CEDIA 2006

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John Atkinson Posted: Sep 16, 2006 8 comments
It was only a couple of CEDIAs ago that Paradigm introduced its Signature series of high-performance speakers, and I was very impressed by the stand-mounted Signature S2 when I reviewed it for Stereophile in July 2005 (see http://www.stereophile.com/standloudspeakers/705paradigm/). But the Canadian company’s big news of the Show was that they have redesigned, not just the Signature series but their entire line! The new models use beryllium-dome tweeters and midrange units with aluminum cones treated with cobalt to add stiffness. The looks of the Signature series are still to die for, however.
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John Atkinson Posted: Sep 16, 2006 2 comments
It's official. I am a nerd! I couldn't resist snapping the interior of Theta's amplifier, which takes an audio input as PCM digital and transforms it into PWM digital without ever changing it back to analog until the music arrives at the speaker terminals.
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Kalman Rubinson Posted: Sep 16, 2006 0 comments
PS Audio's Paul McGowan was leaning so comfortably on these nice new AC Power Plants that it wasn't until my second visit that I realized the products carried the Ethereal label, the first fruits of a collaboration between these two companies. In addition to the 1500W Power Plant with its inbuilt harmonic distortion analysers, Paul also has the new surge-protected Power Center tucked under his arm. He looks pretty happy.
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Wes Phillips Posted: Sep 16, 2006 1 comments
Bolzano Villettri showed its new 3000 series Campanile speakers as a 5.1 system. I was extremely impressed by the $9000/pair BV 3005 Torre, which feature BV's "Roundstrem Technology" that focuses the up-firing and down-firing drivers in the upper and lower cabinets into a 360° soundfield. In a huge convention hallway, the 3005 Torres actually managed to sing. I'd love to hear them under more favorable circumstances.
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Kalman Rubinson Posted: Sep 16, 2006 0 comments
While we have been salivating for months in anticipation of the impending release of the floorstander, the CS3.7 that Wes Phillips blogged about on Thursday, Thiel teamed a pair of them with 3 of the new SCS4 small LCR speakers (and a pair of SS-1 subs) in one of the most musical setups at the show. The SCS4 utilizes a single coaxial driver in a remarkably rigid and resonance-free enclosure. The front panel is an aluminum casting and the other panels are doubly-laminated 1" MDF. As a single source, this can be oriented vertically (as shown) or horizontally as a center channel without phase interactions. At only $1000 each, this matched sweetly with the CS3.7s.
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Wes Phillips Posted: Sep 16, 2006 4 comments
Canton's chief speaker designer Frank Göbl stands beside Canton's $30,000/pair Vento Reference One DC, a 3.5-way floorstander that's probably going to keep some high-priced speaker builders awake at night.
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Kalman Rubinson Posted: Sep 16, 2006 0 comments
So what does an audio guy discover at CEDIA? A turntable, of course. At the head of Sumiko's array of Pro-Ject turntables was their most elegant and impressive one yet. The RM-10 looks like a serious and grown-up RM-9 with a platform base and double-thick platter. At $2500, Pro-Ject's most expensive model yet, evoked buy-me-now urges in this lapsed vinyist. I understand that Michael Fremer has a review already in the hopper for our November issue.
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John Atkinson Posted: Sep 16, 2006 4 comments
I missed a call when I was showering this morning. It was producer Elliot Mazer (right) asking me to visit him at the Music Giants booth, where he and Halcro’s Philip O’Hanlon (left) had something they wanted to me to see (and hear). Music Giants specializes in hi-rez music downloads and Elliot, it turns out, has been spending a lot of time working on transcoding SACD masters to 24/96 or 24/88.2 LPCM for record companies who are starting to realize that they might not ever get back their investment in the new formats from sales of physical discs.
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John Atkinson Posted: Sep 16, 2006 6 comments
The amiable team of industry veterans David Solomon (left) and Jim Spainhour (right) make up Signal Path, who distributes Musical Fidelity products in the US. They are seen here with MF’s new “audio Swiss Army knife,” the kW250, which includes a CD player, an FM tuner, a preamp with an MM phono stage, and a 250Wpc power amplifier for its $9000 price. A digital input on the back takes the feed from your music server and yes, there is a jack for your iPod on the front. "An ‘exit-level’ component," is how Jim describes it, "for the middle-aged music lover who wants system simplicity without sacrificing sound quality."
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Wes Phillips Posted: Sep 16, 2006 0 comments
PSB's Paul Barton is juiced about in-walls. One problem that in-room loudspeakers have is that they have a change-over point from 2-π to 4-π operation. Well, with in-walls, it's all 2-π."
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Wes Phillips Posted: Sep 16, 2006 0 comments
JA already blogged about the Ultima Salon2 demo we attended yesterday, but I just had to second his praise with an additional rave: These large speakers are incredibly light on their feet. Yes, the bass was impressive, and, yes, they sounded fabulous on vocals, but for me, it was their ability to change rhythmic directions on a tack-head that was most impressive.
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Wes Phillips Posted: Sep 16, 2006 2 comments
Archimedes famously said, "Give me a lever and a place to stand and I can move the world." Quartet Marketing's Stirling Trayle and Composite Products LLC's Gus Malek-Madani take that "place to stand" part seriously. Malek-Madani makes stands from carbon fiber and he's adamanant that metal and glass "are the worst materials for isolation and vibration energy dissipation." His solution? Carbon fiber.
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Wes Phillips Posted: Sep 16, 2006 0 comments
Slim Devices' Patrick Cosson and OnPR's Marivi Lerdo-de-Tejada pose with the California company's high-end, $1999 Transporter network music player, after granting me a hands-on session with it. The Transporter's Dynamic Feedback control knob is amazing—choose a function and it becomes a silky-smooth volume pot, an indexed rotary switch, or a velocity-sensitive controller. Better yet, each function feels absolutely "real."
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Wes Phillips Posted: Sep 16, 2006 2 comments
CEDIA is an installer's show at its core, so lots of exhibits have nothing to do with audio or video—many are about tools that make the installer's life easier. Some of them are small ideas, such as belt packs to carry cable ties in. Others,like the Little Giant folding ladder are big—and let me tell you, the Little Giants booth was hopping. Why not? It folds up small, and can be used as a straight ladder, step ladder, offset ladder, or staircase ladder.
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Wes Phillips Posted: Sep 16, 2006 0 comments
They say that guys are visually stimulated, so I must be normal. Walking by Classé's booth, I saw this naked CA-5200 (5 x 200W; $8000). Hubba hubba!

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