We trucked across the hall to the treated room which contained several sets of RPG Variscreen free-standing variable acoustics screen ($700/each), a Modex Plate ($1000)—which offers broadband low frequency absorbtion from 50–500Hz—and two Rives Audio Sub-PARC crossover/EQs ($4500/each). The system also boasted an extra pair of VAC Alphas—Richard Rives explained that he was using the Sub-PARCs as crossovers, bypassing their digital woofer amps to kep the signals equivalent from top to bottom.
Indeed, there were nice things from Sweden in the Sjofn HiFi room. I didn't get a taste of the snittar (Swedish finger sandwiches), but I was very impressed by the powerful bass and deep, wide soundstage created by the diminutive Guru loudspeakers. As Wes mentioned, the Gurus were designed with the room in mind, and are meant to be placed near room boundaries.
I never miss the John Atkinson Trio's performances. I like to watch my friends play music and it's a great chance to bond with my fellow audiophiles for an hour or so. But this year wasn't like other years—the boys just flat-out smoked! Allen Perkins of Immedia, already one of my favorite drummers, has been studying with Peter Erskine for a few years and he has burned away any clutter (not that there was much) and is now even more purely him than ever. Bob Reina's regular gigging with Attention Screen has focused his strengths and, I suspect, freed him from having to express everything he has to say every time out. He's playing freer, looser, and tighter than ever. And JA (photographed here by Bob Deutsch), I suspect he's been woodshedding. With editing Stereophile, producing records, and measuring every component we review, where does he find the time?
Signals-SuperFi's Chris Sommovigo poses with the new Continuum Criterion turntable and Copperhead Tonearm ($51,500). Well, he is the importer, after all. However, he is also the designer and manufacturer of Stereovox cables, and he had new AC cables, speaker cables, and interconnects to tout— Dragon AC ($3500), Dragon speaker ($11,000/pair), and Dragon interconnect (tbd). Why didn't he pose with his stuff?
I encountered the same difficulty while talking with Red Wine Audio's Vinnie Rossi that I'd experienced the day before when chatting with Audio Advancements' Hart Huschens. Happy customers kept frigging interrupting us. "Vinnie! Vinnie!" they'd announce again and again.
The Pathos InPower monoblock amplifier ($13,500/pair) is a hybrid design offering 80W (at 0.4% THD, 5Hz–60kHz, ±3dB. It features some of the most beautiful industrial design I saw at the show. Designer Gianni Borinato describes it as a balanced, double INPOL power amplifier, with a zero-feedback, hand-matched. MOSFET output stage biased to run in class-A. The point-to-point wiring uses silver wire. Two triode tubes in the input stage are wired in opposite phase to form a double triode that is claimed to minimize distortion. The design proved its merit by driving the Focal 1037 Be loudspeakers with speed, dynamics, and excellent imaging. The room was a favorite among the Stereophile writers at the Show.
Lukas Lipinski was happy to present his L-707 speakers ($4990/pair) on special stands which discreetly house the 300Wpc L-301 monoblocks ($6000/pair). Keeping the amps close to the speakers allows for shorter cable runs, and, of course, is a clever space-saving idea. The amps slide vertically into the stands and are held in place by small screws on the back panel. The amps' glass front panel bears the Lipinski logo and can be illuminated.
I always seek out Wilson Audio's room at the HE shows. Is it because Wilson always gets great sound? It does—but, as the big dog on the block, they probably don't have to attend. The company supports the high-end community, not just by showing up, but by sending Peter McGrath and his fabulous recordings.
The program of seminars and workshops has been an important part of the Home Entertainment Show since its inception in 1987. For the past few years, Sunday afternoon has been the time for Stereophile Senior Editor Michael Fremer's guide to getting the best from LP playback. At this year's action-packed session, he showed a packed house to how to mount and align a phono cartridge on a VPI turntable, aided with close-up video help from Dave of Show contractor Moorea Marketing.
Larry Greenhill has already blogged about how good the Escalante Fremonts sounded in the Sound By Singer room Escalante shared with VTL. They did a disappearing act that would have done David Blaine proud. I was so impressed, I came back for a second visit and came away even more impressed—not just with the Fremonts, but with the VTL/dCS system that enabled them to sing like they did.