CES 2007

Sort By: Post Date | Title | Publish Date
Filed under
Robert Deutsch Posted: Jan 13, 2007 1 comments
Ultra Systems' Robert Stein cornered me—in the nicest way possible—at the Stereophile/Home Theater party Wednesday night, telling me that he had a great new acoustical damping product that I should check out in his booth. I was going to give this one a pass until he mentioned that it's small, easy-to-install, and inexpensive.
Filed under
John Atkinson Posted: Jan 13, 2007 6 comments
I looked into the Cary Audio Design room in the Venetian Towers to catch up with designer Dennis Had to find out what the North Carolina company had been up to since I visited them a year ago. But he was out, so I settled back to enjoy some fine music on Dynaudio Confidence C4 speakers—favorites of mine since I reviewed them in September 2003—driven by the 10th-Anniversary Edition of Cary's CAD805 single-ended triode monoblock, perhaps the finest-sounding of its breed. Source was the CAD-306 SACD player, back in production after some manufacturing problems with its Sony-sourced chipset. Nice. Very nice.
Filed under
John Atkinson Posted: Jan 13, 2007 2 comments
I got an email from Stereophile columnist John Marks Wednesday night, urging me to visit the room at the Venetian featuring speakers from retailer On Track Audio. I always do what I am told by my writers, so I looked in Thursday afternoon. There I auditioned the Directorate loudspeaker system, designed by mastering engineer Bill Roberts. All four cabinets are sealed boxes and are finished in exquisitely in-laid veneers, the work of On Track's Jim Carnes, who looks understandably pleased with his work in my photo. The sound with Belles amplification, and Kimber Kable, was very promising, I thought.
Filed under
John Atkinson Posted: Jan 13, 2007 4 comments
Stephen Mejias mention Garth Powell's passion for what he does in his report from the Furman room at CES. AJ Conti, the man behind turntable manufacturer Basis Audio, has a similar passion for what he does. His current attention is focused on getting the drive belts for his well-regarded turntables as flat as possible, to eliminate the last vestige of drive-system spuriae from the audio recovered from vinyl. Dissatisfied with the highest precision he could get from commercial ground-belt vendors, he invested in his own production machinery.
Filed under
Larry Greenhill Posted: Jan 13, 2007 2 comments
BAT introduced the two-chassis, $18,500 REX preamplifier at CES. The 18-tube preamplifier incorporates vacuum-tube rectifiers, C-multipliers, oil capacitors, and shunt regulators to filter the power supply's DC voltages. The control module incorporates a 140-step volume control that uses a 16-bit digital control with Vishay bulk-metal–foil resistors as pass-through devices. Each input to the preamplifier can be adjusted individually.
Filed under
John Atkinson Posted: Jan 13, 2007 3 comments
Whenever I have caught up with Ken Kessler (left) at audio shows in the past two years, he has uncharacteristically grumbled about all the work he was doing writing and compiling McIntosh...For the Love of Music. "Every time I interview someone connected with the iconic Binghampton audio company, they tell me about two more people I didn't know existed whom I should interview."
Filed under
John Atkinson Posted: Jan 13, 2007 2 comments
The Canadian Gershman Black Swan speaker ($30,000/pair), which mounts the tweeter and midrange unit in a separate A-frame enclosure to prevent their performance being affected by vibrations from the woofer, made its debut at HE2006 last May, and I was looking forward to hearing what it could do at CES.
Filed under
Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
Behold bills itself as "true digital audio" since it maintains audio as a digital signal up to the amplifier stage. The 600Wpc BPA768 (US price TBD) incorporates 768kHz/24-bit signal processing, a switch-mode power supply, an analog output stage, and an integrated power conditioner.
Filed under
CES 2007 Posted: Jan 12, 2007 1 comments
Redpoint's Peter Clark says, "Your heart doesn't beat in ones and zeroes—it's analog." That's why he builds turntables, 'tables machined from solid billets of aircraft aluminum and configures the platter, motor, and tonearm platforms on separate support pods on a common platform.
Filed under
Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
The 150Wpc Boulder 865 integrated amplifier (approximately $10,000) is only four days old, so we tiptoed into the room in order not to wake it up. Richard Maez (seen here at the back of the photo) was elated that the 865 had actually made it to the show, but he was even happier to run down the details.
Filed under
Robert Deutsch Posted: Jan 11, 2007 Published: Jan 12, 2007 1 comments
As Wes Phillips reported a day or so ago, The folks at PS Audio have been extremely busy of late. There have all new designs for power-line conditioners, some of them descendants of the highly-successful Power Plant active devices, others passive filter designs. An impressive couple of demonstrations by Paul McGowan showed how a competing power-line conditioner was unable to cope with a power surge that was handled with aplomb by the PS Audio product, and, similarly, a competitor’s product (with the name taped over to protect the innocent) did almost nothing to power line noise that was effectively filtered by the PS Audio product. The loving couple in the picture are PS's Terri and Paul McGowan.
Filed under
Larry Greenhill Posted: Jan 11, 2007 Published: Jan 12, 2007 7 comments
Modern Audio Consultants’ Richard Gerberg showed me a new $6000/pair loudspeaker from English company ProAc, the two-way D28. The 60 lb floorstander, designed by ProAc founder Stewart Tyler , includes a 1" silk-dome tweeter and a 6.5" bass/midbass driver. I was able to audition the loudspeakers driven by a new $3000 Sugden 21 SE CD player, a $4000 Sugden 21SC integrated amplifer, and ProAc speaker cable. The D28’s sound was smooth, detailed, and musical. I particulary enjoyed playing Jamie Cullen’s Twenty Something album. Richard told me that the album had been recorded and edited using ProAc loudspeakers. Perhaps that was one reason the D28s sounded so good!
Filed under
Wes Phillips & Jon Iverson Posted: Jan 12, 2007 2 comments
This was our first chance to hear the $8995 Audio Research Reference CD7 CD player. We were impressed!
Filed under
Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
We were once again impressed by how un-hi-fi the sound in the deHavilland room was, this time in conjunction with a pair of Tannoy Prestiges. The $10,000/pair 50W deHavilland GM-70 single-ended triode is pure class-A, with zero negative feedback. The GM-70's directly-heated triode vacuum tube is said to be the largest output triode available today. We found the sound sweet, but surprisingly detailed and dynamic. Fit'n'finish were superb.
Filed under
Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
After admiring the Redpoint Model A's blueness, we turned our beady gaze to ModWright's blue $3995 LS-36.5 line stage preamplifier. It employs 6H30 tubes, with a 5AR4 tube rectifier. "We've added a phase inversion switch and balanced inputs and outputs," distributor Frank L. Kraus said.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading