When I reviewed KEF's top-line Reference 207 loudspeaker in February 2004, it featured a supertweeter perched atop the module housing the coaxial Uni-Q tweeter/midrange driver to achieve true ultrasonic performance. A redesign of the Uni-Q driver, the tweeter in particular, has meant that the supertweeter could be dispensed with for the Mk.2 version, launched at the 2007 CES.
Pathos Acoustics has one of the uniquest design esthetics in audio. Paolo Anriolo and Giaani Borinato beamed with delight as Jon Iverson and I oohed and ahhed over the $8000 Endorphin CD player and $1950 InControl preamplifier.
Wanting to hear more of newest addition to the line that includes the Andra II, successor to Stereophile's 1997 "Loudspeaker of the Year," I visited Egglestonworks' second The Nine room after the Show's first day closed at 5pm. Here I discovered a wonderful depth to the presentation, thanks to McCormack's UDP-1 universal player and DNA-500 amplification, as well as to the Kubala-Sosna cabling. The treble was also nicely focused. Alas, despite another round of Echo Buster room treatment and a striking-looking Grand Prix rack, The Nine's bass control was defeated by the room's square dimensions.
Mikey had brought along to the JBL Everest demo CD-Rs burned with dubs of his favorite LPs played on his Continuum Caliburn turntable. We listened to Ella Fitzgerald, Roy Orbison, Joni Mitchell, and John Lennon, but it was when Mikey asked Greg to play track one on the second CD-R that the listeners visibly relaxed and the room filled up with good vibes.
GamuT doesn't rent a display room at one of the hotels, instead they figure the best way to show off home loudspeakers is in a home. So they rent a palatial pad in the Las Vegas suburbs, invite us over for dinner (they fly in a Danish cook and assistant) and then we retire to the living room to check out the speakers and electronics.
Thiel Audio had the benefit of several side-by-side rooms at the Venetian, one of which was reserved for listening with the door closed. Isolated from the noise of surrounding rooms, Thiel’s long-awaited CS3.7 speaker ($9900/pair in standard finishes when it’s finally released), and now actually boasting a grille, played an intriguing combination of two-channel and multi-channel music using Bryston electronics and Synergistic Research cabling.
Bel Canto's John Stronczer made a bold decision to demonstrate exclusively with a music server streaming Music Giants. He ran the output from his laptop to the $2495 e.One DAC3 digital-to-analog processor and then directly to a pair of e.One REF1000 1000W monoblocks ($1995 each).
Lew Johnson pointed at the LP275M ($12,500). "This is something CJ hasn't done in a while: a high output tube monoblock. We use four pairs of 6550s to obtain 275W with our proprietary translinear transformers. We can configure it for 2, 4, 8, or 16 Ohm loads (standard is 4 Ohm). Like our most recent designs, we're using metal foil resistors and Teflon CJD capacitors. We'll be shipping them by February."
Joseph Audio's Jeff Joseph didn't bring any new goodies to the show this year. He once again demonstrated the $2495/pair Insider. "I'm still trying to demonstrate how incredible an in-wall loudspeaker can sound—if it uses an infinite slope crossover, that is."
English speaker company Monitor Audio has been producing a range of excellent affordable speakers since its managment buyout nine years ago, including the Silver RS6 tower that so impressed Bob Reina last March. Their suite at the Hilton, however, saw the Platinum series, an assault on the state of the speaker art from a design team led by Dean Hartley (above).