AXPONA 2010

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Jason Victor Serinus Posted: Mar 09, 2010 5 comments
Don't even think about the juxtaposition of so-called "modern art" with the kitsch figurines of Nipper and the parrot. Instead gaze upon the Classic Audio T1.3 Reference loudspeakers ($36,500), shown here with Classic's John Wolff. The T1.3 uses two 15" woofers , a TAD compression-loaded tweeter, and the jewel of the design, a 4" compression-loaded midrange dome feeding a Tractrix-flare horn designed by Bruce Edgar. All the drive-units are energized by field-coil magnets rather than permanent magnets. The rest of the system comprised Atma-Sphere MA-60 MUIII monoblocks ($6800), an Atma-Sphere MP-1 preamp ($12,100), Esoteric DU-50 CD player, Kuzma Reference table ($8900), TriPlanar arm ($4850), Van den Hul The Grasshopper cartridge, 59-cent hook-up wire, and my feeble attempts to decipher illegible handwriting. (So much for the "You don't have a sheet listing your products; you do the writing while I listen" approach). Playing the same Mahler as auditioned in the fabulous Koetsu USA room, this system certainly nailed the sound of the cymbals.
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Jason Victor Serinus Posted: Mar 09, 2010 14 comments
Midway through Axpona, Norbert Mundorf, maker of the fabled Mundorf capacitors, flew in from Germany to bring the Steinmusic Harmonizer H2a and H2b to the Jaton room. Although I had already blogged the room, I happened to be in the right place to learn what was going on.
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Jason Victor Serinus Posted: Mar 09, 2010 0 comments
Roy Hall's Music Hall was showing several nifty little systems. Making its official debut as well as show debut, the Creek Audio Evolution 5350 Integrated amplifier ($1795), which has been around for perhaps a decade in various proven incarnations, was sending its 120Wpcs into 8 ohms signal from the Creek Destiny CD player ($2495) into the handsomely slim (were we all only as. . .) Epos M22i loudspeakers ($2599/pair). This system was uncompromising in its portrayal of brash rock as exactly that. No euphonic roll-off or soft-pedaling allowed! Switch to the Oscar Peterson Trio, and you'll hear a very different, sweet sound on piano and bass.
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Jason Victor Serinus Posted: Mar 09, 2010 1 comments
To anyone who has committed my blogs to memory, or treated them with the same reverence as passages from the Bible, my love for mbl speakers and electronics will come as no surprise. Listens at CES 2010, RMAF 2009, and CES 2009 left me in awe. If only the newest mbl speakers on the market had been on active rather than static display, I expect I'd be waxing ecstatic once again.
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Jason Victor Serinus Posted: Mar 09, 2010 1 comments
One of several low-cost, high quality exhibits at Axpona came from Jaton. Based in Fremont, CA, Jaton sources its speaker components from Germany and other parts of Europe, but assembles them in China. It amps, which include 14 Mundorf caps in the amp proper and four more in the power sector, are assembled in Fremont. Everything is designed by the company's unnamed and extremely secretive CEO, who only began to enter the high-end market a few years ago.
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Jason Victor Serinus Posted: Mar 08, 2010 10 comments
When I was supping with John Atkinson and Michael Fremer, Mikey mentioned how impressed he was with Cary's true high-end surround processor, the Cinema 11. At Axpona I encountered the North Carolina company's more traditional line, assembled by Fort Lauderdale dealer Let There Be Sound: Cary CAD211 Founder's Edition monoblocks ($20,000), running 70Wpc pure triode; Cary SLP-05 linestage ($8000), Cary CD306 SACD Pro player ($8000), and Cary PH-302 Mk.II phono stage ($3500). Also called into play were the Acoustic Solid Royal turntable ($18,000) with Shelter Harmony cartridge ($5300), Isotek Sigmas A/C. conditioner ($2700), and a large assortment of Cable Research Labs (CRL) cables. Cary's signature sound demonstrated why the company is thought of so highly in the audiophile community.
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Jason Victor Serinus Posted: Mar 08, 2010 5 comments
Twin•Audio•Video teamed up with Acoustic Zen to pair the large and imposing Acoustic Zen Crescendo loudspeaker ($16,000/pair) with Triode Corporation Ltd. of Japan's Tri TRV-4SE tube preamp ($1,900), the power module of the Tri TRV-845SE 20W pure class-A integrated amp ($6000), and Tri TRV-CD4SE tube CD player with 192kHz upsampling ($2200). The Crescendo is a 3-way, 125 lb transmission-line design with 6 ohms nominal impedance, 89dB sensitivity, and a frequency range of 20Hz to 30kHz. Also in the room on the floor were two ORB power traps (aka power conditioners/distributors), the Kyoto ($6000) and Kamakura ($3900), and, of course, Acoustic Zen cabling. This system did a fine job of capturing music's beauty and warmth. Which is saying a lot.
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Jason Victor Serinus Posted: Mar 08, 2010 0 comments
I heard enough "60 is the new 50" at the show to make me wonder if overweight is the new slim. But some things were clear. Small speakers are capable of throwing an astoundingly large soundstage.
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Jason Victor Serinus Posted: Mar 08, 2010 1 comments
The room shared by Oracle and Phase Technology featured the eye-catching Oracle CD2500 CD player ($12,500), Oracle Delphi Mk.6 turntable with Oracle SME 5 tonearm and Thalia cartridge ($16,500 total), Oracle phono stage ($9950), and Oracle SI 1000 175Wpc integrated amp ($9950) powering the black Phase Technology PC-9.5 loudspeakers ($3500/pair). I was given very different figures in the room than are printed on the literature. Does this 4 ohms nominal impedance speaker have 91dB sensitivity, as the literature says, or 87dB, which is what the spex said? Is its frequency response 32Hz—22kHz, or 35Hz—20kHz ±2dB. And is its price what I was told? Such are the mysteries of life.
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Jason Victor Serinus Posted: Mar 08, 2010 1 comments
Do you wish you could stroll through a field of poppies, and drift into oblivion while listening to your favorite music? You needn't fly to the land of Oz or pastoral Afghanistan. Instead, try the almost all-in-one i-Fi Home Theater in a Chair ($4000). Though it currently lacks a TV—I for one am not complaining—this Kimber Kable-wired, motorized, Italian leather recliner comes complete with two satellite speakers, a tactile transducer (I'll explain), and hidden-in-the-back class-D amplifier and subwoofer. The baby even has a Bryston iPod DAC, built-in demo library for the true wherever-you-lead-I-will-follow(s) amongst us, and a wireless transmitter.
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Jason Victor Serinus Posted: Mar 08, 2010 4 comments
Michael Lacomba of Southern Cinema, with stores in Cumming, GA and St. Augustine, FL, was having a great time demming several joyful systems that combined tried and true with fresh and new. Almost as fresh and new as Michael, who at age 26 laments, "People my age don't know this stuff exists." Not that Steve Davis and the small and dedicated Axpona crew didn't do everything possible publicity-wise to bring in a fair amount of curious collegiates, some of whom were actually heard to mutter, "I'm going to have to rethink my whole iPod thing after hearing this."
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Jason Victor Serinus Posted: Mar 07, 2010 3 comments
I could have kicked myself. At the 2010 CES, as much as I wanted to hear and blog about the eye-catching and ultra-expensive The LARS 1 36W monoblocks ($90,000/pair), I couldn't find the room. So when the CBO/founder of Engstrom , Timo Engström (second from right in my photo), emailed to say he'd be displaying at Axpona, I assured him that if I didn't get to his room this time around, I deserved to be shot.
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Jason Victor Serinus Posted: Mar 07, 2010 0 comments
As I entered a large room filled with May Audio's CDs and LPs, the dynamic duo of Jay Paul Apodaca (right) and Carlos Peniche (left) was dashing between two impressive systems set up at the other end. I was quite impressed with the large and exciting soundstage thrown by the setup whose power came from a Mastersound Evolution 845 integrated amp ($15,000). This pure class-A, 50Wpc amp uses two 845 tubes per side. For the uninitiated, and that includes me, the Italian Mastersound company first began manufacturing transformers 50 years ago.
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Jason Victor Serinus Posted: Mar 07, 2010 1 comments
Michael Chafee, a Saratoga-based dealer, consultant, and system tuner, was still in the process of fine-tuning his 7.1 surround setup when I paid a visit. Standing next to the Genelec HT210B loudspeaker ($3739 each) that served front left and right channel honors, Chafee's intriguing system also utilized Genelec HT208 surround loudspeakers ($2859 each) and HTS4 subs ($4729 each), Simaudio Moon CP8 processor ($20,000), a Lexicon RT20 CD player ($5000), and Nordost Heimdahl cabling.
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Jason Victor Serinus Posted: Mar 07, 2010 1 comments
As much as I enjoyed many of the systems I auditioned on the first day of the show, the one that seduced me the most was assembled by Doug White's The Voice That Is of Newtown Square, PA. Powered by Vitus (pronounced VEE-toos) Audio SM-010 25W class-A monoblocks ($49,500/pair), and connected by Argento Audio FLOW power cords ($3100/2m), interconnects ($4100/m with RCAs), Master Reference interconnects ($8900/1m RCA), and Master Reference speaker cable ($24,500/2m), the dCS Puccini SACD/CD player ($17,999) with U-Clock ($4999) and Tidal Audio Piano Cera speakers ($28,400/pair in midnight black lacquer, or $36,3000 in Ebony Macassar) were producing the warmest and most beautiful midrange I had heard so far. In fact, as it turned out, it was the warmest and most seductive midrange I heard on the first two days of the show.

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