CES 2008

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Wes Phillips & Jon Iverson Posted: Jan 09, 2008 0 comments
Naim has created a separate line of music server products that will be marketed independently of its component distribution system. On display at CES2008 was the DigiLinX compatible six-stream NaimNet NS01 Music Server ($6200), which has an internal ripping drive, a 400GB RAID 1 array, so data is secure.
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Stephen Mejias Posted: Jan 09, 2008 1 comments
Musical Fidelity products are now a part of the KEF tradition.
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Jon Iverson Posted: Jan 09, 2008 1 comments
Sooloos' Rob Darling was on hand again this year showing off their elegant touch screen music server system. Stereophile has a review of this system in the works.
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Larry Greenhill Posted: Jan 09, 2008 2 comments
"I don't recall seeing your flagship, $45,000/pair, Nautilus loudspeaker recently at a show," I mentioned to Scott Rundle, US Sales Manager for British manufacturer Bowers and Wilkins.
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Wes Phillips & Jon Iverson Posted: Jan 09, 2008 7 comments
In what has become a tradition, Anton Dotson (aka Buddha on the Stereophile forum) and Michael Alazard set up a room at T.H.E. Show as NFS Audio (Not For Sale), which they describe as "a chill out zone for people tired of the show's relentless grinding down of the human spirit."
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Robert Deutsch Posted: Jan 09, 2008 2 comments
Carat Audio's products are sufficiently new to North America that the only prices available are still in Euros. (They do have distribution.) Designed in France and made in China, the A57 integrated amp (80Wpc, 899 Euros), C57 CD player (649 Euros), and T57 tuner (349 Euros) look like anything but budget products, resembling products from Primare or YBA. An indication of the quality of the design is that the power output of the A57 nearly doubles into 4 ohms (80 into 8 ohms, 150 into 4 ohms)—very unusual at this price level.
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Jon Iverson Posted: Jan 09, 2008 2 comments
Michael Alazard and pal.
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Robert Deutsch Posted: Jan 09, 2008 10 comments
The day before CES opens is designated Press Day, with press conferences scheduled every hour, including presentations by major consumer electronics manufacturers such as Pioneer, Toshiba, Philips, Samsung, Panasonic, and Sony. These are extremely well-attended, to the point that last year some of the press conferences were so full that members of the audio/video specialty press ended up being turned away. As Wes Phillips noted in a recent news story, for the 2008 Show CES announced that, to deal with this problem, it would be more stringent in determining who gets a Press badge. While they may indeed have done so, there were still huge crowds at all the press conferences I attended, although I think this time at least all my fellow audio/video writer colleagues managed to get in. (That's www.ultimateavmag.com's Tom Norton in the foreground.)
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Larry Greenhill Posted: Jan 09, 2008 0 comments
Thiel's press conference at the Sands Convention Center on Day One of the 2008 CES opened with a detailed critique of the complexities and challenge of installing a home theater system. Ekin Binal, Vice President, Product Development, of BICOM, an IT company partnering with THIEL to address these issues, spoke in detail about the complex, labor intensive, time-intensive, cost-intensive installation of multiple speakers and channels. Furthermore, updating such a home theater system is never simple nor convenient, nor is moving a system from an old house to a new house either simple or inexpensive. Because installation is custom work, there is no universal package a single manufacturer can create that can fit most domestic locations.
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John Atkinson & Stephen Mejias Posted: Jan 09, 2008 2 comments
"Big," I said.
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Wes Phillips Posted: Jan 09, 2008 3 comments
Microsoft wanted to talk to me about its Windows Home Server division—and I wanted to hear what they said because I was impressed last summer at the company's commitment to making its Home Server software as simple as pie.
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Jason Victor Serinus Posted: Jan 09, 2008 10 comments
The prototype speaker I shamelessly coveted at the 2007 RMAF, the Harbeth 40.1, resurfaced in final form at THE Show’s Alexis Park location. Paired with Resolution Audio’s exceptional-sounding components, it again made my mouth water. Now positioned on new, lower stands (which, in my not-so-humble opinion, look far more attractive, and far less like a funeral casket, when not draped in black cloth), the full-range 40.1 monitors have an immensely detailed, beautifully layered, extremely controlled midrange whose harmonic richness is hard to resist. Toed-in toward the listener, the speakers' high end was equally compelling.
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Jason Victor Serinus Posted: Jan 09, 2008 7 comments
It was great to again encounter Andy Payor of Rockport Technologies and hear the stunning 200 lb Ankaa loudspeaker ($26,500/pair). Of all the speakers I heard on the first two days of T.H.E. Show, the Ankaa produced images so large and lifelike that it made other speakers (including several wonderful-sounding models I’ve already discussed) seem like pipsqueaks. I have no doubt that the expensive, neutral-sounding Gryphon Antileon Signature stereo amplifier ($31,000 for 150Wpc) and Mirage preamplifier ($25,000), as well as the debuting Purist Audio Design Proteus Provectus cabling had a lot to do with Andy's triumph. As he rather selflessly noted, "The real reason for a good image lies in the collaboration."
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Stephen Mejias Posted: Jan 09, 2008 0 comments
The KEF Muon, dreamed up by idiosyncratic industrial designer, Ross Lovegrove, is unlike any other speaker I know. At $140,000/pair, it should be special. KEF's Marketing Director, Johan Coorg, explained that the Muon started out as an attempt to create the absolute best possible speaker, and evolved into something more—"a work of modern art, like a Henry Moore sculpture."
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Wes Phillips & Jon Iverson Posted: Jan 09, 2008 0 comments
Empirical Audio's Pace-Car Reclocker ($1100—2300, depending on number of clocks installed) is designed to reduce the jitter of any source to "inaudible levels." Empirical's Steve Nugent said the device is primarily intended for USB, WiFi, and network devices such as the Sonos and Squeezebox. "The pace-Car is inserted between source and DAC, it can either provide a master clock to the source or accept the source's data stream and 'bracket' the rate of the stream. No modifications to the source are required."

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