CES 2010

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Brian Damkroger Posted: Jan 12, 2010 4 comments
My last stop of the day, and of the show, was the Audio Research room. Dave Gordon showed me their new DS-650 (I'm not sure that the designator was DS) stereo amp and laughed that it was their "Magnepan amp." Yup, I agree. As I discovered when I paired a pair of MG-3.6s with Classé CAM-350s, while any competent 20Wpc amp will drive a pair of MG-3.6s adequately...any top-notch 300–400W amp will actually drive them well. Then Dave casually noted that the 650 was a class-D amp and told me to put my hand on its top. Sure enough, it was cool as a cucumber in spite of having been on and making music for several days. "The entire amp is ours, from the bottom up," Dave noted, "there's nothing standard or off the shelf in there."
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Jason Victor Serinus Posted: Jan 12, 2010 2 comments
I felt as though I had entered sacred space. As I walked into the huge TAD suite, designer Andrew Jones was playing Aaron Neville's recording of "Amazing Grace." Everything about the sound, the speaker layout, and the rapt silence of the full house felt like a holy shrine.
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Jason Victor Serinus Posted: Jan 12, 2010 3 comments
I have heard Acapella horn loudspeakers and Einstein electronics on other occasions, but they have never sounded as glorious as they did paired together in one of the Aaudio Imports room at CES 2010. I only wish Erick Lichte and John Atkinson had been present as I played John's 2008 recording of Cantus' While You Are Alive, which Erick produced. (Erick was also Cantus' Artistic Director at the time). The sound was big—huge, in fact—maximally transparent, and thanks to the Einstein electronics' euphonic presentation, absolutely luscious.
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Jason Victor Serinus Posted: Jan 12, 2010 2 comments
Visiting one of Aaudio Imports' rooms gave me another opportunity to hear Tidal loudspeakers from Germany. I initially encountered an extremely imposing pair of these speakers on the first day of the show, paired with BAlabo electronics and Echole cabling. Now before me was a smaller pair of the Tidal speakers, either the Contriva Diacera SE ($73,500/pair) or Piano Cera ($28,400/pair). (The equipment sheet listed both models).
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Jon Iverson Posted: Jan 12, 2010 4 comments
The Holm Acoustics leather wrapped remote control which feels heavy and comfortable in the hand. Just press on the leather for the buttons to work.
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Jason Victor Serinus Posted: Jan 12, 2010 7 comments
What a relief to revisit VTL electronics, and breathe in the mellow midrange of jazz vocalist Johnny Hartmann singing on the Original Recordings Group reissue of I Just Dropped by to Say Hello. There's a beauty and timbral truth to VTL electronics that you do not hear from many tube products that cost more than the $50,000/pair Siegfried monoblocks, and far more than the wonderful VTL MB450 Signature Series II monoblocks ($15,000/pair).
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Erick Lichte Posted: Jan 10, 2010 Published: Jan 11, 2010 10 comments
NAD is well known for its traditional, high-quality, and relatively affordable integrated amplifiers. At this year's CES, NAD introduced a revolutionary new integrated, the M2 ($5999). NAD's Stephen DeFuria (right) told me that the M2 is what NAD calls a "Direct Digital" amplifier—there is no analog circuitry!
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Erick Lichte Posted: Jan 10, 2010 Published: Jan 11, 2010 19 comments
I recently spent the past few months listening to and reviewing the new Manley Stingray iTube integrated amplifier (the review will appear the March issue of Stereophile). So when I stepped into the Manley room at CES, it felt a bit like I was back at my own listening room at home. The Stingray iTube is based on four EL84 tubes per channel and puts out 32Wpc in Ultralinear mode and 18Wpc in Triode mode. It features an Apple certified iPod dock in addition to its regular single-ended inputs.
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Brian Damkroger Posted: Jan 10, 2010 Published: Jan 11, 2010 4 comments
The new Sonics Allegra speaker, shown here with Immedia's Allen Perkins (left) and designer Joachim Gerhardt (right in JA's pic), differs from the one I reviewed in January 2009, primarily in how the cabinets are attached. In the first series, the top, midrange and tweeter cabinet was solidly affixed to the top of the woofer box. Joachim Gerhardt decided to mechanically isolate the two cabinets to give the midrange and tweeter a cleaner environment in which to work, so they're now attached with an absorbent elastomer layer. To maintain the mass loading and resulting stability, however, there is now an approximately ½"-thick, stainless-steel plate attached to the bottom of the mid/tweeter cabinet. Simple, clever, and effective.
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Jon Iverson Posted: Jan 11, 2010 12 comments
Wadia introduced their iTransport/Dock at the 2008 CES a couple years back and, it's no understatement to say, changed everything.
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Jon Iverson Posted: Jan 11, 2010 6 comments
With 1TB of internal music storage, backup management program and Shoutcast internet radio capability, the Cary Audio Design Music Server appears to be a screaming deal at the estimated $2000-2500 price range. You can also add additional music storage via USB and control everything with an iPhone or Touch running their app.
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Erick Lichte Posted: Jan 10, 2010 Published: Jan 11, 2010 2 comments
One of my favorite things I experienced at CES this year was encountering new audio companies I'd never heard of, especially the ones that seem to be making high-quality components at real-world prices. One of these new surprises was Mystère Audio, distributed in the US by Kevin Deal. Made, like PrimaLuna, in China for Durob Audio, a Dutch company who has been making gear for over 30 years, Mystère showed a full line of amplification components but were playing their pa21 stereo power amplifier ($2995) and ca21 preamplifier ($2195).
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Brian Damkroger Posted: Jan 10, 2010 Published: Jan 11, 2010 4 comments
I started my first day at CES at the Immedia room, where Allen Perkins had a typically (for Immedia) great-sounding system, chock full of new gear—some so new that it doesn't even exist yet, as a product anyway. Starting from the top, there was the second-generation Spiral Groove SG-1.1 turntable fitted with a "production" version of his new tonearm. In this case, "production" means either "honestly, truly the very last prototype before production" or "the genuine first production version...that only differs from what we'll be shipping in a couple of non-functional details" take your pick. Either way, Immedia will begin shipping the arm immediately after the show.
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Jon Iverson Posted: Jan 11, 2010 5 comments
Stereophile scribe Kal Rubinson examines the small forest of connections on the back of the Black Box.
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Jon Iverson Posted: Jan 11, 2010 12 comments
Wadia started life decades ago as a strictly high-end digital company, and though the iPod is the main attraction these days, has not forgotten their roots.

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