HE 2007

Sort By: Post Date | Title | Publish Date
Filed under
John Atkinson Posted: May 15, 2007 1 comments
They were a hit at last year's Rocky Mountain Audio Fest, so I asked Bob Cordell (resting his dogs in the photo), Peter "PJay" Smith, and Darren Kuzma to give a repeat performance of their seminars on amplifier and loudspeaker performance at HE2007. These ran throughout the Show, and I kept being stopped in the corridor by audiophiles who would say something like "Now I know what tube amplifier clipping sounds like" or "Now I know what is meant by 'dynamic range.'" I was reminded by something I had been told years ago, perhaps by Jon Iverson: that the only difference between an audiophile and an ordinary person is that the audiophile had a mentor who showed them how to listen. Bob's, PJay's, and Darren's efforts will create many, many audiophiles.
Filed under
Robert Deutsch Posted: May 15, 2007 0 comments
Performing music in a group is all about collaboration and communication. Look closely at this picture of the John Atkinson Trio, in performance on the last day of HE2007. JA is playing a solo, and both pianist Bob Reina and drummer Allen Perkins are listening and watching intently. In his comments after the number, Bob said that they had some differences of opinion about how to end the number, and resolving these differences required some give-and-take in the actual playing. Now that's jazz!
Filed under
Robert Deutsch Posted: May 15, 2007 2 comments
Balanced Audio Technology's Steve Bednarski is a big guy, but he's not a giant, and BAT's Geoff Poor is not nearly as diminutive as he looks in this picture. It's just a matter of perspective with a wide-angle lens. The rack between Steve and Geoff houses the new top-of-the-line Rex preamp, described by Wes Phillips in another posting.
Filed under
Wes Phillips Posted: May 14, 2007 0 comments
Balanced Audio Technology's Geoff Poor pats the fevered brow of the REX reference preamplifier ($18,500). With 18 tubes, no wonder it has a fever!
Filed under
Stephen Mejias Posted: May 14, 2007 3 comments
Indeed, there were nice things from Sweden in the Sjofn HiFi room. I didn't get a taste of the snittar (Swedish finger sandwiches), but I was very impressed by the powerful bass and deep, wide soundstage created by the diminutive Guru loudspeakers. As Wes mentioned, the Gurus were designed with the room in mind, and are meant to be placed near room boundaries.
Filed under
Wes Phillips Posted: May 14, 2007 2 comments
The John Atkinson Trio had 'em dancing in the aisles. In fact, only mom Elizabeth Donovan's gentle persuasion kept Ms. Stuelke from dancing on the stage. I think we all wanted to join her.
Filed under
Wes Phillips Posted: May 14, 2007 1 comments
I never miss the John Atkinson Trio's performances. I like to watch my friends play music and it's a great chance to bond with my fellow audiophiles for an hour or so. But this year wasn't like other years—the boys just flat-out smoked! Allen Perkins of Immedia, already one of my favorite drummers, has been studying with Peter Erskine for a few years and he has burned away any clutter (not that there was much) and is now even more purely him than ever. Bob Reina's regular gigging with Attention Screen has focused his strengths and, I suspect, freed him from having to express everything he has to say every time out. He's playing freer, looser, and tighter than ever. And JA (photographed here by Bob Deutsch), I suspect he's been woodshedding. With editing Stereophile, producing records, and measuring every component we review, where does he find the time?
Filed under
Stephen Mejias Posted: May 14, 2007 0 comments
When I finally made it through the crowd and into the Music Hall room, I took one look at pasty party animal, Leland Leard, and cried, "Good god, man! How are you feeling?"
Filed under
Wes Phillips Posted: May 14, 2007 0 comments
Signals-SuperFi's Chris Sommovigo poses with the new Continuum Criterion turntable and Copperhead Tonearm ($51,500). Well, he is the importer, after all. However, he is also the designer and manufacturer of Stereovox cables, and he had new AC cables, speaker cables, and interconnects to tout— Dragon AC ($3500), Dragon speaker ($11,000/pair), and Dragon interconnect (tbd). Why didn't he pose with his stuff?
Filed under
Stephen Mejias Posted: May 14, 2007 2 comments
I encountered the same difficulty while talking with Red Wine Audio's Vinnie Rossi that I'd experienced the day before when chatting with Audio Advancements' Hart Huschens. Happy customers kept frigging interrupting us. "Vinnie! Vinnie!" they'd announce again and again.
Filed under
Larry Greenhill Posted: May 14, 2007 1 comments
The Pathos InPower monoblock amplifier ($13,500/pair) is a hybrid design offering 80W (at 0.4% THD, 5Hz–60kHz, ±3dB. It features some of the most beautiful industrial design I saw at the show. Designer Gianni Borinato describes it as a balanced, double INPOL power amplifier, with a zero-feedback, hand-matched. MOSFET output stage biased to run in class-A. The point-to-point wiring uses silver wire. Two triode tubes in the input stage are wired in opposite phase to form a double triode that is claimed to minimize distortion. The design proved its merit by driving the Focal 1037 Be loudspeakers with speed, dynamics, and excellent imaging. The room was a favorite among the Stereophile writers at the Show.
Filed under
Stephen Mejias Posted: May 14, 2007 0 comments
Lukas Lipinski was happy to present his L-707 speakers ($4990/pair) on special stands which discreetly house the 300Wpc L-301 monoblocks ($6000/pair). Keeping the amps close to the speakers allows for shorter cable runs, and, of course, is a clever space-saving idea. The amps slide vertically into the stands and are held in place by small screws on the back panel. The amps' glass front panel bears the Lipinski logo and can be illuminated.
Filed under
Wes Phillips Posted: May 14, 2007 2 comments
I always seek out Wilson Audio's room at the HE shows. Is it because Wilson always gets great sound? It does—but, as the big dog on the block, they probably don't have to attend. The company supports the high-end community, not just by showing up, but by sending Peter McGrath and his fabulous recordings.
Filed under
John Atkinson Posted: May 14, 2007 2 comments
The program of seminars and workshops has been an important part of the Home Entertainment Show since its inception in 1987. For the past few years, Sunday afternoon has been the time for Stereophile Senior Editor Michael Fremer's guide to getting the best from LP playback. At this year's action-packed session, he showed a packed house to how to mount and align a phono cartridge on a VPI turntable, aided with close-up video help from Dave of Show contractor Moorea Marketing.
Filed under
Wes Phillips Posted: May 14, 2007 1 comments
Larry Greenhill has already blogged about how good the Escalante Fremonts sounded in the Sound By Singer room Escalante shared with VTL. They did a disappearing act that would have done David Blaine proud. I was so impressed, I came back for a second visit and came away even more impressed—not just with the Fremonts, but with the VTL/dCS system that enabled them to sing like they did.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading