CES 2007

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CES 2007 Posted: Jan 12, 2007 1 comments
Redpoint's Peter Clark says, "Your heart doesn't beat in ones and zeroes—it's analog." That's why he builds turntables, 'tables machined from solid billets of aircraft aluminum and configures the platter, motor, and tonearm platforms on separate support pods on a common platform.
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
The 150Wpc Boulder 865 integrated amplifier (approximately $10,000) is only four days old, so we tiptoed into the room in order not to wake it up. Richard Maez (seen here at the back of the photo) was elated that the 865 had actually made it to the show, but he was even happier to run down the details.
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Robert Deutsch Posted: Jan 11, 2007 Published: Jan 12, 2007 1 comments
As Wes Phillips reported a day or so ago, The folks at PS Audio have been extremely busy of late. There have all new designs for power-line conditioners, some of them descendants of the highly-successful Power Plant active devices, others passive filter designs. An impressive couple of demonstrations by Paul McGowan showed how a competing power-line conditioner was unable to cope with a power surge that was handled with aplomb by the PS Audio product, and, similarly, a competitor’s product (with the name taped over to protect the innocent) did almost nothing to power line noise that was effectively filtered by the PS Audio product. The loving couple in the picture are PS's Terri and Paul McGowan.
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Larry Greenhill Posted: Jan 11, 2007 Published: Jan 12, 2007 7 comments
Modern Audio Consultants’ Richard Gerberg showed me a new $6000/pair loudspeaker from English company ProAc, the two-way D28. The 60 lb floorstander, designed by ProAc founder Stewart Tyler , includes a 1" silk-dome tweeter and a 6.5" bass/midbass driver. I was able to audition the loudspeakers driven by a new $3000 Sugden 21 SE CD player, a $4000 Sugden 21SC integrated amplifer, and ProAc speaker cable. The D28’s sound was smooth, detailed, and musical. I particulary enjoyed playing Jamie Cullen’s Twenty Something album. Richard told me that the album had been recorded and edited using ProAc loudspeakers. Perhaps that was one reason the D28s sounded so good!
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 2 comments
This was our first chance to hear the $8995 Audio Research Reference CD7 CD player. We were impressed!
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
We were once again impressed by how un-hi-fi the sound in the deHavilland room was, this time in conjunction with a pair of Tannoy Prestiges. The $10,000/pair 50W deHavilland GM-70 single-ended triode is pure class-A, with zero negative feedback. The GM-70's directly-heated triode vacuum tube is said to be the largest output triode available today. We found the sound sweet, but surprisingly detailed and dynamic. Fit'n'finish were superb.
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
After admiring the Redpoint Model A's blueness, we turned our beady gaze to ModWright's blue $3995 LS-36.5 line stage preamplifier. It employs 6H30 tubes, with a 5AR4 tube rectifier. "We've added a phase inversion switch and balanced inputs and outputs," distributor Frank L. Kraus said.
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
Anthony Gallo has long had a reputation for wresting top dollar performance from small packages, but we've always wondered if he secretly hankered to go big. Anthony Gallo Acoustics' $15,000/pair Reference 5LS certainly answered that question.
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Robert Deutsch Posted: Jan 11, 2007 Published: Jan 12, 2007 1 comments
One of my favorite records—which I selected as a Record To Die For a few years ago—is Sure Thing, songs by Jerome Kern sung by Sylvia McNair, accompanied by Andre Previn on the piano, with David Finck on string bass. When I walked into the Siltech room, they were playing another recording by Sylvia McNair, with accompaniment by Previn and Finck, this one songs by Harold Arlen, a recording that I have somehow missed getting. The recording sounded quite lovely through Siltech's new speakers (still in prototype form), and I commented on it to the gentleman doing the demo. "I engineered that recording," he said. It turns out that John Newton (left), president of Siltech America, engineered not only Sylvia McNair's Harold Arlen's CD but also her Jerome Kern album. We chatted about the recordings, not the technical but the musical aspects, which served as a most welcome reminder of the interest in music that at a fundamental level forms the basis of this hobby. On the right of picture is yours truly (not Sylvia).
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Robert Deutsch Posted: Jan 11, 2007 Published: Jan 12, 2007 0 comments
I’m not fond of using earplugs, so I haven’t really investigated listening to music with in-the-ear-canal type earphones. However, I've read reports from the likes of Wes Phillips and John Atkinson, extolling the virtues of these type of earphones, so when I saw the sign at the Shure booth that they had some new models in this series, I thought I'd give them a listen. The ones I tried were the top-of-the-line SE530 ($449.99), which are described as "triple TruAcoustic microspeakers," with a separate tweeter and two woofers. I listened to "Nessun Dorma" sung by Pavarotti—the source was an iPod—and was quite blown away with the effortless ease and natural quality of the sound. Maybe there is something to earphone listening after all...
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 4 comments
"Recent advances in solid-state output devices and other components have opened up design possibilities never previously available," Audio Research's Terry Dorn explained. "And that led to our developing the Hybrid Drive HD220 stereo power amplifier ($8995)."
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
At CES 2006, Jon Iverson and I were impressed by Studio Electric's $8500 Type One modules, even though the mating $3500 XLR woofer modules weren't operating. This year Studio Electric was showing off a pair of the $15,500/pair Type Two towers, which were pure art deco chromed metal work.
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Stephen Mejias Posted: Jan 11, 2007 0 comments
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Stephen Mejias Posted: Jan 11, 2007 11 comments
A lovely line of Italian loudspeakers. It's no wonder Sam Tellig is such a fan. The speakers almost ask to be touched.
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John Atkinson Posted: Jan 11, 2007 5 comments
Every CES has its impressive, cost-no-object audio systems, but one of the better sounds I heard at the Show, in terms of superb vocal articulation and an excellent overall balance, came fron a relatively affordable system in the Avalon suite in the Aladdin Hotel. Based on the Colorado company's new NP2.0 two-way towers ($1995/pair), which feature two Kevlar-cone woofers and Avalon's proprietary composite-dome tweeter, driven by an Ayre Acoustics AX7 integrated amp and a Cary CD306 player, the system showed that you don't have to drop megabux on a system to get musically satisfying sound.

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