More beautiful woodwork was found in the Daedalus Audio suite. The Ulysses ($10,950/pair; add $500 for matching plinths) is Daedalus Audio's top-of-the-line speaker. It uses a 1" Eton dome tweeter, two 5" custom-modified Fostex midrange units, and two 8" proprietary woofers, and has a rated sensitivity of 97dB.
Talk about effortless. Another room which I thought offered superb sound was occupied by Moscode, Von Schweikert, Esoteric, Placette, PS Audio, and Cardas. I think I heard the most beautiful music of all that reproduced at the Rocky Mountain Audio Fest in this very room. I don't even know what was playing, but what this system excelled at was communicating the all-important space between the notes.
Newcomer Virtue Audio made its debut at the Rocky Mountain Audio Fest showing a colorful collection of affordable Tripath amplifiers. The 45Wpc Audiophile One ($249) integrated amp was engineered by Audience's Roger Sheker and uses VirtuCap input capacitors designed for Virtue by Audience. Inside the chassis, you'll find the cutest little heat pipe designed to maximize space and keep things cool. On the rear panel, propeller post binding posts makes making connections easy, and the amp's aluminum chassis is available in five bold colors (black velvet, snow [a kind of frosty white], red brick, clouds [a kind of frosty blue], and mesa [a kind of mustard]).
One of the most obvious solutions to the problem of attracting a younger audience to high end hi-fi is mentoring. It is undoubtedly clear that younger generations of music lovers can distinguish between poor and good quality sound. They can, after all, hear a wider range of frequencies than older folks. And they do, after all, love music. So, what is the problem?
Another thing that caught my eye in the Daedalus Audio room was this nifty, little wood case for the Logitech Squeezebox. Daedalus' Lou Hinkley told me that he had done it as a one-off project, but because so many people seem interested in it, he may decide to build more. The attractive wood case provides beneficial EMI shielding, Hinkley said.
In my opinion, few rooms at the Rocky Mountain Audio Fest could compete with the sound produced in the Ayre Acoustics/Vandersteen Audio suite. To me, the music created by this combination just sounded right. It was effortless, involving, and realistic without being overly etched or bright.
Are we Stereophile's yin and yang, the Mutt and Jeff, or the Lois Lane and Clark Kent of blogging? (I'll leave it you to decide who's Lois). Only our hairdressers know for sure. Que sera, sera and all that, here are two thirds of your loyal RMAF team, Stephen Mejias (right) and yours truly (or not so truly, as the case may be), shortly before trekking the Rockies to the summit of audiophile nirvana.
This is very important (and encouraging!): There were more young people at this show than at any other hi-fi show I've attended. Whereas in past years, at other shows, I have felt like the youngest dude in the house, this year, at the Rocky Mountain Audio Fest, I met many people who were actually younger than me.