RMAF 2009

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John Atkinson Posted: Oct 06, 2009 1 comments
Tube amp designer Roger Modjeski (Music Reference) toasts Gordon Holt with a Martini.
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Jason Victor Serinus Posted: Oct 06, 2009 0 comments
I first discovered the Eficion F300 loudspeaker ($14,800/pair) at RMAF 2008, where its full-range sound deeply impressed for the price. Since then, the speaker has undergone numerous refinements. Split into two separate compartments, separated by Stillpoints, this is a 3-way 4-driver vented box with a frequency response of 25Hz–40kHz, 89dB sensitivity, and 8 ohms impedance, with a minimum of 6.4 ohms. The front tweeter is an Air Motion Transformer, its rear-firing super tweeter a Heil ESS aluminum ribbon, and its 7" midrange and 12" woofer both from Aurum Cantus. All this has produced a more controlled and detailed sound. Other refinements are identified on the Eficion website.
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John Atkinson Posted: Oct 06, 2009 0 comments
Since the demise of of its own Show, Stereophile has been supporting North American audio Shows, which was why you can find us at RMAF in Denver and SSI in Montreal. Next March, we are partnering with the Axpona Show in Florida, which had a booth at RMAF. The booth was manned, er, personed by two beautiful girls but, of course, when I went back with my camera, they had left for the day.
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John Atkinson Posted: Oct 06, 2009 0 comments
Listening to a Toni Braxton cut on the LSA1 Statement speakers ($2599/pair), driven by an Exemplar-modded Denon 2910 DVD player and LSA's hybrid integrated amplifier (reviewed by Stereophile when it was called the DK Designs VS.1 Reference Mk.III), I was struck by how much low-frequency information was coming from this nicely finished two-way stand-mount.
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Jason Victor Serinus Posted: Oct 06, 2009 0 comments
Bless Ray Kimber's heart. For at least the last three years, Kimber Kable has transported live musicians to RMAF so that we could always have a fresh, live reference in our heads as we traipsed room-to-room listening to canned performances.
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Jason Victor Serinus Posted: Oct 06, 2009 1 comments
Having just heard a Bay Area Audiophile Society (BAAS) demo of the PS Audio Perfect Wave Transport ($2999), Perfect Wave DAC ($2999), and Power Plant Premier ($2199), all hosted by the ever-engaging Paul McGowan, I was very eager to hear PS Audio's front end powered by an early prototype of PS Audio's forthcoming class-D Perfect Wave amplifier. Using Focus Audio Master 2.5 speakers ($20,000/pair), two MartinLogan Descent subs, and a complement of Perfect Wave AC12 power cables ($699/meter) and older PS Audio speaker cables not currently on the market, the system delivered the kind of clean, impressively full range sound that has made PS Audio a legend in the industry.
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John Atkinson Posted: Oct 06, 2009 3 comments
When I last met Charles Holt in 1991, he was a teenager. But I had no problem recognizing him at RMAF—he looks just like his Dad. And, as you can see in Jason Serinus' photograph, in which Charles is flanked by his girlfriend Melissa and me, Charles is wearing the infamous "finger button," which was Gordon's favorite image of himself.
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Jason Victor Serinus Posted: Oct 06, 2009 5 comments
Visiting the Soundsmith room is always a pleasure. Peter Ledermann's phono cartridges, preamps, and diminutive, how-can-such-a-little-box-produce-that-much-sound speakers always deliver superb sound.
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John Atkinson Posted: Oct 06, 2009 0 comments
Restocking the magazines on the Stereophile booth, I saw a familiar face on the booth next door. Audio industry veteran Jim Smith was selling (and autographing) copies of his book Get Better Sound, which is, as the name suggests, about how to get better sound from your system.
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John Atkinson Posted: Oct 06, 2009 3 comments
"This wasn't our choice of music," whispered German Physiks' Robert Kelly when I entered the room they were sharing with Danish electronics manufacturer Vitus Audio. "No problem," I whispered back, " I love Howard Shore's symphonic score to the movie trilogy Lord of the Rings," which a visitor had asked to be played.
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Jason Victor Serinus Posted: Oct 04, 2009 8 comments
It's always nice to see yourself, or at least the vehicle for your thoughts, in the spotlight. That's certainly what happened in the Peachtree-Zu room, which paired the Peachtree Audio Nova ($1200) integrated amplifier, which was featured on Stereophile’s August cover, with Zu Essence speakers ($3500/pair). Add in the Apple TV and $500 worth of Zu cables, and you have quite a nifty system that delivered excellent sound.
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Jason Victor Serinus Posted: Oct 04, 2009 1 comments
Okay, boys and girls, does size really matter? Certainly in the case of Legacy Loudspeaker Systems. These $46,000/pair behemoths, which dwarf Legacy President Bill Dudleston, possess tremendous authority below the belt, and project an image big enough to do justice to a full symphonic orchestra. It was hard to get all the details down amidst the din leaking in from other rooms, but I'm pretty sure their lower 15" sealed woofer is driven by its own 1000W module, while everything else, including the open-air top 15" woofer, is driven by external amplification.
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Jason Victor Serinus Posted: Oct 04, 2009 72 comments
Cable manufacturers Nordost and Vertex AQ had good reason to present their joint seminar, "New Approach to Audio Measurement: Why Cables Really Matter," no less than five times during the show. As Art Dudley will report at length in his December "Listening" column, their groundbreaking new approach to measurement, developed by Nordost and Vertex AQ in collaboration with military electronic-engineering consultant Gareth Humphrey Jones, has produced an entirely new method for measuring the audible effects of components on sound. We're talking not only cables, support platforms, and the like, all of which can now be unequivocally shown to affect a system's sound quality, but also CD players, amplifiers, and speakers.
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Jason Victor Serinus Posted: Oct 04, 2009 2 comments
Todd Garfinkle of M•A Recordings (right) has built an enviable reputation as one of the finest producers of quality audiophile recordings on the market. The repertoire is remarkably diverse. From performances of Bach organ music and the Chinese GuZheng to such one-of-a-kind gems as Buenos Aires Madrigal and the fabulous Será Una Noch albums, M•A Recordings are as notable for their diversity of instrumentation and repertoire as their full range sound.
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Jason Victor Serinus Posted: Oct 04, 2009 0 comments
For those of us with DACs that lack USB and/or FireWire inputs, getting uncompromised, full-range sound out of our computers is a bit of a challenge. There are a number of interfaces on the market, but most are slaved to the computer's inferior clock. I've tried one of these, and it conveys neither the bass nor the clarity of my transport.

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