CES 2010

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Larry Greenhill Posted: Jan 13, 2010 12 comments
I was highly impressed with the dynamics, speed, and pace of a new $8000/pair loudspeaker from John DeVore, a speaker maker from my area of the country, Brooklyn, New York. I had first read about John in the New York Times when it featured new and brave entrepreneurs making their way in Brooklyn during the recent recession. I was interested, because of my medical research background, that the very tall Mr. DeVore had been positively influenced in his younger years by an uncle who was a leading primatologist, and had take him to Africa to view various monkeys living in their natural habitat. As a result, John names his loudspeaker lines for various species, including the Gibbon, Silverback, and now Orangutan. This floorstanding, two-way, high-sensitivity ([95]dB/2.83V/m) loudspeaker features a 1" silk-dome tweeter and a reflex-loaded, 10" treated-paper woofer (rear port) in a cabinet with a lace walnut finish. I was struck by the similarity between John's energy and enthusiasm and the dynamics and pace of the music the Orangutan generated driven by the 15Wpc Mag Amp.
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Jon Iverson Posted: Jan 13, 2010 3 comments
One of the companies I continue to enjoy seeing every CES is Sonneteer. Their proprietors are always amazingly perky a couple days into a grueling show, and their products are consistently interesting.
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Jason Victor Serinus Posted: Jan 13, 2010 0 comments
In the middle of the King's Audio room sat the omni-directional King Tower ($4500/pair). The speaker was created specifically because, according to the distributor, there was no affordable omni on the market. Paired with same substandard cabling as was the King's Audio Prince II electrostat, a $99 Philips CD player, and the mbl Noble series 4004 preamp and 8011 monoblocks, the speakers sounded quite promising. This is a speaker that needs a better source component and better cabling to fully demonstrate what it can do.
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Jason Victor Serinus Posted: Jan 13, 2010 8 comments
On the fourth floor of THE Show, Tim Ryan of Simpli-Fi was demming the Gradient Helsinki 5.1 loudspeaker ($6500/pair, down from $8000 a year ago). This weird-looking loudspeaker produces anything but weird sound. Designed to avoid reflections from the sidewalls and floor, it has 85dB sensitivity, a nominal 6 ohm impedance, and a frequency range of 200Hz–20kHz.
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Jon Iverson Posted: Jan 13, 2010 0 comments
Musical Fidelity picked a suite near the top of the Mirage hotel to introduce two new CD players, both available now. Top-of-the-line honors goes to the $9,000 AMS CD player and DAC built around a custom-made Philips CD pro mechanism and 12 internal power supplies.
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Jason Victor Serinus Posted: Jan 13, 2010 2 comments
I always look forward to Peter Ledermann's analog demos, because the sound of his cartridges, electronics, and speakers is consistently delicious. While it certainly was this time around, some surprising booming in the bass—something I do not recall hearing at any previous SoundSmith demo—alerted me to the fact that the small rooms at THE Show, situated on the fourth floor of the Flamingo Hotel, were a bitch to control.
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Erick Lichte Posted: Jan 13, 2010 2 comments
Newly unveiled in the Cary Audio room was the CAD 211 Founders Edition amplifier. This fully balanced monoblock retails for $20,000/pair. The amps have taps for 4, 8 and 16 ohm speakers and specified as putting out 70W in class-A, increasing to 110W when pushed into class-AB. They also employ zero feedback so I'm not going to send them to JA's test bench (low-feedback designs seem to make him grumpy). They sounded sweet and full-bodied driving the Marten Coltrane speakers, with cabling by Tara Labs. It is ironic, however, noted JA, that Cary founder Dennis Had retired from Cary in the fall of 2009.
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John Atkinson Posted: Jan 13, 2010 3 comments
"Have you heard the Devialet D-Premier amplifier?" asked UK high-end distributor Riccardo Franassovici when I bumped into him in the Magico room. (We were both there to check out the impressive new Q5 loudspeaker that Jason Serinus writes about elsewhere in this report.
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Erick Lichte Posted: Jan 13, 2010 1 comments
Walking into the Jeff Rowland Design Group room is like walking into a dreamscape of audio bling. To look at a Rowland faceplate is like gazing into the face of God...well, maybe that's overstating it a bit. Whoever set up the Rowland room knows how great their gear looks and even set up floor to ceiling poles full of lights, strategically aimed to heighten their hypnotic, 3-D look.
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Erick Lichte Posted: Jan 13, 2010 0 comments
Musical Fidelity, now distributed in the US by Tempo, had a room at the Mirage and were displaying lots of new equipment. As part of their newly released M series, Antony Michaelson's company showed off the M6i dual-mono integrated amplifier. The amps' circuitry design trickles down from the Musical Fidelity Titan amp reviewed last June by Michael Fremer. The amp puts out 200Wpc, retails for $3000, and, surprisingly, features a USB input.
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Jon Iverson Posted: Jan 13, 2010 3 comments
Some of my favorite industrial design in the audio industry comes from Chord. I'm not sure that the cool glass and aluminum flourishes found on many of their products have key functional utility, but they sure look inviting. So the relatively understated casework done for the new Cyan Click Digital Integrated Amplifier still stands out among more staid designs from others.
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Jason Victor Serinus Posted: Jan 13, 2010 11 comments
One of the many delights of CES was running into Neil Sinclair, former owner of Theta Digital, in the hallways of the Venetian. In answer to my question, "What would you recommend I check out?" Neil led me to the King's Audio suite.
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Jason Victor Serinus Posted: Jan 13, 2010 0 comments
In the Laufer-Teknik room, I had the opportunity to audition the Ascendo C8 loudspeaker ($9800/pair) with stand. This three-way includes a rear-firing ribbon tweeter and upward-firing, internal woofer, and has a specified sensitivity of 88dB
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Jon Iverson Posted: Jan 13, 2010 1 comments
For those of you who lust after a Benchmark DAC but wish it had remote control, rejoice. And in typical pro-audio fashion, they didn't add just any remote, but a motorized Alps pot that turns the front panel knob. The company claims that digital volume controls can reduce dynamic range and analog IC type controls add distortion and noise, hence their custom motorized design.
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Jason Victor Serinus Posted: Jan 13, 2010 3 comments
Two of my colleagues had waxed so enthusiastic about the Vienna Acoustics The Music loudspeaker ($27,000/pair), showcased in the huge Sumiko suite on the 34th floor, that I had to take a listen for myself. Sources were the Wadia 781 CD player and Project Xtension turntable ($6000) with Sumiko Palisantos Presentation cartridge ($3500), feeding an Aesthetix Calypso linestage, Aesthetix Io phono preamp, and Aesthetix Atlas amplifier. Also heard was a pair of REL G1 subwoofers ($3995 each), all connected by a mix of Transparent Audio and OCOS cabling.

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