CES 2010

Sort By: Post Date | Title | Publish Date
Filed under
Jason Victor Serinus Posted: Jan 10, 2010 Published: Jan 11, 2010 2 comments
Theta Digital is at last showing the Compli-Blu universal player ($2995), which begins shipping the week after the Show. The successor to the old Compli universal player and Carmen II digital transport, the Compli-Blu can be used either as a digital transport (which is how I intend to use it with my Theta Gen. VIII Series 2 DAC/preamp), or as a stand-alone multi-format player.
Filed under
Jon Iverson Posted: Jan 11, 2010 6 comments
Music server manufacturer Blue Smoke returned to CES this year as part of the Rockport Technologies suite in the upper echelons of the Mirage. The company's product is the $6,995 Black Box music server where they focus on creating an optimal environment for digital music on the hardware side and assume the customer will choose a Windows compatible music player and interface. For their demo, Windows Media Center was used with a Dell touchscreen (seen on the right) and keyboard/mouse combo for the control functions. A MSB DAC, located under the Black Box in the photo above, converts the data to analog.
Filed under
Jon Iverson Posted: Jan 11, 2010 0 comments
Remote control for the Wadia 171iTransport and 151PowerDAC mini with hard buttons for volume and track navigation.
Filed under
Erick Lichte Posted: Jan 10, 2010 Published: Jan 11, 2010 10 comments
NAD is well known for its traditional, high-quality, and relatively affordable integrated amplifiers. At this year's CES, NAD introduced a revolutionary new integrated, the M2 ($5999). NAD's Stephen DeFuria (right) told me that the M2 is what NAD calls a "Direct Digital" amplifier—there is no analog circuitry!
Filed under
Erick Lichte Posted: Jan 10, 2010 Published: Jan 11, 2010 19 comments
I recently spent the past few months listening to and reviewing the new Manley Stingray iTube integrated amplifier (the review will appear the March issue of Stereophile). So when I stepped into the Manley room at CES, it felt a bit like I was back at my own listening room at home. The Stingray iTube is based on four EL84 tubes per channel and puts out 32Wpc in Ultralinear mode and 18Wpc in Triode mode. It features an Apple certified iPod dock in addition to its regular single-ended inputs.
Filed under
Jason Victor Serinus Posted: Jan 10, 2010 1 comments
I was real excited to hear the advanced prototype of the new the SMC-1, a fully balanced linestage preamp collaboration between Steve McCormack and Gary Koh of Genesis. The preamp will come in two versions, the higher-priced of the two probably coming in around $8000. For the extra money, you get higher quality parts and a different sonic signature, which amounts to quite a lot.
Filed under
Jason Victor Serinus Posted: Jan 10, 2010 2 comments
Irresistible warmth in the midrange. It's not what you usually associate with digital, but it's the only way to describe digital reproduction in the EAR USA room. Auditioned were the EAR Acute CD player ($5495), EAR 509 monoblocks ($14,000), and EAR 912 preamplifier ($11,500), played through the brand-new Marten Getz loudspeakers ($20,000/pair) and connected by Jorma Origo cabling. The new Marten Getz, part of the Marten Heritage series and seen hear in JA's photo with EAR's legendary designer Tim de Paravicini, is a three-way model that combines an active and passive woofer in a single box. The Getz boasts 87dB sensitivity, and a frequency response that extends from 30Hz (–3dB) up to 40kHz.
Filed under
Jason Victor Serinus Posted: Jan 10, 2010 5 comments
I've now heard The Lotus Group Granada UB II Loudspeaker with an Active Crossover ($125,000/pair) twice. The first time was in Northern CA, where I joined Joseph Cohen of The Lotus Group and designer/engineer Manny La Carrubba for an extended listening session devoid of all the usual CES attractions. The second time was in the less-hospitable environment of the Venetian. (You have not lived until you try to focus on Fritz Wunderlich singing a transporting Mozart aria while the sounds of Maria Callas suffering through Verdi blast from the other room, and the person sitting behind you decides to discuss the stock market with his companion).
Filed under
Jason Victor Serinus Posted: Jan 10, 2010 2 comments
Directly across the hall from Musical Surroundings, Garth and Jim White, owner and designer of Aesthetix Audio Corporation, played the same French jazz recording I had just heard. This time, the Clearaudio Innovation Wood turntable ($10,000) with TT2 linear tonearm ($9500) and daVinci v2 cartridge ($5500) did the honors. Handling the rest were the Aesthetix Rhea Signature phono stage ($7,000), part of the Saturn series and named after one of the moons of Saturn; and the same Aesthetix Atlas power amp ($8000) as used across the hall. Vandersteen Quatro Wood speakers, HRS equipment stand, Kubala-Sosna cables and Running Springs Audio power products completed the chain.
Filed under
Jason Victor Serinus Posted: Jan 10, 2010 1 comments
Nothing can beat starting off a morning in a state of grace. That's how it felt when Garth Leerer of Musical Surroundings warmed up the new Clearaudio Concept turntable ($1400) with Borodin's Quartet No.2, appropriately performed by the Borodin Quartet and reproduced on an immaculate Decca pressing. The sound was warm, liquid, and eminently pleasing - everything I would want from good vinyl reproduction.
Filed under
Jon Iverson Posted: Jan 10, 2010 9 comments
Designer Peter Madnick, one of the original founders of Audio Alchemy a couple decades back, has returned as part of a new Southern California company called Constellation Audio. In addition to preamp and amplifier offerings, on hand was the $50,000 Sirius DAC and CD player two box system. One box (which they call the "clean box") contains the DAC and audio stuff and then the "dirty box" houses the transport and power supplies (pictured above).
Filed under
Erick Lichte Posted: Jan 09, 2010 7 comments
Also showing in the Ayre room were their MX-R monoblocks ($9250 each) and also a Stereophile “Product of the Year” in 2007), connected to the actual samples of Vandersteen Model Seven speakers that Michael Fremer will be reviewing for Stereophile in March. The MX-R, like its KX-R brother, is carved out of a single block of aluminum and puts out 300W into 8 ohms and 600W into 4 ohms. The amps were fed by Ayre’s CX-7eMP CD player and KX-R preamplifier and the sound of the MX-R amps driving the Vandersteen Sevens was detailed and— pun fully intended— airy.
Filed under
Jason Victor Serinus Posted: Jan 09, 2010 5 comments
If anyone could possibly bewitch me, it's Ella Fitzgerald. I found it impossible to resist her spell as she sang "Bewitched, Bothered and Bewildered" through the wonderful pairing of Karan Acoustics' KA L Ref MK2 line preamplifier ($17,500) and KA S 180 stereo power amplifier ($9700), Zanden Model 2500 Signature CD player ($20,000), Finite Elemente racks, Cardas Clear cabling, and new Avalon Acoustics TIME dynamic loudspeaker system with new diamond tweeter, ceramic mid, and two 11" Kevlar woofers ($47,000/pair). This system's intimacy, midrange warmth, and complete lack of barriers beckoned me deeper into the magic of Ella's delivery. Wonderful.
Filed under
Jon Iverson Posted: Jan 09, 2010 3 comments
Here we see Simaudio's Lionel Goodfield proudly displaying his company's new Moon 300D DAC which retails for $1,600 and is available now. Inputs on the back include USB, SPDIF and Toslink and can accept streams up to 24bit/192kHz.
Filed under
Erick Lichte Posted: Jan 09, 2010 7 comments
Amplification in the Signature system in the Lamm room featured the ML3 Signature power amplifiers ($139,290/pair). Like the LL1 preamplifier, the ML3 isalso a four-chassis system. These 32W, single-ended, pure class-A amp is based on a direct-heated GM-70 triode.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading