HE 2006

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Wes Phillips Posted: Jun 02, 2006 3 comments
Gamut was driving the L-7s with its $6000 CD3 and $9800 DI 150 180Wpc integrated amplifier. The CD 3uses Burr Brown's PCM 1792 converter and upsamples the signal to 24-bits/192kHz. I didn't get many details about the DI 150, but it does have balanced and single-ended inputs and balanced preamp output. The line in Gamut's product literature that I loved was: "Life is a process of constant discovery and refinement. For this reason, we reserve the right to change without advance notice." Me too.
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Wes Phillips Posted: Jun 02, 2006 13 comments
Richard Vandersteen can't leave a good thing alone. He got to tinkering with his Quatro ($6995/pair, reviewed by Mikey Fremer in the forthcoming July issue of Stereophile) by replacing the fabric shells with wood, reinforcing the speaker's base with X material, and replacing the tweeter with the model from his 5 Signature. The result is a small, floorstanding loudspeaker with huge sound. The Quatro Woods run $10,000/pair.
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Robert Deutsch Posted: Jun 02, 2006 2 comments
David Wilson seems excited about his new Series 8 Watt/Puppy speaker system, and, having heard the demo, I can appreciate why. The company gets bonus points for listing the music used on a poster outside the door of the dem room.
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Robert Deutsch Posted: Jun 02, 2006 0 comments
The rebirth of Reference Recordings is one of the feel-good stories of audio. Here’s RR’s Marcia Martin, holding up two of their new releases, from pianist Joel Fan and from Keith Lockhart conducting the Utah Symphony in works by Bernstein.
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Jon Iverson Posted: Jun 02, 2006 4 comments
One of the great demos at the show is a comparison between two identical systems and rooms, with one major difference: one has been treated with Real Traps and RPG acoustic treatment products and one left au natural. The display was hosted by dealer Ultimate Audio Video and acoustics consultants Rives Audio and the difference was not subtle. As Stephen pointed out, the treated room was much easier to listen to, with a more open soundstage and less confused imaging. Rives Audio treated the room with RPG's products and Real Traps Corner Mondo Traps and Tri-Corner Bass Traps. Richard Rives Bird commented that after being set up, both rooms were within 3dB of flat in the bottom end, so the company's PARC equalizer was not even needed.
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Wes Phillips Posted: Jun 02, 2006 0 comments
Well, that's the twiddly bits inside my ears—a custom mold was taken by an audiologist so that Ultimate Ears could produce a pair of UE-10 Pros for me to review.
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Wes Phillips Posted: Jun 02, 2006 6 comments
We still haven't learned the price of Peak Consult's InCognito X two-way floorstanders, but we're starting to believe Per Kristoffersen when he says he set out "to build the best two-way loudspeaker in the world,"
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Wes Phillips Posted: Jun 02, 2006 3 comments
Jim Thiel's CS3.7 was announced at CES 2006 and even shown—sort of. It wasn't a working model and it was packed with new technological, um, wrinkles, such as its 4.5" aluminum midrange ring with an "undulating, radially ribbed contour." Not to mention the 3.7's new, ribbed 10" woofer and passive radiator, which resemble hubcaps of the "spinner" variety.
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Wes Phillips Posted: Jun 02, 2006 0 comments
They're so small, you'd almost have to bet they're class-D, but the $16,500/pair 300W MX-Rs are linear all the way. The tiny brutes were fed by Ayre's C-5xe universal player ($5950) and K-1x preamplifier ($8600 with phono section), and Ayre cables. The system, which included Vandersteen Quatro Wood speakers, sounded far more detailed and lithe than the MX-Rs did at CES. MAybe it's the smaller room, or maybe it's those Quatros. Heck, it could even be that Ayre's Charlie Hansen can't leave a good thing alone either.
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Wes Phillips Posted: Jun 01, 2006 0 comments
Onkyo teamed up with guitar manufacturer Takemine to produce a loudspeaker that sings like a musical instrument. Takemine's acoustic voicing technology, combined with Onkyo's innovation in driver design, made our LAGQ Spin sound vibrantly alive.
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Wes Phillips Posted: Jun 01, 2006 0 comments
John Atkinson and Jonathan Scull handicap this year's F1 season. You didn't think they were this animated about audio, did you?
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Jon Iverson Posted: Jun 01, 2006 0 comments
Close up of the PLC•1 preamp (top) and one of the D•400 monoblocks.
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Jon Iverson Posted: Jun 01, 2006 0 comments
Speaker manufacturer Lipinski Sound was on hand with their surround demo and a new product: The 3601 Powered Stand. Each 3601 sports a two channel amp that can be bridged to be used as a 600 watt monoblock, or set to biamp either a 505 or 707 speaker. Lukas Lipinski says that the powered stands can also be used with other speakers, and have been referenced against other well-known amps. Price is $2,595 each. A quick demo with several types of music proved impressive, even in the confines of a hotel room.
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Stephen Mejias Posted: Jun 01, 2006 1 comments
After experiencing Shure's Push-to-Hear control switch, I was in a headphone kind of mood, so I walked on over to HeadRoom's aptly named Headphone Heaven. I imagine that this heavenly set-up will serve as a much-needed respite for many weary showgoers. I found smiling faces, comfy lounge chairs, happy flowers, and lots of sunshine. Everything in the room begged, "Try Me!"
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Wes Phillips Posted: Jun 01, 2006 0 comments
HE2006's official keynote address was delivered by Gary Sasaki, president of DIGDIA, a company that helps companies understand the ways that digital entertainment creates growth opportunities for savvy businesspeople.

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