HE 2007

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Larry Greenhill Posted: May 15, 2007 2 comments
...and 3.6kW into 2 ohms! All in a day's work for Krell's $40,000/pair, Krell Evolution 900 monoblock amplifier. On passive display with its top off, you can see that the amplifier has three output modules, each containing a pair of driver stages, 28 bipolar output devices, and a massive heatsink that vents heat in chimney fashion through vents in the top and bottom of the chassis. The power supply features two 3kVA toroidal transformers, 52 electrolytic capacitors, each rated at 1800µF, 900watt, and 105°F. Weight? Again I didn't want to know, but was told it was a mere 175 lbs!
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Robert Deutsch Posted: May 15, 2007 4 comments
HE 2007 had, as expected, some very expensive equipment being demonstrated, but there were also some modest-priced and still very–good-sounding systems. One of these was the system in the DCM room, based on the DCM TFE 200, a substantial floor-standing speaker priced at just $1000/pair. With a Jolida CD player and integrated amp, the total price for the system was under $3000—and that was including $200's worth of cables from Esoteric Audio. The Man in Black is Al Congdon of DCM.
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Robert Deutsch Posted: May 15, 2007 1 comments
Remember the name: Salagar Sonics. It's the name of a new American speaker company, whose first product, the Salagar S210 ($7500/pair), still in prototype form, made a strong impression at HE 2007. It's an active two-way—digital crossover; the amp uses the latest B&O ICE module—with a Scanspeak AirCirc tweeter and a 10" Peerless VIFA mid-bass driver, in an unusually-shaped (and highly inert) enclosure. I thought these speakers sounded terrific: lively, low in coloration, and with excellent imaging.
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Wes Phillips Posted: May 14, 2007 0 comments
I tried to get an arty shot of Bob Reina playing the Steinway. His chromaticism and inspired soloing made me aspire to a higher level of craft.
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Stephen Mejias Posted: May 14, 2007 2 comments
Late Sunday afternoon, with only about an hour left before the show closed, it was still standing room only in the Music Hall room. Perhaps that had something to do with the choice of music. I walked in to be greeted by the naughty sounds of the Bear Family Records compilation, Eat to the Beat: the dirtiest of them dirty blues, featuring song titles I can't even mention here.
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Wes Phillips Posted: May 14, 2007 0 comments
Peak Consult's Per Kristoffersen poses with his new floorstanding two-way Princess loudspeaker ($10,500/pair). "You know," he said, "it is really quite amazing what you can get out of a 5.5" driver."
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Stephen Mejias Posted: May 14, 2007 0 comments
The Audioengine team is also looking at alternative cabinet materials. On display was a prototype A5 housed in lovely, sustainable bamboo. While the electronics remain the same, the bamboo models will incorporate added dampening.
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Wes Phillips Posted: May 14, 2007 0 comments
Masataka Tsuda designs and manufactures both Concert Fidelity and Silicon Arts components. What's the diff? Concert Fidelity is his tube line; Silicon Arts Design represents his thinking on—you guessed it—solid-state.
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Wes Phillips Posted: May 14, 2007 6 comments
We trucked across the hall to the treated room which contained several sets of RPG Variscreen free-standing variable acoustics screen ($700/each), a Modex Plate ($1000)—which offers broadband low frequency absorbtion from 50–500Hz—and two Rives Audio Sub-PARC crossover/EQs ($4500/each). The system also boasted an extra pair of VAC Alphas—Richard Rives explained that he was using the Sub-PARCs as crossovers, bypassing their digital woofer amps to kep the signals equivalent from top to bottom.
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Larry Greenhill Posted: May 14, 2007 0 comments
Krell Industries' new Modulare Duo loudspeaker system was the one active exhibit in their suite, playing music from an excellent sampler of audiophile favorites. Todd Eichenbaum, shown standing next to the $35,000/pair, 300 lb system, explained that the separate woofer and satellite units were made of machined billet aluminum, as with Krell's original LAT-1 speaker system, but the Modulare’s drivers and passive crossover circuitry have been designed for higher current handling. The low-frequency cabinet contains three 8" aluminum-cone woofers, while the satellite section marries a 1" ScanSpeak ring-radiator tweeter, and a 6.5" aluminum-cone midrange driver.
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Stephen Mejias Posted: May 14, 2007 3 comments
Indeed, there were nice things from Sweden in the Sjofn HiFi room. I didn't get a taste of the snittar (Swedish finger sandwiches), but I was very impressed by the powerful bass and deep, wide soundstage created by the diminutive Guru loudspeakers. As Wes mentioned, the Gurus were designed with the room in mind, and are meant to be placed near room boundaries.
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Wes Phillips Posted: May 14, 2007 0 comments
Balanced Audio Technology's Geoff Poor pats the fevered brow of the REX reference preamplifier ($18,500). With 18 tubes, no wonder it has a fever!
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Wes Phillips Posted: May 14, 2007 2 comments
The John Atkinson Trio had 'em dancing in the aisles. In fact, only mom Elizabeth Donovan's gentle persuasion kept Ms. Stuelke from dancing on the stage. I think we all wanted to join her.
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Stephen Mejias Posted: May 14, 2007 0 comments
When I finally made it through the crowd and into the Music Hall room, I took one look at pasty party animal, Leland Leard, and cried, "Good god, man! How are you feeling?"
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Wes Phillips Posted: May 14, 2007 1 comments
I never miss the John Atkinson Trio's performances. I like to watch my friends play music and it's a great chance to bond with my fellow audiophiles for an hour or so. But this year wasn't like other years—the boys just flat-out smoked! Allen Perkins of Immedia, already one of my favorite drummers, has been studying with Peter Erskine for a few years and he has burned away any clutter (not that there was much) and is now even more purely him than ever. Bob Reina's regular gigging with Attention Screen has focused his strengths and, I suspect, freed him from having to express everything he has to say every time out. He's playing freer, looser, and tighter than ever. And JA (photographed here by Bob Deutsch), I suspect he's been woodshedding. With editing Stereophile, producing records, and measuring every component we review, where does he find the time?

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