RMAF 2008

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Jason Victor Serinus Posted: Oct 14, 2008 0 comments
As I walked into the E.A.R./Marten room, Nat King Cole's voice sounded as beautiful as I have ever heard it reproduced. Through the modest-looking Marten FormFloor speakers ($6500/pair) and Marten FormSub ($4500), Reference Recordings' triumphant version of Rachmaninoff's Symphonic Dances was so thrillingly full and colorful that I could not hide my amazement. On Dialoghi, a demonstration-quality CD from Bob Attiyeh of Yarlung Records that Robert Levi of the Los Angeles Audio Society urged me to play, the sound of Elinor Frey' cello was as warm and beautiful as anyone would ever want it to be. I was in love.
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John Atkinson Posted: Oct 14, 2008 10 comments
Could be. I saved my visit to the Audio Unlimited room almost for last on Sunday afternoon at RMAF. There was the pair of Focal Grande Utopia EMs that apparently had NY retailer Andy Singer dancing at their launch in France last spring. driven by a pair of Boulder 2050 monoblocks. Front-end was either Boulder's new 1021 disc player/music server or the Clearaudio Statement turntable. Cabling was all Tara Labs, including Mikey Fremer's reference The Zero interconnects. Musical Surroundings' Garth Leerer played me just two LPs for me to become awed by the 580 lb Focals: the Gary Karr transcription for double bass and organ of the Albinoni Adagio, which showed how effortlessly the speakers handled not just the spl but also the scale of the organ's sound, and Iona Brown's performance of Vaughan Williams' A Lark Ascending, which showed how well the speakers did delicacy.
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Stephen Mejias Posted: Oct 13, 2008 0 comments
Talk about effortless. Another room which I thought offered superb sound was occupied by Moscode, Von Schweikert, Esoteric, Placette, PS Audio, and Cardas. I think I heard the most beautiful music of all that reproduced at the Rocky Mountain Audio Fest in this very room. I don't even know what was playing, but what this system excelled at was communicating the all-important space between the notes.
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Stephen Mejias Posted: Oct 13, 2008 0 comments
Old and young—I mean, young and younger—dirtying their fingers and nourishing their souls, digging through the crates of vinyl.
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Stephen Mejias & Jason Victor Serinus Posted: Oct 13, 2008 4 comments
When I ran into Tyler Beebout and Jackson Paddon, they were all wide-eyed and jittery.
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Stephen Mejias Posted: Oct 13, 2008 0 comments
Newcomer Virtue Audio made its debut at the Rocky Mountain Audio Fest showing a colorful collection of affordable Tripath amplifiers. The 45Wpc Audiophile One ($249) integrated amp was engineered by Audience's Roger Sheker and uses VirtuCap input capacitors designed for Virtue by Audience. Inside the chassis, you'll find the cutest little heat pipe designed to maximize space and keep things cool. On the rear panel, propeller post binding posts makes making connections easy, and the amp's aluminum chassis is available in five bold colors (black velvet, snow [a kind of frosty white], red brick, clouds [a kind of frosty blue], and mesa [a kind of mustard]).
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Stephen Mejias Posted: Oct 13, 2008 0 comments
One of the most obvious solutions to the problem of attracting a younger audience to high end hi-fi is mentoring. It is undoubtedly clear that younger generations of music lovers can distinguish between poor and good quality sound. They can, after all, hear a wider range of frequencies than older folks. And they do, after all, love music. So, what is the problem?
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Stephen Mejias Posted: Oct 13, 2008 3 comments
Check this out.
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Stephen Mejias Posted: Oct 13, 2008 0 comments
If you see this man, DO NOT approach him. Note your location and call your local authorities immediately. We have reason to suspect he is armed and dangerous.
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Stephen Mejias Posted: Oct 13, 2008 0 comments
Another thing that caught my eye in the Daedalus Audio room was this nifty, little wood case for the Logitech Squeezebox. Daedalus' Lou Hinkley told me that he had done it as a one-off project, but because so many people seem interested in it, he may decide to build more. The attractive wood case provides beneficial EMI shielding, Hinkley said.
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Stephen Mejias Posted: Oct 13, 2008 2 comments
The newest iteration of the Moscode hybrid power amp ($6495) retains the hefty aluminum faceplate which opens forward for easy access to the tubes.
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Stephen Mejias Posted: Oct 13, 2008 3 comments
Oh man. You see this record? It was only fifteen bucks. I really wanted it. I mean, it was kind of just there, looking at me, asking me to love it.
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Stephen Mejias Posted: Oct 13, 2008 1 comments
In my opinion, few rooms at the Rocky Mountain Audio Fest could compete with the sound produced in the Ayre Acoustics/Vandersteen Audio suite. To me, the music created by this combination just sounded right. It was effortless, involving, and realistic without being overly etched or bright.
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Stephen Mejias Posted: Oct 13, 2008 0 comments
And it's always a pleasure to catch up with Music Direct's Besflores Nievera.
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Stephen Mejias Posted: Oct 13, 2008 1 comments
Hiram Toro explained that he took the reigns of Koetsu USA when his close friend and Koetsu importer Ronnie Caplan unexpectedly passed away. Before Ronnie succumbed to complications following a heart attack, Hiram had promised his friend that he would take care of everything, fully expecting that Ronnie would recover from his illnesses. Hiram kept his promise and has maintained the Koetsu presence in the US market for the past two years. When he decided that that wasn't enough fun, he added Chario loudspeakers and Montegiro turntables to the roster.

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