CES 2010

Sort By: Post Date | Title | Publish Date
Filed under
Brian Damkroger Posted: Jan 10, 2010 Published: Jan 11, 2010 4 comments
The new Sonics Allegra speaker, shown here with Immedia's Allen Perkins (left) and designer Joachim Gerhardt (right in JA's pic), differs from the one I reviewed in January 2009, primarily in how the cabinets are attached. In the first series, the top, midrange and tweeter cabinet was solidly affixed to the top of the woofer box. Joachim Gerhardt decided to mechanically isolate the two cabinets to give the midrange and tweeter a cleaner environment in which to work, so they're now attached with an absorbent elastomer layer. To maintain the mass loading and resulting stability, however, there is now an approximately ½"-thick, stainless-steel plate attached to the bottom of the mid/tweeter cabinet. Simple, clever, and effective.
Filed under
Jon Iverson Posted: Jan 11, 2010 12 comments
Wadia introduced their iTransport/Dock at the 2008 CES a couple years back and, it's no understatement to say, changed everything.
Filed under
Jon Iverson Posted: Jan 11, 2010 6 comments
With 1TB of internal music storage, backup management program and Shoutcast internet radio capability, the Cary Audio Design Music Server appears to be a screaming deal at the estimated $2000-2500 price range. You can also add additional music storage via USB and control everything with an iPhone or Touch running their app.
Filed under
Erick Lichte Posted: Jan 10, 2010 Published: Jan 11, 2010 2 comments
One of my favorite things I experienced at CES this year was encountering new audio companies I'd never heard of, especially the ones that seem to be making high-quality components at real-world prices. One of these new surprises was Mystère Audio, distributed in the US by Kevin Deal. Made, like PrimaLuna, in China for Durob Audio, a Dutch company who has been making gear for over 30 years, Mystère showed a full line of amplification components but were playing their pa21 stereo power amplifier ($2995) and ca21 preamplifier ($2195).
Filed under
Brian Damkroger Posted: Jan 10, 2010 Published: Jan 11, 2010 4 comments
I started my first day at CES at the Immedia room, where Allen Perkins had a typically (for Immedia) great-sounding system, chock full of new gear—some so new that it doesn't even exist yet, as a product anyway. Starting from the top, there was the second-generation Spiral Groove SG-1.1 turntable fitted with a "production" version of his new tonearm. In this case, "production" means either "honestly, truly the very last prototype before production" or "the genuine first production version...that only differs from what we'll be shipping in a couple of non-functional details" take your pick. Either way, Immedia will begin shipping the arm immediately after the show.
Filed under
Jason Victor Serinus Posted: Jan 10, 2010 2 comments
Directly across the hall from Musical Surroundings, Garth and Jim White, owner and designer of Aesthetix Audio Corporation, played the same French jazz recording I had just heard. This time, the Clearaudio Innovation Wood turntable ($10,000) with TT2 linear tonearm ($9500) and daVinci v2 cartridge ($5500) did the honors. Handling the rest were the Aesthetix Rhea Signature phono stage ($7,000), part of the Saturn series and named after one of the moons of Saturn; and the same Aesthetix Atlas power amp ($8000) as used across the hall. Vandersteen Quatro Wood speakers, HRS equipment stand, Kubala-Sosna cables and Running Springs Audio power products completed the chain.
Filed under
Jason Victor Serinus Posted: Jan 10, 2010 1 comments
Nothing can beat starting off a morning in a state of grace. That's how it felt when Garth Leerer of Musical Surroundings warmed up the new Clearaudio Concept turntable ($1400) with Borodin's Quartet No.2, appropriately performed by the Borodin Quartet and reproduced on an immaculate Decca pressing. The sound was warm, liquid, and eminently pleasing - everything I would want from good vinyl reproduction.
Filed under
Jon Iverson Posted: Jan 10, 2010 9 comments
Designer Peter Madnick, one of the original founders of Audio Alchemy a couple decades back, has returned as part of a new Southern California company called Constellation Audio. In addition to preamp and amplifier offerings, on hand was the $50,000 Sirius DAC and CD player two box system. One box (which they call the "clean box") contains the DAC and audio stuff and then the "dirty box" houses the transport and power supplies (pictured above).
Filed under
Jason Victor Serinus Posted: Jan 10, 2010 1 comments
I was real excited to hear the advanced prototype of the new the SMC-1, a fully balanced linestage preamp collaboration between Steve McCormack and Gary Koh of Genesis. The preamp will come in two versions, the higher-priced of the two probably coming in around $8000. For the extra money, you get higher quality parts and a different sonic signature, which amounts to quite a lot.
Filed under
Jason Victor Serinus Posted: Jan 10, 2010 2 comments
Irresistible warmth in the midrange. It's not what you usually associate with digital, but it's the only way to describe digital reproduction in the EAR USA room. Auditioned were the EAR Acute CD player ($5495), EAR 509 monoblocks ($14,000), and EAR 912 preamplifier ($11,500), played through the brand-new Marten Getz loudspeakers ($20,000/pair) and connected by Jorma Origo cabling. The new Marten Getz, part of the Marten Heritage series and seen hear in JA's photo with EAR's legendary designer Tim de Paravicini, is a three-way model that combines an active and passive woofer in a single box. The Getz boasts 87dB sensitivity, and a frequency response that extends from 30Hz (–3dB) up to 40kHz.
Filed under
Jason Victor Serinus Posted: Jan 10, 2010 5 comments
I've now heard The Lotus Group Granada UB II Loudspeaker with an Active Crossover ($125,000/pair) twice. The first time was in Northern CA, where I joined Joseph Cohen of The Lotus Group and designer/engineer Manny La Carrubba for an extended listening session devoid of all the usual CES attractions. The second time was in the less-hospitable environment of the Venetian. (You have not lived until you try to focus on Fritz Wunderlich singing a transporting Mozart aria while the sounds of Maria Callas suffering through Verdi blast from the other room, and the person sitting behind you decides to discuss the stock market with his companion).
Filed under
Jason Victor Serinus Posted: Jan 09, 2010 12 comments
I've been a major fan of Echole Obsession cabling ever since hearing it paired with Kaiser Kawero loudspeakers at RMAF 2008. With those marvelous babies lamentably absent, here it was paired with a loudspeaker new to me, the towering, 500 lb Tidal Sunray ($178,600/pair), whose 6'8" designer, Jörn Janczak, is equally imposing.
Filed under
Jon Iverson Posted: Jan 09, 2010 10 comments
Bel Canto has clearly been busy on the digital front. Three new DACs are on display: the e.One DAC1.5 at $1,395, e.One DAC2.5 at $1,995, and the e.One DAC3.5VB at $3,495. The company explains that the core of all three products is the "jitter-eliminating" Two-Stage Master Reference UltraClock.
Filed under
Erick Lichte Posted: Jan 09, 2010 10 comments
One of the great things about coming to CES is getting the opportunity to hear gear that’s rarely near. I was really happy as I strolled down the 35th floor to walk into the Lamm room. I don’t have a Lamm dealer in Minneapolis so I haven’t ever had the chance to hear this lauded and expensive tube gear.
Filed under
Erick Lichte Posted: Jan 09, 2010 1 comments
I reviewed the Pass Labs XA 30.5 a few months back for Stereophile . I loved it. Now Nelson Pass, known for his impulsive but inspired ideas, has taken the same class-A solid-state power amplifier and transformed it into an integrated amp. Though the new INT-30A ($7150) was only on silent display (the unit seen here didn't even have any guts inside!) I hope to hear it in my own system soon.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading