CES 2007

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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
Anthony Gallo has long had a reputation for wresting top dollar performance from small packages, but we've always wondered if he secretly hankered to go big. Anthony Gallo Acoustics' $15,000/pair Reference 5LS certainly answered that question.
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Robert Deutsch Posted: Jan 11, 2007 Published: Jan 12, 2007 1 comments
One of my favorite records—which I selected as a Record To Die For a few years ago—is Sure Thing, songs by Jerome Kern sung by Sylvia McNair, accompanied by Andre Previn on the piano, with David Finck on string bass. When I walked into the Siltech room, they were playing another recording by Sylvia McNair, with accompaniment by Previn and Finck, this one songs by Harold Arlen, a recording that I have somehow missed getting. The recording sounded quite lovely through Siltech's new speakers (still in prototype form), and I commented on it to the gentleman doing the demo. "I engineered that recording," he said. It turns out that John Newton (left), president of Siltech America, engineered not only Sylvia McNair's Harold Arlen's CD but also her Jerome Kern album. We chatted about the recordings, not the technical but the musical aspects, which served as a most welcome reminder of the interest in music that at a fundamental level forms the basis of this hobby. On the right of picture is yours truly (not Sylvia).
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Robert Deutsch Posted: Jan 11, 2007 Published: Jan 12, 2007 0 comments
I’m not fond of using earplugs, so I haven’t really investigated listening to music with in-the-ear-canal type earphones. However, I've read reports from the likes of Wes Phillips and John Atkinson, extolling the virtues of these type of earphones, so when I saw the sign at the Shure booth that they had some new models in this series, I thought I'd give them a listen. The ones I tried were the top-of-the-line SE530 ($449.99), which are described as "triple TruAcoustic microspeakers," with a separate tweeter and two woofers. I listened to "Nessun Dorma" sung by Pavarotti—the source was an iPod—and was quite blown away with the effortless ease and natural quality of the sound. Maybe there is something to earphone listening after all...
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 4 comments
"Recent advances in solid-state output devices and other components have opened up design possibilities never previously available," Audio Research's Terry Dorn explained. "And that led to our developing the Hybrid Drive HD220 stereo power amplifier ($8995)."
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
At CES 2006, Jon Iverson and I were impressed by Studio Electric's $8500 Type One modules, even though the mating $3500 XLR woofer modules weren't operating. This year Studio Electric was showing off a pair of the $15,500/pair Type Two towers, which were pure art deco chromed metal work.
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 4 comments
TBI's Jan Plummer is so proud and punched up about his $400/pair Majestic Diamond 1 single driver loudspeakers that he seems to shimmer—as if he's transporting between this plane of existence and another one.
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 3 comments
Many of the best-sounding rooms at the show employed Ayre's $16,500/pair 300W MX-R monoblock amplifiers. Yes, they look small enough to be class-D amplifiers, but they're pure analog. How'd they do it? The entire enclosure is the heatsink and Ayre's Charlie Hansen designed a special low-rise transformer, used in pairs, to keep the chassis so compact.
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
"Check this out!" Boulder's Richard Maez palmed the remote that accompanies Boulder's 865 integrated amp and 810 preamplifier. "It really fits in your hand—and unlike most remotes, it fits whether you're using your right or your left hand."
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Robert Deutsch Posted: Jan 11, 2007 Published: Jan 12, 2007 0 comments
Press conferences can sometimes be tedious affairs, with the presenter going on-and-on about his company's past accomplishments, and how even greater things are coming in the future. But this description did not apply to the press conference for Usher Audio Technology at this year’s CES. This was more like an informal party for friends than the prototypical press conference. People stood around and chatted for a while, and then Atul Kanagat of MusikMatters, Usher’s North American distributor, talked briefly about how Usher’s line of high-value/high-performance loudspeakers is intended to bring more music lovers into the hobby. We then listened to some music through some very-nice-sounding Usher speakers. Pictured are PR consultant Jonathan Scull (whose name should be familiar to Stereophile readers, Usher chief engineer Joe D’Appolito (whose name should be familiar to students of speaker design), Tsai Lien-Shui (President of Usher), and Atul Kanagat.
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John Atkinson & Stephen Mejias Posted: Jan 12, 2007 6 comments
This man is electric. More than electric, this man is electricity. The strongest, purest current snaps through him and charges the entire room. We crowd around, unable to fully maintain his flow, but also unable to withdraw. John Atkinson and I settle in closest, occupying the front row. JA follows securely along, constant flickers of acknowledgement and wonder emerge, illuminated moments of understanding and interest. At the same time, however, running in the opposite direction, I feel almost as though I'm being rude — too deeply occupied at scribbling these notes, my pen powered by his words and ideas, moving faster across the page than I want it to go, I can't even look up to meet his eyes. And his eyes, these ice blue darts, they're the blue of a glowing front panel. The man is plugged in.
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Larry Greenhill Posted: Jan 11, 2007 Published: Jan 12, 2007 0 comments
VTL introduced a new phono preamplifier at CES, the $6500 TP-6.5 Signature Phono Stage, as well as an upgraded MB-450 Signature monoblock amplifier. Using the single-chassis configuration of the TL-6.5 line preamplifier, VTL's phono preamplifier follows its hybrid design approach, using a low-noise J-FET to drive high-current 12AU7 tubes. It features switchable, five-corner, passive RIAA filtering. Gain, cartridge load impedance, phase, muting, rumble filter, and power on/off can be switched by remote.
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 3 comments
No, that's not another Vandersteen sock—it's the carbon fiber plinth of the Vandersteen 5As in Audio Research's room. "Richard [Vandersteen] isn't really offering the 5s in carbon fiber," Audio Research's Terry Dorn told us. "He just wanted to explore the material, so he did these."
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Robert Deutsch Posted: Jan 11, 2007 2 comments
Divergent Technologies’ Tash Goka introduced a new top speaker in the Reference 3A line: the Grand Veena ($7500/pair), which, in addition to two woofers, a midrange and a tweeter, also has a Murata supertweeter that covers the range from 20kHz to 100kHz. The sonic contribution of the supertweeter is acknowledged to be "not easily detectable by conventional means," but is said to improve the speaker’s spatial quality and have positive effects outside of its nominal operating range. The Grand Veenas sounded mighty nice driven by Antique Sound Labs' new Cadenza amps ($6500/pair).
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Robert Deutsch Posted: Jan 11, 2007 2 comments
The Australian Ambience Reference 1800 ribbon hybrid loudspeakers ($13,995) use ribbons of their own design, combined with a vented bass section. The cabinet is sleek, with a narrowing toward the top. I quite enjoyed listening to these speakers, and, ever on the lookout for a cost-effective components, I was impressed by the fact that they were being driven by relatively inexpensive Vincent electronics (SAT-1 preamp, $1495, SAT-100 monoblock power amps, $2495/pair). Designer Tony Moore was on hand to demo the speakers.

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