CES 2007

Sort By: Post Date | Title | Publish Date
Filed under
Larry Greenhill Posted: Jan 13, 2007 2 comments
BAT introduced the two-chassis, $18,500 REX preamplifier at CES. The 18-tube preamplifier incorporates vacuum-tube rectifiers, C-multipliers, oil capacitors, and shunt regulators to filter the power supply's DC voltages. The control module incorporates a 140-step volume control that uses a 16-bit digital control with Vishay bulk-metal–foil resistors as pass-through devices. Each input to the preamplifier can be adjusted individually.
Filed under
John Atkinson Posted: Jan 13, 2007 3 comments
Whenever I have caught up with Ken Kessler (left) at audio shows in the past two years, he has uncharacteristically grumbled about all the work he was doing writing and compiling McIntosh...For the Love of Music. "Every time I interview someone connected with the iconic Binghampton audio company, they tell me about two more people I didn't know existed whom I should interview."
Filed under
John Atkinson Posted: Jan 13, 2007 2 comments
The Canadian Gershman Black Swan speaker ($30,000/pair), which mounts the tweeter and midrange unit in a separate A-frame enclosure to prevent their performance being affected by vibrations from the woofer, made its debut at HE2006 last May, and I was looking forward to hearing what it could do at CES.
Filed under
Jason Victor Serinus Posted: Jan 13, 2007 6 comments
While John Atkinson awaits a review sample of Parasound's just-released JC 2 two-channel analog preamp ($4000), photographed here (second from top) with Parasound president Richard Schram by Kalman Rubinson, I took the opportunity to discuss its genesis with Richard.
Filed under
John Atkinson Posted: Jan 13, 2007 4 comments
I couldn't resist posting this photo, not of a product, but of photos of a product, just to get Mikey Fremer all riled up about the fact that the Continuum Caliburn turntable, for which he forked out mucho dinero, is no longer the Big Dog of LP playback.
Filed under
Robert Deutsch Posted: Jan 13, 2007 1 comments
Ultra Systems' Robert Stein cornered me—in the nicest way possible—at the Stereophile/Home Theater party Wednesday night, telling me that he had a great new acoustical damping product that I should check out in his booth. I was going to give this one a pass until he mentioned that it's small, easy-to-install, and inexpensive.
Filed under
John Atkinson Posted: Jan 13, 2007 6 comments
I looked into the Cary Audio Design room in the Venetian Towers to catch up with designer Dennis Had to find out what the North Carolina company had been up to since I visited them a year ago. But he was out, so I settled back to enjoy some fine music on Dynaudio Confidence C4 speakers—favorites of mine since I reviewed them in September 2003—driven by the 10th-Anniversary Edition of Cary's CAD805 single-ended triode monoblock, perhaps the finest-sounding of its breed. Source was the CAD-306 SACD player, back in production after some manufacturing problems with its Sony-sourced chipset. Nice. Very nice.
Filed under
Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
Anthony Gallo has long had a reputation for wresting top dollar performance from small packages, but we've always wondered if he secretly hankered to go big. Anthony Gallo Acoustics' $15,000/pair Reference 5LS certainly answered that question.
Filed under
Robert Deutsch Posted: Jan 11, 2007 Published: Jan 12, 2007 1 comments
One of my favorite records—which I selected as a Record To Die For a few years ago—is Sure Thing, songs by Jerome Kern sung by Sylvia McNair, accompanied by Andre Previn on the piano, with David Finck on string bass. When I walked into the Siltech room, they were playing another recording by Sylvia McNair, with accompaniment by Previn and Finck, this one songs by Harold Arlen, a recording that I have somehow missed getting. The recording sounded quite lovely through Siltech's new speakers (still in prototype form), and I commented on it to the gentleman doing the demo. "I engineered that recording," he said. It turns out that John Newton (left), president of Siltech America, engineered not only Sylvia McNair's Harold Arlen's CD but also her Jerome Kern album. We chatted about the recordings, not the technical but the musical aspects, which served as a most welcome reminder of the interest in music that at a fundamental level forms the basis of this hobby. On the right of picture is yours truly (not Sylvia).
Filed under
Robert Deutsch Posted: Jan 11, 2007 Published: Jan 12, 2007 0 comments
I’m not fond of using earplugs, so I haven’t really investigated listening to music with in-the-ear-canal type earphones. However, I've read reports from the likes of Wes Phillips and John Atkinson, extolling the virtues of these type of earphones, so when I saw the sign at the Shure booth that they had some new models in this series, I thought I'd give them a listen. The ones I tried were the top-of-the-line SE530 ($449.99), which are described as "triple TruAcoustic microspeakers," with a separate tweeter and two woofers. I listened to "Nessun Dorma" sung by Pavarotti—the source was an iPod—and was quite blown away with the effortless ease and natural quality of the sound. Maybe there is something to earphone listening after all...
Filed under
Wes Phillips & Jon Iverson Posted: Jan 12, 2007 4 comments
"Recent advances in solid-state output devices and other components have opened up design possibilities never previously available," Audio Research's Terry Dorn explained. "And that led to our developing the Hybrid Drive HD220 stereo power amplifier ($8995)."
Filed under
Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
At CES 2006, Jon Iverson and I were impressed by Studio Electric's $8500 Type One modules, even though the mating $3500 XLR woofer modules weren't operating. This year Studio Electric was showing off a pair of the $15,500/pair Type Two towers, which were pure art deco chromed metal work.
Filed under
Wes Phillips & Jon Iverson Posted: Jan 12, 2007 4 comments
TBI's Jan Plummer is so proud and punched up about his $400/pair Majestic Diamond 1 single driver loudspeakers that he seems to shimmer—as if he's transporting between this plane of existence and another one.
Filed under
Wes Phillips & Jon Iverson Posted: Jan 12, 2007 3 comments
Many of the best-sounding rooms at the show employed Ayre's $16,500/pair 300W MX-R monoblock amplifiers. Yes, they look small enough to be class-D amplifiers, but they're pure analog. How'd they do it? The entire enclosure is the heatsink and Ayre's Charlie Hansen designed a special low-rise transformer, used in pairs, to keep the chassis so compact.
Filed under
Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
"Check this out!" Boulder's Richard Maez palmed the remote that accompanies Boulder's 865 integrated amp and 810 preamplifier. "It really fits in your hand—and unlike most remotes, it fits whether you're using your right or your left hand."

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading