CEDIA 2006

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Wes Phillips Posted: Sep 16, 2006 2 comments
Archimedes famously said, "Give me a lever and a place to stand and I can move the world." Quartet Marketing's Stirling Trayle and Composite Products LLC's Gus Malek-Madani take that "place to stand" part seriously. Malek-Madani makes stands from carbon fiber and he's adamanant that metal and glass "are the worst materials for isolation and vibration energy dissipation." His solution? Carbon fiber.
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Wes Phillips Posted: Sep 16, 2006 0 comments
Slim Devices' Patrick Cosson and OnPR's Marivi Lerdo-de-Tejada pose with the California company's high-end, $1999 Transporter network music player, after granting me a hands-on session with it. The Transporter's Dynamic Feedback control knob is amazing—choose a function and it becomes a silky-smooth volume pot, an indexed rotary switch, or a velocity-sensitive controller. Better yet, each function feels absolutely "real."
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Wes Phillips Posted: Sep 16, 2006 2 comments
CEDIA is an installer's show at its core, so lots of exhibits have nothing to do with audio or video—many are about tools that make the installer's life easier. Some of them are small ideas, such as belt packs to carry cable ties in. Others,like the Little Giant folding ladder are big—and let me tell you, the Little Giants booth was hopping. Why not? It folds up small, and can be used as a straight ladder, step ladder, offset ladder, or staircase ladder.
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Wes Phillips Posted: Sep 16, 2006 0 comments
They say that guys are visually stimulated, so I must be normal. Walking by Classé's booth, I saw this naked CA-5200 (5 x 200W; $8000). Hubba hubba!
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Wes Phillips Posted: Sep 16, 2006 2 comments
Jim Shannon and Stirling Trayle of Quartet Marketing pose with the $4200 T+A K1 AV,which combines CD/DVD playback with analog matrix room sound processing, analog preamp duties, an FM tuner, and two channels of 100W power plus one channel of 60W.
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Wes Phillips Posted: Sep 16, 2006 0 comments
Lenbrook Technologies' Mark Stone pops with pride over NAD's Master Series $1799 M5 SACD/CD Player, which employs separate signal paths for CD and SACD. The player's CD resolution is 24-bit, 192kHz. Since it's aimed at audio systems rather than HT applications, the M5 includes comprehensive bass management for multichannel SACDs and front-panel–accessible preset 5.1 speaker configurations.
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Wes Phillips Posted: Sep 16, 2006 1 comments
File this under Only at CEDIA: Themeaddicts, Inc. is offering a Magic Message Mirror (also available as a talking pirate skull). The MMM looks like an ordinary mirror, but is integrated with your whole home automation system. It can update you on any changes within the system's ability to monitor.
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John Atkinson Posted: Sep 16, 2006 0 comments
Neil Sinclair gave me a tour of Theta’s new multi-channel amp, which keeps the signal exclusively in the digital domain from the S/PDIF inputs to the PWM output stage, the latter said to operate at the super-high frequency of 1MHz. Designed by veteran amp engineer Dave Reich, what is in effect a powerDAC—that’s what it says on the output-stage printed circuit boards—will find its way, I hope, into some two-channel products in due course.
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Wes Phillips Posted: Sep 16, 2006 3 comments
Conrad-Johnson's Lew Johnson demos CJ's $7500 MET1 multichannel enhanced triode preamplifier. The twist? It's an analog six-channel preamplifier! It sounded exquisite, whether on two-channel sources or multichannel—only the MET1 can synthesize multichannel from the higher resolution two-channel PCM tracks present on many multichannel DVDs.
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Kalman Rubinson Posted: Sep 16, 2006 2 comments
I finally got to see the new Cary Cinema II processor ($3000) that had been whispered about at the 2005 CEDIA. Sleek but prodigious, it has balanced analog and digital inputs in addition to single-ended analog, optical and coaxial digital inputs and a true analog bypass 7.1 input. There's balanced and unbalanced outputs as well as analog/digital outputs for a second zone. But get this: it is also Dolby-HD approved!
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John Atkinson Posted: Sep 16, 2006 1 comments
A speaker brand new to me at THE Show was YG Acoustics. Seen here with his four-way Anat Reference Studio ($60k/pair with a single subwoofer per side) is YG's Yoav Gonczarowksi, who says that he doesn't "voice" his speaker—the perfect speaker shouldn't have a voice but should just reproduce what's on the recording.
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Wes Phillips Posted: Sep 16, 2006 0 comments
Less flashy than the amplifier internals I blogged about earlier, but still enormously impressive, was this rack of Classé. Classé's Dave Nauber told me it was the first time the company had displayed their curved-profile components in these high-quality racks and that the installers were going nuts over them. They do do a restrained elegance.
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John Atkinson Posted: Sep 16, 2006 4 comments
Eminent Technology’s Bruce Thigpen has always taken an interesting slant on how to design audio products—his air-bearing tonearm was one of the best-sounding back in the day and his push-pull planar magnetic speakers are thought by some to be unbeatable. But at THE Show, held next door to the official CEDIA venue, the Convention Center, in the Denver Athletic Club, Bruce was showing off his infrasonic subwoofer. Yes, that’s a fan, which rotates at a constant 800rpm. The wrinkle is that the audio signal is used to vary the pitch of the fan blades. Feathered with no signal, when driven with audio the twisting blades produce a massive acoustic wave with very little power input. The bandwidth is limited by the fan speed to below 30Hz or so—you have to rotate it faster to reproduce higher frequencies but then its self noise increases rapidly— but it will reproduce frequencies as low as 1Hz with a very high spl.
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Wes Phillips Posted: Sep 16, 2006 0 comments
Chord's CEO John Franks (right) and Bluebird Music's Jay Rein (left) regaled me with tales of Chord's Media Engine (price tbd). It includes an Intel Pentium 4 processor and up to 6TB of drive capacity, allowing you to centrally archive pretty much all varieties of CD and DVD formats. Chord promises "studio-quality audio" and "the best image processing technology available."
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Wes Phillips Posted: Sep 16, 2006 0 comments
One reason the NAD M5—indeed, all of the Master Series components—sound so good, Mark Stone says, is the gigando special NAD class-A gain modules, which "offer tremendous dynamic headroom and nearly immeasurable distortion." JA is working on a review of the M3 integrated amplifier, which also uses these modules.

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