CES 2010

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Jon Iverson Posted: Jan 14, 2010 Published: Jan 15, 2010 3 comments
Twice this CES, I found rooms that were so striking that I suggested all the Stereophile brothers go take a look/listen. The first one was the Sumiko/Vienna Acoustics suite up on the 34th floor (I still can't get over how great the sound was in that room—you can read Jason's more reserved take on the room here), and the second, for completely different reasons, was the Resolution Audio room.
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Jon Iverson Posted: Jan 14, 2010 Published: Jan 15, 2010 0 comments
I was surprised at how ambitious the new Maestro from Electrocompaniet looked on paper: Blu-ray drive, both audio and video streaming, internet radio, FM tuner, options including iPod dock and DAB/HD radio, integrated amplifier delivering 120 Watts into three channels, and optional 75 Watts times two amplifier for surround that can be wirelessly driven using a RF link. All this for between $8,000-10,000 depending on options.
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Jon Iverson Posted: Jan 14, 2010 Published: Jan 15, 2010 7 comments
I still remember seeing the first two HRT Streamers at CES last year, when Kevin Halverson held them out in his hand, thinking what a great idea to improve the lot of cash-strapped PC Audiophiles. One year and thousands of sales later, version two of the original DACs are out as the $149.95 Music Streamer II and $349.95 Music Streamer II+. Joining them is the Music Streamer Pro at $499.95 which sports balanced +4 voltage outputs and other goodies for the pro-audio set.
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Jason Victor Serinus Posted: Jan 15, 2010 56 comments
As John Atkinson and I entered the room at THE Show in which darTZeel electronics partnered Evolution Acoustics loudspeakers, I was immediately struck by the fullness of the midrange. It was as though the system was opening its heart and welcoming us in. That's how warm and nurturing the sound was.
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Jon Iverson Posted: Jan 14, 2010 Published: Jan 15, 2010 2 comments
A clever USB to Ethernet bridge (Pont Neuf—get it?) to allow your computer USB out to serve the Cantata over long cable runs. In striking case to match the Cantata aesthetics and available in February for $400.
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Jon Iverson Posted: Jan 14, 2010 Published: Jan 15, 2010 4 comments
"It's really red" I exclaimed, "bright, give-me-a-speeding-ticket red." Simaudio's Lionel Goodfield and distributor Michael Baskin were both quick to respond with "is there really any other color when it comes to special cars? So it is with special audio components."
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Jon Iverson Posted: Jan 14, 2010 Published: Jan 15, 2010 4 comments
Close-up of the retro-futuristic display graphics. Yes, they did line up an entire string of alphanumeric LED displays to match the holes carefully machined in the chassis.
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Jon Iverson Posted: Jan 14, 2010 Published: Jan 15, 2010 8 comments
Peachtree scored a hit last year with their Decco desktop DAC/Amp combo. They've returned with an updated version of the original Decco called the Decco2 which is available now for $799 and sports a 40 watts per channel tube hybrid integrated amp and ESS Sabre DAC.
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Jon Iverson Posted: Jan 14, 2010 4 comments
Ensemble has taken the position that with all the formats flying around, the biggest library of decent-sounding music remains the CD, so they might as well perfect it. Their Dirondo Player and Drive is a straightforward top-loading CD-only machine based on a Philips pro mechanism that allows the user to select the upsampling rate up to 24 bit/192kHz. Price is $12,000 and the Dirondo is available now.
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John Atkinson Posted: Jan 14, 2010 0 comments
Havng recently used Esoteric's four-box SACD playback system, with its dual-mono DACs and the ultra-high-precision Rubidium Clock unit, I checked out what the Japanese company was displaying in the rooms they were sharing with cable manufacturer Synergistic Research. My eye was caught by this beautifully styled one-box SACD player/DAC/100Wpc amplifier. The RZ-1 is scheduled to sell for $6000 and as well as using one of Esoteric's highly regarded SACD/CD transport mechanisms, it has both 192kHz-capable S/PDIF and 24/96-capable USB digital inputs and—significantly for the way the audio market is going—a phono preamplifier. The 32-bit D/A section uses an AKM AK4392 chip and offers both a conventional reconstruction filter, one that resembles Meridian's minimum-phase "apodizing" filter.
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John Atkinson Posted: Jan 14, 2010 1 comments
Though my photo shows the Canadian company's Director of Marketing Mark Aling with the top-of-the-line Paradigm Reference Signature S8 tower, my interest was piqued by Paradigm's new SE speakers. The Special Edition series combines elements of the more expensive Paradigm models, such as the tweeter from the Monitor series with the mineral-filled polypropylene-cone bass/midrange drivers from the Reference Studio series. The two-way SE1 bookshelf will sell for a very affordable $598/pair and the three-way floorstanding SE3 for $1398/pair.
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Jon Iverson Posted: Jan 14, 2010 1 comments
MSB is not messing around at this CES. The company has announced a stack of new products, including the DAC IV variations seen here (from the top): Signature Platinum DAC IV starting at $13,995, the Diamond DAC IV starting at $25,995, the Platinum DAC IV starting at $5,995, and the Platinum Power Base to keep them running.
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John Atkinson Posted: Jan 14, 2010 0 comments
Since the ES14 from the mid-1980s, speakers from the English Epos company have been renowned for their midrange magic, not for ultimate dynamics. But Mike Creek, Epos's owner, is aiming for both with the Encore 50, which made its debut at CES. This three-way floorstander, priced at $9995/pair, uses two port-loaded 9" woofers with Kevlar/carbon-fiber/pulp-composite cones, in a large cabinet to achieve a high 90dB sensitivity, while the metal-dome tweeter uses an injected-molded roll surround to give high excursion. The midrange is fed by a tapped autotransformer to allow adjustment to a tight tolerance in production.
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John Atkinson Posted: Jan 14, 2010 2 comments
"So what you think our new AT1 loudspeaker will cost?" Atlantic Technology's Peter Tribeman had just finished his dem of a fairly small two-way tower that, driven by Parasound Halo JC 2 preamplifier and Halo A21 power amplifier, was producing prodigious amounts of low frequencies in a fairly large room.
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Jason Victor Serinus Posted: Jan 14, 2010 0 comments
The outboarding THE Show, run by the affable Richard Beers, was held for the first time at the Flamingo Hotel on the Strip, two Las Vegas blocks from CES’s “High-Performance” venue, the Venetian. In previous years, THE Show had been held at the St. Tropez Resort, then the Alexis Park, but Richard now has a multi-year contract with the Flamingo. I estimated THE Show had representation from a good 110 manufacturers. One of the big draws was actually outside the Flamingo's back door, where Panasonic was demming HD-3D TV in a huge trailer. It's rumored that some die-hard two-channel audiophiles snuck into the trailer trying to mask the same guilty expressions that they carried to the porno exhibit in the Sands Convention Center.

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