnects and cables from the Teo-distributed Liquid Cable. The system was invitingly detailed without a trace of tizz, and while I'm not the sort who obsesses over imaging, I admit that I was charmed by the Teo speakers' very inviting spatial qualities. Also on display but in use during my visit was the Feickert Blackbird turntable (approximately $7500), for which the word "interesting" seems a cruel understatement.
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Stephen Mejias Posted: Mar 27, 2010 1 comments
As Art mentioned, Totem always does an outstanding job of transforming a simple room into an environment, and at SSI 2010, they surpassed all of their previous efforts. Here’s a look at a row of Totem Tribe on-walls, dressed in new skins. As loudspeakers are often viewed as the most personal component of any system, it makes fine sense to offer the option of truly personalizing them with art. I can imagine buyers selecting fabrics that match their furnishings, or using their favorite artwork, or even creating their own designs.
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Stephen Mejias Posted: Mar 27, 2010 3 comments
“If you don’t mind, ladies and gentleman, I’m going to play you something you don’t ordinarily hear at an audiophile show,” states On A Higher Note’s Philip O’Hanlon, as he moves across the floor and inserts a disc into the lovely Luxman D-06 SACD/CD player ($8500).
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John Atkinson Posted: Mar 27, 2010 2 comments
I first heard the battery-powered amplification from Veloce at the 2009 SSI; this year the Philadelphia-based company was sharing a room with YG Acoustics, whose 3-way Kipod speakers ($38,500/pair) were being driven by the V6 mono 180W amplifiers ($12,500/pair) via Kubala-Sosna Emotion cables. A V.Y.G.R. Baltic M turntable, fitted with a 12" SME 312 tonearm and Air Tight PC-1 cartridge fed Veloce's new LP-1 transformer-based phono module ($3000) and the Veloce Platino LS-1 tube preamp.
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Art Dudley Posted: Mar 27, 2010 7 comments
The Multi Electronique suite was home to a tasteful, sedate display of Focal loudspeakers and Simaudio electronics, fed by an iMac computer running iTunes: just like home, except these guys had WAV files instead of the AIFFs that I prefer. The music selection was superb, and included the young jazz singer Melody Gardot, whom I hadn't heard before today, and the always interesting Dee Dee Bridgewater. Even without the luxury of an "audiophile" setup—which is to say, these musical furnishings were arranged in the manner of a normal person's home—the sound of the Focal Chorus 826W ($3795/pair), Moon 3.3 DPX D/A converter ($4000), and Moon 3.3 amplifier ($4000) was utterly charming, and I left my comfy red seat with only the greatest reluctance.

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