RMAF 2007

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Jason Victor Serinus Posted: Oct 14, 2007 2 comments
Although he looks a bit burned from being asked to play one too many Columbia LPs, whose harsh string tone belies the myth that vintage analog recordings are de facto superior to CDs, Dan Meinwald has a lot to be happy about. The EAR Acute CD player ($5900), 890 Primary Drive 70W stereo amp, 868 preamp complete with phono stage ($6900), Discmaster turntable ($20,000 without tonearm), Dynavector XVIS cartridge, and debut 3-way, open-baffle dipole loudspeakers ($7000/pair—also available in a larger model) were creating a wonderful, magical soundstage on Stokowski’s monumental recording of Smetana’s The Moldau. It’s no wonder that so many dedicated audiophiles continue to be seduced for life by EAR’s vaunted sweetness and bloom.
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John Atkinson Posted: Oct 14, 2007 0 comments
So read the flyer promoting YG Acoustics' dem in room 446 I picked up in the Marriott's lobby. So I went by room 446. Twice. Neither time could I get in, such was the throng inside. But I did manage to hold my camera above the avid listeners' heads to take a shot of the Colorado company's Anat Reference speaker, which had very much impressed me when I heard it at the 2006 CEDIA Show. I am going to try to get a listen on the Show's final day, but the news that YG has hired veteran sales manager Dick Diamond away from Kimber is a sign that this new speaker manufacturer is aiming high.
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John Atkinson Posted: Oct 14, 2007 5 comments
To paraphrase Donald Rumsfeld, it is the "unknown unknowns" in audio that scare the pants off me at times. Synergistic's Ted Denney pulled me into his room. "Sit down. Listen to this."
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Jason Victor Serinus Posted: Oct 14, 2007 10 comments
In Hebrew, the number 18 is called "chai," which also means "life." As my final (and 18th) blog entry from Day One at RMAF, I was happy to report how thrilled Jeff Wilson and I were with the sound in the Gill/Art Audio/Daedalus room.
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Jason Victor Serinus Posted: Oct 14, 2007 0 comments
The sound in the large PS Audio room was impressive. Despite, at one point, my trying to listen to music over three conversations at once, the system on display,—all PS Audio save for the Avalon Ascendant speakers and JL Audio subs—was distinguished by its full midrange and inviting warmth. The sign on the poster behind the system—"Perfect Power Without the Box"—refers to the company’s forthcoming rack, which will have a power conditioner built into the bottom, additional power filters for every component, and the power itself carried by the tails of the rack. The initial plan is for an 11" wide rack designed for smaller, "lifestyle" components. (I’m one of those folks more concerned with having a life than displaying a lifestyle, but a chacun son gout). A desktop version is also planned.
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Jason Victor Serinus Posted: Oct 14, 2007 1 comments
I've always wanted to win the lottery so I could buy a pair of Jed Barber's much-coveted Joule Electra tube amps. I've spent hours in the Joule-Elrod room at several CESes, always entranced by the sound, but have never before heard the Joule LA150 Mk.2 preamp ($7000) and VZN 100 OTL monoblocks ($19,000/pair) paired with Merlin VSM MXE loudspeakers ($10,500.pair) and the Audio Aero Prestige CD player ($14,000). Wired with Cardas Golden Reference, this system did a superb job of bringing out the lovely, warm, full-range sound and delicious richness of Gary Karr's double bass on his Cisco Systems Adagio d’Albinoni CD.
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John Atkinson Posted: Oct 14, 2007 2 comments
Many years ago, in a conversation I was having with Peter Walker of Quad, I asked him if there was a speaker he'd wished he'd designed. "PJ" thought for a moment, then said he admired the Beveridge electrostatic, where a flat panel fires into a waveguide, thus allowing the panel to overcome its Achilles' Heel: the very limited horizontal dispersion resulting from its width.
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Jason Victor Serinus Posted: Oct 14, 2007 1 comments
The Manley Snapper monoblocks ($4250/pair) sure have snap. Playing one of those classic percussion demo CDs with drum thwacks galore, the combo of Manley amplification, Bel Canto DAC/preamp, Joseph Audio RM25XL speakers ($4400/pair), Apple iBook transport, and Cardas Golden Reference interconnects was as sharp and crisp as could be. But they were also far more. With the system playing an LP of La Fille Mal Gardée on the VPI Super Scout Reference Master Turntable (one of only two available) equipped with a Silversmith phono cartridge, the sound was beautifully warm and sweet, the soundstage all-enveloping.
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Jason Victor Serinus Posted: Oct 14, 2007 0 comments
Audio Federation doesn't play around. Its top-of-the-line, no-holds-barred system centers around the Marten Coltrane Supreme loudspeaker ($250,000/pair), Audio Note UK Ongaku amplifier ($85,000), EMM Labs/Meitner Design CDSD SE transport ($8400) and DCC2 SE DAC ($13,500), Brinkmann Balance turntable ($29,900), Lamm LP2 Deluxe phono preamp ($6990), and, for this system, modestly priced Lyra Titan cartridge ($5000). Cabling is no less than Nordost Valhalla, Stealth Indra, Jorma Design No.1 and PRIME, while power cords and distributors include Nordost Valhalla, Elrod Statement II and Signature III, and Acrolink Mexcel 7N-7100.
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John Atkinson Posted: Oct 14, 2007 4 comments
Audioengine is making a name for itself with its extremely affordable powered speakers. But rather than photograph the speakers being demmed at RMAF, I concentrated on the Apple iBook running iTunes being used as the source. "What's that?" I asked, pointing to the dongle.
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John Atkinson Posted: Oct 14, 2007 0 comments
Well, not really. But the Thiel CS3.7 speakers set-up in the Denver Audio Designs room could be driven either by an all-Bryston system—the new BCD-1 CD player ($2395), BP26 preamp, and a pair 7B-SST monoblocks—or an all-Simaudio Moon system: SuperNova CD player P7 preamp, and W7 power amp. I listened to "Comfortably Numb" from Pink Floyd's The Wall with both set-ups and the differences were both audible and surprising. The Moon system favored David Gilmour's paradigmatic guitar solo; the Bryston the contribution of David Mason's drums and Roger Waters' bass. I could have lived with either.
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Jason Victor Serinus Posted: Oct 14, 2007 0 comments
Barrows Wurm urged me to "take a picture because it’s beautiful." This is PS Audio's as-yet-unnamed, forthcoming transport. A replacement for the aged PS Audio Lambda used in their RMAF rack display, it should cost under $2000. Other components included the Power Plant Premiere ($2195), GCC250 class-D Control Amplifier ($3495), and DL3 DAC ($995).
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Jason Victor Serinus Posted: Oct 14, 2007 0 comments
I was impressed by the extremely full-range presentation of the VMPS RMD-60 loudspeaker ($9950/pair) paired with the VMPS Very Solid Subwoofer ($1850)—especially with the system's admirable bass control. Part of the credit goes to Bybee special-effect Golden Goddess AC cables and speaker bullets, Bolder Cable interconnects and cables, the rest to the Eastern Electric M156 monoblocks (160W into 8 ohms, $7000/pair, based on the EL 156 pentode tube), and Bolder's Statement Level Modded Squeezebox 3 ($1300). If The Bolder Cable Company’s display sounded this good with brand-new amps that were not yet broken in, I look forward to hearing it again once everything is fully ready to strut its stuff.
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Jason Victor Serinus Posted: Oct 14, 2007 2 comments
While being PC is always a bone of contention in the audiophile community, sonic correctness goes without question. In a nice-sized room in the Marriott Tower, Lyngdorf’s Steve Colburn held a series of extremely convincing demonstrations of the complete Lyngdorf room perfect correction system. Using Triad speakers, Colburn’s before and after treatment samples of a percussion CD with lots of low bass were eye-opening. Quelle difference! If only Steve could have corrected for the people in the far corner who insisted on blabbing through the entire demo as if no one else mattered.
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Jason Victor Serinus Posted: Oct 14, 2007 1 comments
Audio Note UK, shown at RMAF by its US distributor AudioFederation.com, chose the Denver Show for the world premiere of its first USB-input DAC. The DAC 0.1X, an entry-level product that features neither anti-alias filtering nor oversampling, and uses a teeny little 6111WA dual-triode output tube that is said to behave like a 12AU7 but last a staggering 100,000 hours, was making fine sound paired with a complete line of Audio Note components and cables.

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