HE 2006

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John Atkinson Posted: Jun 02, 2006 0 comments
Front-end in the Lamm room, with a system featuring Lamm tubed electronics driving Wilson Sophia 2 speakers, was this gorgeous turntable from French company Metronome, the Gaia, fitted with a Graham Phantom tonearm and a Lyra Titan cartridge.
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Jason Victor Serinus Posted: Jun 02, 2006 2 comments
My final audition before attending the warm, "family affair" Classics Records press conference took place in Elliot Midwood's Acoustic Image room, which displayed gear he sells at his store in Studio City, CA. Once I spyed the same ESP Concert Grand SI speakers ($40,000/pair ) that drove John Marks into ecstasy in April, I had to listen. Amplification came complements of Wavestream Kinetic V8 monoblocks, which output 250–300W in triode mode ($35,000). Also on hand were the fabled Messenger preamp and the Lector four-chassis CD Drive and DAC ($9000).
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Jon Iverson Posted: Jun 02, 2006 1 comments
The live music portion of HE 2006 opened Friday with a performance from the Los Angeles Guitar Quartet, who have a new album out on Telarc. Fred Manteghian, Stephen Mejias and myself, all guitarists, sat in the front row and decided we all need to practice harder. Much harder.
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Wes Phillips Posted: Jun 02, 2006 6 comments
Continuum has continued to refine its flagship Caliburn turntable system ($99,950). Chief among the changes are the Cobra tonearm's new shape, said to result in greater rigidity, and the Castellon stand's magnetic suspension. The Continuum system sure made a 50-year-old Moods of Gene Ammons LP sound fresh and present.
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Wes Phillips Posted: Jun 02, 2006 3 comments
Gamut was driving the L-7s with its $6000 CD3 and $9800 DI 150 180Wpc integrated amplifier. The CD 3uses Burr Brown's PCM 1792 converter and upsamples the signal to 24-bits/192kHz. I didn't get many details about the DI 150, but it does have balanced and single-ended inputs and balanced preamp output. The line in Gamut's product literature that I loved was: "Life is a process of constant discovery and refinement. For this reason, we reserve the right to change without advance notice." Me too.
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Wes Phillips Posted: Jun 02, 2006 13 comments
Richard Vandersteen can't leave a good thing alone. He got to tinkering with his Quatro ($6995/pair, reviewed by Mikey Fremer in the forthcoming July issue of Stereophile) by replacing the fabric shells with wood, reinforcing the speaker's base with X material, and replacing the tweeter with the model from his 5 Signature. The result is a small, floorstanding loudspeaker with huge sound. The Quatro Woods run $10,000/pair.
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Robert Deutsch Posted: Jun 02, 2006 2 comments
David Wilson seems excited about his new Series 8 Watt/Puppy speaker system, and, having heard the demo, I can appreciate why. The company gets bonus points for listing the music used on a poster outside the door of the dem room.
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Robert Deutsch Posted: Jun 02, 2006 0 comments
The rebirth of Reference Recordings is one of the feel-good stories of audio. Here’s RR’s Marcia Martin, holding up two of their new releases, from pianist Joel Fan and from Keith Lockhart conducting the Utah Symphony in works by Bernstein.
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Jon Iverson Posted: Jun 02, 2006 4 comments
One of the great demos at the show is a comparison between two identical systems and rooms, with one major difference: one has been treated with Real Traps and RPG acoustic treatment products and one left au natural. The display was hosted by dealer Ultimate Audio Video and acoustics consultants Rives Audio and the difference was not subtle. As Stephen pointed out, the treated room was much easier to listen to, with a more open soundstage and less confused imaging. Rives Audio treated the room with RPG's products and Real Traps Corner Mondo Traps and Tri-Corner Bass Traps. Richard Rives Bird commented that after being set up, both rooms were within 3dB of flat in the bottom end, so the company's PARC equalizer was not even needed.
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Jon Iverson Posted: Jun 01, 2006 1 comments
California manufacturer Channel Islands Audio brought two new products to the show: the $895 PLC•1 passive preamp with remote and the $4,500/pr D•400 class-D power amps. Also in the room were the Von Schweikert Audio VR-5SE speakers ($18-22k depending on finish). Sound in the modest hotel room was surprisingly spacious and well-balanced. Left to right in the photo: Albert Von Schweikert, CIA's Dusty Vawter and Greg Schug.
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Stephen Mejias Posted: Jun 01, 2006 1 comments
Also in the Belkin room, I had the pleasure of chatting with Dr. Bruce Edgar who had furnished the room with his Edgarhorn Titan II loudspeakers ($16,000). Dr. Edgar is an experimental physicist. And also a mind reader. I sat beside him, facing the system with its outrageous array of silvery PureAV interconnects and speaker cables jutting out like all sorts of tentacles and arms and legs, thinking: "Any other cables would make this system look ugly," when Dr. Edgar said to me: "Any other cables would make this system look ugly, don't you think?"
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Wes Phillips Posted: Jun 01, 2006 0 comments
The assembled media lost in a musical revery listening to Cantus sing "Shenandoah" at the debut of the Wilson Audio WATT/Puppy 8s.
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Wes Phillips Posted: Jun 01, 2006 0 comments
Onkyo teamed up with guitar manufacturer Takemine to produce a loudspeaker that sings like a musical instrument. Takemine's acoustic voicing technology, combined with Onkyo's innovation in driver design, made our LAGQ Spin sound vibrantly alive.
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Wes Phillips Posted: Jun 01, 2006 0 comments
John Atkinson and Jonathan Scull handicap this year's F1 season. You didn't think they were this animated about audio, did you?
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Jon Iverson Posted: Jun 01, 2006 0 comments
Close up of the PLC•1 preamp (top) and one of the D•400 monoblocks.

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