AXPONA 2010

Sort By: Post Date | Title | Publish Date
Filed under
Jason Victor Serinus Posted: Mar 09, 2010 4 comments
Sonist of Studio City, CA was touting the premier of the Recital 3 all-wood floorstanders ($2195/pair), with a lower-price black textured finish model ($1795/pair) also available. . Featuring a 6" woofer and ribbon tweeter, the 8 ohm speaker has 93dB sensitivity, and a frequency response of 45Hz–40kHz. Audience and Cardas parts point to high quality. Shown next to the larger Concerto 3 ($4195/pair with all-wood cabinets, otherwise $3495 and reviewed by Art Dudley in April 2009), the Recital 3 is an 8 ohm, 95dB-sensitivity speaker with a frequency response of 30Hz–40kHz. Current production of the Concerto 3 has fixed the cabinet resonance problem JA found in our review.
Filed under
Jason Victor Serinus Posted: Mar 09, 2010 0 comments
You can always count on several things from Soundsmith: rich, luscious, extremely seductive sound (especially from the moderately romantic Strain Gauge cartridge/phono preamp), and a flashing light show from multiple components that is curiously at odds with the refinement of most of the vinyl Peter Ledermann plays.
Filed under
Jason Victor Serinus Posted: Mar 09, 2010 0 comments
Although I didn't get a chance to audition them—Roy Hall tried to ply me and just about everyone present with Scotch or something to get me to linger, but this extremely moderate drinker decided I could do a better job if I didn't stumble from room to room, dragging cables behind me—I was quite intrigued by the AktiMate Mini ($695/pair) in the Music Hall room. This Australian baby, engineered by folks from Creek Audio and Epos, is an active speaker, similar to the popular AudioEngines, and the master unit is equipped with an iPod dock as well as stereo RCA phono and mini-jack inputs. There is even an RCA stereo out to enable connection to a subwoofer, as well as a volume remote.
Filed under
Jason Victor Serinus Posted: Mar 09, 2010 0 comments
Audio Plus Services, Toronto, distributes a luscious batch of products that includes Pathos, Focal, Cambridge Audio, MicroMega, Crystal cable, Siltech cable, and Solid Tech racks. At Axpona, throwing aesthetics to the dogs in an attempt to tame the room, APS's Ian McArthur sent files wirelessly from his Macbook Pro or a PC running the Airfoil utility via the MicroMega WM-10 Airstream wireless receiver ($1595) to the Pathos TT Anniversary 35W class-A hybrid integrated amp ($7695) and Focal-JM Lab Electra 1028BE loudspeakers ($8495/pair). Cabling was Crystal Cable Reference for both interconnect ($2400/1m) and speaker cable ($7500/3m), and the industrial-look rack was Solid Tech ROS Reference 3 ($1495). The Airstream basically incorporates a self-configuring WiFi router to feed audio data (limited to Red Book at present) to its DAC. Although use of iTunes as the media server, without benefit of either the Amarra or Channel D's Pure Music interfaces, undoubtedly contributed to a lack of transparency, cellos sounded extremely deep and solid, and Marta Gomez's debut CD on Chesky (played directly from the computer's CD drive without benefit of burning) was rewardingly crisp and extremely fast.
Filed under
Jason Victor Serinus Posted: Mar 09, 2010 5 comments
Don't even think about the juxtaposition of so-called "modern art" with the kitsch figurines of Nipper and the parrot. Instead gaze upon the Classic Audio T1.3 Reference loudspeakers ($36,500), shown here with Classic's John Wolff. The T1.3 uses two 15" woofers , a TAD compression-loaded tweeter, and the jewel of the design, a 4" compression-loaded midrange dome feeding a Tractrix-flare horn designed by Bruce Edgar. All the drive-units are energized by field-coil magnets rather than permanent magnets. The rest of the system comprised Atma-Sphere MA-60 MUIII monoblocks ($6800), an Atma-Sphere MP-1 preamp ($12,100), Esoteric DU-50 CD player, Kuzma Reference table ($8900), TriPlanar arm ($4850), Van den Hul The Grasshopper cartridge, 59-cent hook-up wire, and my feeble attempts to decipher illegible handwriting. (So much for the "You don't have a sheet listing your products; you do the writing while I listen" approach). Playing the same Mahler as auditioned in the fabulous Koetsu USA room, this system certainly nailed the sound of the cymbals.
Filed under
Jason Victor Serinus Posted: Mar 08, 2010 1 comments
The room shared by Oracle and Phase Technology featured the eye-catching Oracle CD2500 CD player ($12,500), Oracle Delphi Mk.6 turntable with Oracle SME 5 tonearm and Thalia cartridge ($16,500 total), Oracle phono stage ($9950), and Oracle SI 1000 175Wpc integrated amp ($9950) powering the black Phase Technology PC-9.5 loudspeakers ($3500/pair). I was given very different figures in the room than are printed on the literature. Does this 4 ohms nominal impedance speaker have 91dB sensitivity, as the literature says, or 87dB, which is what the spex said? Is its frequency response 32Hz—22kHz, or 35Hz—20kHz ±2dB. And is its price what I was told? Such are the mysteries of life.
Filed under
Jason Victor Serinus Posted: Mar 08, 2010 1 comments
Do you wish you could stroll through a field of poppies, and drift into oblivion while listening to your favorite music? You needn't fly to the land of Oz or pastoral Afghanistan. Instead, try the almost all-in-one i-Fi Home Theater in a Chair ($4000). Though it currently lacks a TV—I for one am not complaining—this Kimber Kable-wired, motorized, Italian leather recliner comes complete with two satellite speakers, a tactile transducer (I'll explain), and hidden-in-the-back class-D amplifier and subwoofer. The baby even has a Bryston iPod DAC, built-in demo library for the true wherever-you-lead-I-will-follow(s) amongst us, and a wireless transmitter.
Filed under
Jason Victor Serinus Posted: Mar 08, 2010 4 comments
Michael Lacomba of Southern Cinema, with stores in Cumming, GA and St. Augustine, FL, was having a great time demming several joyful systems that combined tried and true with fresh and new. Almost as fresh and new as Michael, who at age 26 laments, "People my age don't know this stuff exists." Not that Steve Davis and the small and dedicated Axpona crew didn't do everything possible publicity-wise to bring in a fair amount of curious collegiates, some of whom were actually heard to mutter, "I'm going to have to rethink my whole iPod thing after hearing this."
Filed under
Jason Victor Serinus Posted: Mar 08, 2010 10 comments
When I was supping with John Atkinson and Michael Fremer, Mikey mentioned how impressed he was with Cary's true high-end surround processor, the Cinema 11. At Axpona I encountered the North Carolina company's more traditional line, assembled by Fort Lauderdale dealer Let There Be Sound: Cary CAD211 Founder's Edition monoblocks ($20,000), running 70Wpc pure triode; Cary SLP-05 linestage ($8000), Cary CD306 SACD Pro player ($8000), and Cary PH-302 Mk.II phono stage ($3500). Also called into play were the Acoustic Solid Royal turntable ($18,000) with Shelter Harmony cartridge ($5300), Isotek Sigmas A/C. conditioner ($2700), and a large assortment of Cable Research Labs (CRL) cables. Cary's signature sound demonstrated why the company is thought of so highly in the audiophile community.
Filed under
Jason Victor Serinus Posted: Mar 08, 2010 5 comments
Twin•Audio•Video teamed up with Acoustic Zen to pair the large and imposing Acoustic Zen Crescendo loudspeaker ($16,000/pair) with Triode Corporation Ltd. of Japan's Tri TRV-4SE tube preamp ($1,900), the power module of the Tri TRV-845SE 20W pure class-A integrated amp ($6000), and Tri TRV-CD4SE tube CD player with 192kHz upsampling ($2200). The Crescendo is a 3-way, 125 lb transmission-line design with 6 ohms nominal impedance, 89dB sensitivity, and a frequency range of 20Hz to 30kHz. Also in the room on the floor were two ORB power traps (aka power conditioners/distributors), the Kyoto ($6000) and Kamakura ($3900), and, of course, Acoustic Zen cabling. This system did a fine job of capturing music's beauty and warmth. Which is saying a lot.
Filed under
Jason Victor Serinus Posted: Mar 08, 2010 0 comments
I heard enough "60 is the new 50" at the show to make me wonder if overweight is the new slim. But some things were clear. Small speakers are capable of throwing an astoundingly large soundstage.
Filed under
Jason Victor Serinus Posted: Mar 07, 2010 1 comments
As much as I enjoyed many of the systems I auditioned on the first day of the show, the one that seduced me the most was assembled by Doug White's The Voice That Is of Newtown Square, PA. Powered by Vitus (pronounced VEE-toos) Audio SM-010 25W class-A monoblocks ($49,500/pair), and connected by Argento Audio FLOW power cords ($3100/2m), interconnects ($4100/m with RCAs), Master Reference interconnects ($8900/1m RCA), and Master Reference speaker cable ($24,500/2m), the dCS Puccini SACD/CD player ($17,999) with U-Clock ($4999) and Tidal Audio Piano Cera speakers ($28,400/pair in midnight black lacquer, or $36,3000 in Ebony Macassar) were producing the warmest and most beautiful midrange I had heard so far. In fact, as it turned out, it was the warmest and most seductive midrange I heard on the first two days of the show.
Filed under
Jason Victor Serinus Posted: Mar 07, 2010 1 comments
Madisound, a speaker kit company based in Madison, Wisconsin, demmed a full range of loudspeakers that starts with the recession-buster RB3 ($445/pair). Playing at the time I visited was the astounding for the price Zaph Audio floorstander (with the black face–$1559). Equipped with two Scanspeak drivers, and powered by the Fountek Altitude 3500 23Wpc integrated amp ($1350), the system delivered impressively smooth, full-range sound on a stellar Chesky CD from vocalist Rosa Passos and bassist Ron Carter.
Filed under
Jason Victor Serinus Posted: Mar 07, 2010 3 comments
I could have kicked myself. At the 2010 CES, as much as I wanted to hear and blog about the eye-catching and ultra-expensive The LARS 1 36W monoblocks ($90,000/pair), I couldn't find the room. So when the CBO/founder of Engstrom , Timo Engström (second from right in my photo), emailed to say he'd be displaying at Axpona, I assured him that if I didn't get to his room this time around, I deserved to be shot.
Filed under
Jason Victor Serinus Posted: Mar 07, 2010 0 comments
As I entered a large room filled with May Audio's CDs and LPs, the dynamic duo of Jay Paul Apodaca (right) and Carlos Peniche (left) was dashing between two impressive systems set up at the other end. I was quite impressed with the large and exciting soundstage thrown by the setup whose power came from a Mastersound Evolution 845 integrated amp ($15,000). This pure class-A, 50Wpc amp uses two 845 tubes per side. For the uninitiated, and that includes me, the Italian Mastersound company first began manufacturing transformers 50 years ago.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading