RMAF 2008

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Jason Victor Serinus  |  Oct 11, 2008  |  2 comments
Here's a more modest system than some of the others featured so far that really nailed the raucous highs on a curious wind version of Revueltas' wild, ritualistic Sensemaya. Veteran high-end designer Frank Van Alstine was justly proud of his Ultra 550 hybrid power amp with its 300Wpc ($2395), Transcendence Eight vacuum-tube preamp ($1299 with optional remote and phono stage), and Insight Solid State DAC ($999). Paired with the Jim Salk Sound Veracity HT3 3-way loudspeakers with their 10" woofer ($4895), this system was making sounds worth checking out.
Jason Victor Serinus  |  Oct 11, 2008  |  2 comments
In one of Musical Surroundings' many rooms in the Denver Tech Center Marriott, the Clearaudio Anniversary AMG CMB turntable ($10,000), with its 80mm platter and Ceramic Magnetic Bearing of the Master Reference; Benz-Micro LP S-Class Cartridge ($5000), the company's new flagship; and Helius Omega Silver Ruby 10" tonearm ($4750) were paired with the Aesthetix Rhea Signature phono stage ($7,000) and Aesthetic Atlas stereo power amp ($8,000); Focal Diablo Utopia speakers and stands ($14,000/pair); Tara Labs ISM The One speaker cable ($3850/pair for 8') and The One ISM onboard 1m interconnects ($2495/pair; and Running Springs Audio Jaco ($2500) and Audio Duke ($1900) Powerline Conditioners.
Stephen Mejias  |  Oct 10, 2008  |  0 comments
In the Symposium Acoustics room, Ol' Blue Eyes sang "Where Are You?" and I could almost smell the cigarette smoke.
Stephen Mejias  |  Oct 10, 2008  |  0 comments
Music in the Symposium Acoustics room was spinning on a modified Tascam reel player. The Tascam stood tall and proud directly between the loudspeakers and atop a high Symposium Acoustics stand. I noted an interesting sonic perspective. I found myself looking up while I listened, not certain whether I was entranced by Frank Sinatra's smooth delivery or mesmerized by the spinning tape.
Stephen Mejias  |  Oct 10, 2008  |  0 comments
Most audiophiles probably associate New Jersey's Symposium Acoustics with vibration control and isolation devices. However, Symposium's Peter Bizlewicz explained that he's been working on loudspeaker designs for nearly 30 years. While vibration control became a business priority, Bizlewicz continued to toil with his loudspeakers. It's no wonder that vibration control plays such a large role in his speaker design. The massive and idiosyncratic Symposium Panorama 2.0 is a "5-way, quasi point-source speaker system which marries ribbon, planar dynamic, and cone speaker technology to vibration control techniques," Peter said in one quick breath.
Stephen Mejias  |  Oct 10, 2008  |  0 comments
As I was about to leave the Red Wine/Hudson Audio room, Tom Hills directed my attention to a small pair of attractive speakers. "These guys always seem to get forgotten," he said. The diminutive, German-made FJ Minis are available in handsome real-wood finishes, are rated at 87dB, and cost $1295/pair. I'll be looking forward to hearing them later on during the show.
Stephen Mejias  |  Oct 10, 2008  |  0 comments
In addition to building his SLA-powered electronics and making babies, Vinnie Rossi is now the new US distributor for WLM loudspeakers. How does he do it all? The front-ported Diva Monitor ($5000/pair) uses a paper-cone coaxial drive unit, has a handy tweeter control on its back panel, and is said to provide an impressive 95dB sensitivity.
Stephen Mejias  |  Oct 10, 2008  |  1 comments
I was pretty much stunned by the gorgeous Scheu Diamond ($2995 without tonearm). Standard finishes for this 'table are black, clear, blue (!), pink (!!), and gold glitter (!!!), but the one we see here, made special for the show, boasts an elegant wood finish. The Diamond uses an external motor with speed controls, and, as shown, sports a Schroeder Model 2 tonearm ($2450) and Allaerts Mk.2 cartridge ($5300). We listened to a couple of tracks off the excellent Fleet Foxes album, and I was impressed by the wide soundstage and overall smooth presentation.
Stephen Mejias  |  Oct 10, 2008  |  0 comments
Like me, Vinnie Rossi (left) has recently become heavily interested in vinyl. For the show, Vinnie teamed up with Tom Hills of Hudson Audio Imports, US distributor for Scheu-Analog turntables. You can't see it here in the picture, but a small and wonderful stack of vinyl LPs, including Leila's Blood, Looms, and Blooms, Iron and Wine's Our Endless Numbered Days, and the Buena Vista Social Club's recently released live album are waiting to be played.
Stephen Mejias  |  Oct 10, 2008  |  0 comments
At last year's CES, the crowds surrounding the Red Wine Audio room were so large and enthusiastic that I had very little opportunity to speak with Red Wine's owner, Vinnie Rossi. Here, at the Rocky Mountain Audio Fest, I decided to beat the crowds and make Red Wine Audio my first stop.
RMAF 2008  |  Oct 09, 2008  |  0 comments
We will have live coverage from the Rocky Mountain Audio Fest.

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