The Jadis magic is hard to explain. But once you hear it, you can recognize it again and again. It has to do with the beauty of the midrange, the accuracy of timbres, and an inherent musicality that is less about detail than essence.
Audio Space's DAC-1 US ($3000) is a hybrid tube/Mosfet DAC with a difference.It has two pairs of RCA analog outputs: One deriving its signal from the tube DAC; the other taking its signal from the discrete Mosfet DAC.
VTL's room is always an oasis at shows, playing music at levels that actually match rather than trying to impress the listener with mere volume, the system
meticulously set up. The same was true at CES 2008, a pair of Wilson WATT/Puppy 8s being driven by the new MB450 Series II tubed monoblocks ($9500/pair), the
"budget-priced" (a mere $50k) Continuum Criterion turntable, and VTL's new TP6.5 phono section ($8500) as the source. The MB450 and other VTL components are
pictured here with the company's co-owner, the ever-gracious Bea Lam.
Choose a door, any door. Confronted with three entirely different systems in the Norvinz room, for some reason I ignored my usual inclinations and moved to the far right. There I encountered veteran electrostatic guru Roger Sanders, formerly of Innersound, who now markets Sanders Sound Systems products online and through Norvinz.
The Replay Turntable ($3499) is Revolver's re-entry into the turntable market after a lengthy absence. It comes packaged with a Jelco tonearm although the company might eventually supply a top plate that can be drilled for any arm. It has a decoupled suspension—which is not sprung–and a large flat belt driven by an AC motor with an outboard power supply. At 50 lbs, it's no lightweight.
"You know," Alon Wolf told us. A lot of what you liked about the sound of my music server was the Pacific Microsonics Model Two DAC I was using. But that's no longer manufactured, this is even better and only $5000."
It's hardly the same as clicking your heels three times and finding yourself back in Kansas, but Stereophile's metaphoric Good Witch of the High End, John Atkinson, has granted me my big wish for CES. Instead of finding myself wandering around and around in circles, following my ears, I’ve been assigned specific turf: T.H.E. Show. And since T.H.E. Show’s two venues, the St. Tropez and adjacent Alexis Park, are literally across the street from our bloggers' home for four nights, the newly and quite tastefully refurbished, remarkably low-key Hyatt Place Las Vegas (formerly the AmeriSuites), yours truly could not be happier. The Sands/Venetian may have more–well-known, higher-profile players, and is certainly attracting more visitors, but I've entered a number of wonderful-sounding rooms on my first day at the St. Tropez to make me quite happy to be here.
The Sony booth had a lot of interesting products on display, but hardly anything specifically dealing with audio. Last year, the only product I found I could find in the Sony booth that I could mention in my CES blog was a pair of headphones. This year, the product that I spotted that I thought would be interesting to Stereophile readers was "a pair of headphones!"