"Air Motion" because the Adamsfamiliar to me from the German company's strong showing at pro-audio showsfeature modern versions of the Oskar Heil-designed "Air Motion Transformer" higher-frequency drive-units that a brief period of popularity in the 1970s. This uses a corrugated aluminum-foil diaphragm that moves somewhat like an accordian bellows, alternately squeezing and stretching the air between the folds. Adam, who is entering the North American high-end audio market, was proudly showing its top-model Tensor series at SSI, but I was also impressed by the active A5 shown in the photo, which crosses the AMT tweeter over to a moving-coil woofer at 2.2kHz and costs just $900/pair. With the $600 Sub 7 active woofer also shown in the photo, a pair of Adam A5s would make the basis for an affordable high-quality system.
SSI seems to feature a higher proportion than usual of rooms sponsored by high-end dealers, and one of the best sounds I experienced was in the room from Montreal dealer Son-Or Filtronique. The top-line, multi-box dCS Scarlatti SACD front-end (soon to be reviewed for Stereophile by Mikey Fremer) drove Audio Research electronics (Reference 3 preamp and Reference 110 amplifier) with speakers the impressive Kliimt from Vienna Acoustics. Cabling was all Shunyata. Corinne Bailey Rae's perfomance of Joni Mitchell's "River," from the Herbie Hancock CD of the same name, was reproduced with midrange to die for, though the low frequencies were a touch over-ripe, I thought.
The Sashas of Obad Imports suggested that I check out the Gemme Audio room, where a Neodio amplifier had been replaced by a prototype KingRex 50W Tripath amplifier. Gemme Audio's Robert Gaboury had his special Phenix Green Gem system ($37,000 CAN) on display, along with a Neodio CD player, and Blueberry Hill Audio cables.
An Audio Show wouldn't be an Audio Show without live music, to allow Showgoers to recalibrate their ears. The 2009 SSI featured two concerts, one by jazz pianist and singer Anne Bisson, the other by the Michel Donato Trio, seen here, with Donato on double bass, Jon Gearey on guitar, and Marin Nasturica on accordion. Both acts have audiophile sound-quality CDs available from Montreal's Fidelio Audio, and other news from SSI was that these recordings are now available as 24-bit, 96kHz files.
Box Furniture Co.'s Anthony Abbate started as an apprentice to furniture maker Robert Martin. A love for music, sound, and hi-fi would soon get Anthony building equipment racks for his personal system. Later, a chance meeting at Max Fish, the colorful little bar on Ludlow Street in the Lower East Side, with speaker designer John DeVore, would lead to a partnership with DeVore Fidelity, building John's handsome speaker cabinets. (Oddly, but perfectly, Anthony would later later discover that John had sold him some of his old hi-fi equipment. Their relationship was obviously a product of fate. And you can't mess with that.) Anthony's equipment racks and isolation platforms, like the speaker cabinets, are nothing exotic or gaudy. Instead, they are simply elegant. But not elegant in the precious sort of way. Elegant in that nothing is wasted. Elegant in that form matches function. Anthony's work simply is what it is; pure and honest lines, mortise and tenon construction, catalyzed finishes, handmade in Brooklyn, New York.
Son-Or-Filtronique's Dany Poulin stands with the Verity Audio Finn. Paired with the Audio Research VSi60 integrated amplifier and CD 8 disc player, the Finns, which are rated at 91dB efficiency and use a rear-firing woofer, were making some gorgeous sounds.
I adored the sound in the small Son-Or-Filtronique room with the Audio Research VSi60 integrated amplifier, Audio Research CD8 disc player ($10,000), Verity Audio Finn loudspeakers ($6000/pair CAN), and Shunyata cables. Adored it.
What a cool piece of gear: Handmade in Plymouth, Minnesota, the Audio Research VSi60 vacuum tube integrated amplifier ($4000) is a fairly compact unit (14" x 8" x 16") that delivers 50Wpc. Its milled top plate has an inset AR logo, while its striking front panel has super-cool function and volume LEDs on the left and totally caressable, soft-touch buttons on the right.
I am only familiar with the name "Solen" from the company's audiophile-quality capacitors and other passive components, so I wasn't sure what to expect when I entered the room labeled "Solen." The beautifully finished speakers, demmed with an Ayre C7-xe CD player, Accuphase preamp, and Rotel power amp, were one-off designs to show off what coud be achieved by the audiophile interested in "rolling his own." (Selections from AudioXpress magazine's library of speaker design books were also on show.) The large speaker with the outboard crossover sounded pretty good, I thought. It combined a JBL subwoofer with an Audio Technology woofer, ATC dome midrange, and Dynaudio Esotar tweeter.
The Pierre Gabriel speakers usually demonstrated at the Montreal show are normally humongous affairs, and, with partnering equipment by Jadis, the system price may leave you with little change from a $500k bill. I was surprised, then, to see a relatively modest-lookingbut still very-good-soundingspeakers playing in the Pierre Gabriel/Jadis room.
Is it just my perception, or do people who are looking through bins of LPs have a kind of happy excitement about them? The vinyl-buying folks at SSI sure seemed to be a really happy lot. Selecting CDs seems to be a much more matter-or-fact endeavor. And I can't imagine anyone getting too excited about the act of buying a new hard drive for their music server.
SSI had a display of vintage gramophones and radios, courtesy of Montreal's Emile Berliner Museum. They've had this for several shows now, and it's always wonderful to see these artifacts that tell the history of our hobby. The Museum is member-supported, and publishes a pamphlet, His Master's Voice, four times a year, in English and French.