CES 2008

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Jason Victor Serinus Posted: Jan 09, 2008 7 comments
It was great to again encounter Andy Payor of Rockport Technologies and hear the stunning 200 lb Ankaa loudspeaker ($26,500/pair). Of all the speakers I heard on the first two days of T.H.E. Show, the Ankaa produced images so large and lifelike that it made other speakers (including several wonderful-sounding models I’ve already discussed) seem like pipsqueaks. I have no doubt that the expensive, neutral-sounding Gryphon Antileon Signature stereo amplifier ($31,000 for 150Wpc) and Mirage preamplifier ($25,000), as well as the debuting Purist Audio Design Proteus Provectus cabling had a lot to do with Andy's triumph. As he rather selflessly noted, "The real reason for a good image lies in the collaboration."
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Stephen Mejias Posted: Jan 09, 2008 0 comments
The KEF Muon, dreamed up by idiosyncratic industrial designer, Ross Lovegrove, is unlike any other speaker I know. At $140,000/pair, it should be special. KEF's Marketing Director, Johan Coorg, explained that the Muon started out as an attempt to create the absolute best possible speaker, and evolved into something more—"a work of modern art, like a Henry Moore sculpture."
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Wes Phillips & Jon Iverson Posted: Jan 09, 2008 0 comments
Empirical Audio's Pace-Car Reclocker ($1100—2300, depending on number of clocks installed) is designed to reduce the jitter of any source to "inaudible levels." Empirical's Steve Nugent said the device is primarily intended for USB, WiFi, and network devices such as the Sonos and Squeezebox. "The pace-Car is inserted between source and DAC, it can either provide a master clock to the source or accept the source's data stream and 'bracket' the rate of the stream. No modifications to the source are required."
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Larry Greenhill Posted: Jan 09, 2008 3 comments
"We wanted to do something special to celebrate our 30th anniversary in business," said Dynaudio's Michael Manousselis, "so we created the limited edition—only 1000 will be made—$16,500/pair, three-way, four-driver, floorstanding Sapphire loudspeaker. The Sapphire uses our finest technology in drivers, including the soft-dome Esotar2 tweeter and two 8” Evidence-grade woofers with magnesium-silicate diaphragms. The cabinet is designed to have no parallel surface, with the two-toned cabinet featuring 12 distinct surface planes and twenty-four adjoining lines"
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Jon Iverson Posted: Jan 09, 2008 1 comments
Audiophile Rob Smith stopped by to absorb some green dots by the record stacks.
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Wes Phillips & Jon Iverson Posted: Jan 08, 2008 0 comments
We glanced into Oracle's room to see what was new. We'd seen the Delphi, we'd seen the CD 1500 and CD 2500 before. "Nothing new?" we asked.
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Wes Phillips & Jon Iverson Posted: Jan 08, 2008 0 comments
The PS Audio Memory Link ($1695) is a CD/DVD/RAM drive. It's a mechanical player (ie, it still spins the discs), but it has an unusually large cache. Conventional players have caches of around 8–16MB, the Memory Link has a 64MB cache. Why is this better?
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Robert Deutsch Posted: Jan 08, 2008 0 comments
The Sony booth had a lot of interesting products on display, but hardly anything specifically dealing with audio. Last year, the only product I found I could find in the Sony booth that I could mention in my CES blog was a pair of headphones. This year, the product that I spotted that I thought would be interesting to Stereophile readers was "a pair of headphones!"
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Stephen Mejias Posted: Jan 08, 2008 0 comments
I was excited to see Cambridge Audio's TT50 turntable. On display with their small, S30 loudspeakers ($259/pair), the TT50 was looking pretty darn sexy in its high-gloss jet-black finish. If it reminds you of Pro-Ject's popular Debut III, that's probably because the TT50 was developed in partnership with that Austrian firm. It uses a proprietary tonearm, an Audio Technica AT95E moving magnet cartridge, and its elastomer-coated acrylic platter is said to "control resonance and provide matched acoustic impedance to the vinyl record for maximum detail retrieval."
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Larry Greenhill Posted: Jan 08, 2008 1 comments
"Wow, that's great," I said, looking down at B&W's new $599 Zeppelin iPod player, the football-shaped Zeppelin, as it played a track from Tal Wilkenfeld's new Transformation album off of my Apple iPhone. Tal Wilkenfeld, a 21 year-old, very pretty, Australian girl, was all the buzz after she played bass with Jeff Beck at Eric Clapton's Crossroads Festival Concert in Chicago last summer.
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Wes Phillips & Jon Iverson Posted: Jan 08, 2008 0 comments
We'd heard of Aurum Acoustics, of course. We read Stereophile and were impressed by Art Dudley's account of his adventures with the Integris 300B Active loudspeakers.
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Stephen Mejias Posted: Jan 08, 2008 0 comments
Apparently, you can also smoke Mordaunt-Short's Aspirated Tweeter. It is said to produce glorious highs.
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Jon Iverson Posted: Jan 08, 2008 1 comments
The simple but effective iXS.
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Jason Victor Serinus Posted: Jan 08, 2008 4 comments
One of the highlights of RMAF 2007 was encountering Lou Hinkley's Daedalus Audio Ulysses loudspeakers ($8800/pair) in the ART Audio room. Here, paired with Gill Audio Designs Alana preamp ($5000) and Elise DAC ($6000), an Ensemble transport, Clayton M-200 power amps ($9500/pair), and relatively inexpensive Empirical Design cabling, the system was arresting in its transparency and three-dimensionality.
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Jon Iverson Posted: Jan 08, 2008 0 comments
Several rooms this year are sporting 1/4" reel to reel decks as source components. The Tape Project has caught on with exhibitors in the Venetian including Pioneer/TAD & Magico. Representatives from TTP were often spotted hauling reel to reel tapes, along with the machines that play them (such as this modified Technics 1600) up and down the halls.

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