RMAF 2009

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Jason Victor Serinus Posted: Oct 07, 2009 4 comments
As the sixth annual Rocky Mountain Audio Fest draws to a close at the Denver Marriott Tech Center, what is now the largest annual audio show in the USA could boast an attendance of 3700, 200 more than last year. Prominent among attendees from 49 states and overseas was a notable increase in the number of under-40 attendees. No doubt they were drawn by the rise of audiophile computer-audio playback, the resurgence of vinyl, and the large exhibit hall populated by the Head-Fi headphone community. The younger attendees included an influx of students, who responded to RMAF’s concentrated outreach to local colleges.
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John Atkinson Posted: Oct 07, 2009 5 comments
There was full program of seminars and workshops at RMAF, as well as my own "Squeezing the Music Till the Bits Squeak," the session featuring Harry Pearson, and Michael Fremer on "Turntable Setup," I moderated a panel session, "How to Get the Most Out of Computer-Based Audio," on Saturday afternoon. The A-List panel—(from left to right) Gus Skinas (SACD Center), John Stronczer (Bel Canto Design), J. Gordon Rankin (Wavelength Audio), Charlie Hansen (Ayre Acoustics), record producer Joe Harley, and Chris Connaker (www.computeraudiophile.com)—discussed the best way to use a computer as a legimate source component in a high-end audio system. All concerned felt this was the way forward for the high-end audio industry, particularly with the increasing availability of hi-rez downloads, and it was a shame that the session was limited to an hour.
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John Atkinson Posted: Oct 07, 2009 2 comments
One of my best sounds at RMAF was the room organized by Colorado dealer Audio Unlimited featuring the Emperor speakers from Canadian manufacturer Hansen Audio that had so impressed Jason Serinus at the 2008 RMAF. The three-way speakers were driven by Accuphase monoblocks sitting on Critical Mass Systems platforms, with the front end based on a Trans-Rotor turntable. I was drawn into the room by the full-range sound of Pink Floyd's "Another Brick in the Wall" and didn't leave for quite a while. Wes Phillips said it best in his CES 2009 coverage of the Emperor: "the music had me melting in my chair."
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Jason Victor Serinus Posted: Oct 07, 2009 11 comments
The sixth annual Rocky Mountain Audio Fest had already closed when I finally had the time to stop by Reference Recordings’ booth to check out their latest mouth-watering HRx high-resolution master WAV file DVD-Rs. There I encountered Demian Martin, who, together with Ray Burnham, has produced the Auraliti (pronounced Aurality) disc player ($800).
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John Atkinson Posted: Oct 06, 2009 0 comments
Listening to a Toni Braxton cut on the LSA1 Statement speakers ($2599/pair), driven by an Exemplar-modded Denon 2910 DVD player and LSA's hybrid integrated amplifier (reviewed by Stereophile when it was called the DK Designs VS.1 Reference Mk.III), I was struck by how much low-frequency information was coming from this nicely finished two-way stand-mount.
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Jason Victor Serinus Posted: Oct 06, 2009 0 comments
Bless Ray Kimber's heart. For at least the last three years, Kimber Kable has transported live musicians to RMAF so that we could always have a fresh, live reference in our heads as we traipsed room-to-room listening to canned performances.
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Jason Victor Serinus Posted: Oct 06, 2009 1 comments
Having just heard a Bay Area Audiophile Society (BAAS) demo of the PS Audio Perfect Wave Transport ($2999), Perfect Wave DAC ($2999), and Power Plant Premier ($2199), all hosted by the ever-engaging Paul McGowan, I was very eager to hear PS Audio's front end powered by an early prototype of PS Audio's forthcoming class-D Perfect Wave amplifier. Using Focus Audio Master 2.5 speakers ($20,000/pair), two MartinLogan Descent subs, and a complement of Perfect Wave AC12 power cables ($699/meter) and older PS Audio speaker cables not currently on the market, the system delivered the kind of clean, impressively full range sound that has made PS Audio a legend in the industry.
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Jason Victor Serinus Posted: Oct 06, 2009 5 comments
Visiting the Soundsmith room is always a pleasure. Peter Ledermann's phono cartridges, preamps, and diminutive, how-can-such-a-little-box-produce-that-much-sound speakers always deliver superb sound.
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John Atkinson Posted: Oct 06, 2009 3 comments
When I last met Charles Holt in 1991, he was a teenager. But I had no problem recognizing him at RMAF—he looks just like his Dad. And, as you can see in Jason Serinus' photograph, in which Charles is flanked by his girlfriend Melissa and me, Charles is wearing the infamous "finger button," which was Gordon's favorite image of himself.
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John Atkinson Posted: Oct 06, 2009 0 comments
Restocking the magazines on the Stereophile booth, I saw a familiar face on the booth next door. Audio industry veteran Jim Smith was selling (and autographing) copies of his book Get Better Sound, which is, as the name suggests, about how to get better sound from your system.
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John Atkinson Posted: Oct 06, 2009 3 comments
"This wasn't our choice of music," whispered German Physiks' Robert Kelly when I entered the room they were sharing with Danish electronics manufacturer Vitus Audio. "No problem," I whispered back, " I love Howard Shore's symphonic score to the movie trilogy Lord of the Rings," which a visitor had asked to be played.
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Jason Victor Serinus Posted: Oct 06, 2009 9 comments
John Atkinson was one busy camper at RMAF. In addition to blogging the show and moderating Saturday afternoon's information-packed, standing room only Computer Audio Panel, John presented four hour-long seminars entitled PC Audio—Squeezing the Music Till the Bits Squeak, playing all his music examples from his MacBook laptop via a Metric Halo FireWire interface. The setting was Evergreen E, the large, excellent-sounding exhibit (Sony and JBL speakers, Mark Levinson amplification, EMM Labs preamp and digital source components, Kimber kables) assembled by Ray Kimber of Kimber Kable.
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John Atkinson Posted: Oct 06, 2009 13 comments
When I walked into the room of Chicago-based Acoustic Technology LLC, I thought I was listening to speakers that only had tweeters, because the only visible drive-unity was a single 3" unit. Yet the sound, a recording of Rimsky-Korsakov's Schererazade, was definitely full-range,and the soundstaging, as you might expect from such a small radiating diameter and a narrow cabinet baffle, was well-delineated.
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Jason Victor Serinus Posted: Oct 06, 2009 0 comments
Where, you may ask, are the speakers? All you see are light fixtures.
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John Atkinson Posted: Oct 06, 2009 1 comments
Bob O'Neill sold advertising for Stereophile in the early 1980s and also contributed record reviews to the magazine. He became a firm friend of J. Gordon Holt's and gave a moving eulogy honoring Gordon's memory at RMAF.

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