HE 2006

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Robert Deutsch Posted: Jun 03, 2006 1 comments
VTL announced a major upgrade to their TL-7.5 Reference Linestage Preamplifier (current gain technology, with dramatically lower noise floor), which is now the TL-7.5 Series II. They also have an upgraded version of the MB-450 monoblocks and a new 250Wpc MB-185. Pictured: VTL’s Bea Lam with the system that featured the TL-7.5/MB-450 combo driving Wilson Sophia 2s. Lovely sound.
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Jon Iverson Posted: Jun 03, 2006 3 comments
Ultimate Audio Video had the Ferguson Hill FH007 Mini System set up out in the hall. Yes you can have horns and an iPod too.
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Jason Victor Serinus Posted: Jun 02, 2006 1 comments
11 AM Thursday, my first room at HE2005: I've just spent way over an hour listening to VTL gear in two completely different configurations. The first, in a hotel suite whose dimensions are similar to rooms in many smaller homes or larger apartments, paired the new VTL MB-450 monoblocks, TP6.5 phono preamp, and just upgraded Reference TL-7.5 linestage preamp with the Jadis JD1 Mk.II transport and JS 1 DAC, VPI Aries 3 turntable with JMW 10.5i tonearm and Benz LP cartridge, Wilson Sophia 2s, and Cardas cabling.
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Wes Phillips Posted: Jun 02, 2006 2 comments
Music Direct was showing off two new turntables in the Avid line: the $4500 Volvere and the $7500 Sequel. The Volvere was developed by using the flagship model Acutus as its prototype and removing or downsizing only those elements that had the least effect on sound quality. Like the Acutus, the Volvere has adjustable suspension, adjustable horizontal damping, and a motor mount that keeps the subchassis and platter from dancing closer and further apart from one another(a common problem with many sprung subchassis models).
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Jason Victor Serinus Posted: Jun 02, 2006 0 comments
Today I awoke determined to have no agenda. Start on the third floor of the LAX Sheraton Gateway, begin walking about, and see where you're led.
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Wes Phillips Posted: Jun 02, 2006 0 comments
Gamut makes everything from source components to loudspeakers, so the Gamut room really was the Gamut room. Lars Goller designed the $14,800/pair l-7 three-way floorstanders and I was knocked out by how relaxed and natural acoustic music sounded though them. They looked fabulous, too.
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Wes Phillips Posted: Jun 02, 2006 1 comments
I met Pete Roth, who owns an Ayre system, in, of all places, the Ayre/Vandersteen room, where he was checking out the MX-Rs. Pete says I'm his favorite Stereophile writer, so I'm now Pete's biggest fan. I posted his picture simply to prove to my wife that someone actually does read the stuff I'm always too busy working on to help with the chores.
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John Atkinson Posted: Jun 02, 2006 0 comments
Front-end in the Lamm room, with a system featuring Lamm tubed electronics driving Wilson Sophia 2 speakers, was this gorgeous turntable from French company Metronome, the Gaia, fitted with a Graham Phantom tonearm and a Lyra Titan cartridge.
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Robert Deutsch Posted: Jun 02, 2006 0 comments
Stereophile Assistant Editor/Master Blogger Stephen Mejias (left) and the magazine's self-described "Web Monkey" Jon Iverson (right) seem to be enjoying themselves at the Show.
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Jason Victor Serinus Posted: Jun 02, 2006 2 comments
My final audition before attending the warm, "family affair" Classics Records press conference took place in Elliot Midwood's Acoustic Image room, which displayed gear he sells at his store in Studio City, CA. Once I spyed the same ESP Concert Grand SI speakers ($40,000/pair ) that drove John Marks into ecstasy in April, I had to listen. Amplification came complements of Wavestream Kinetic V8 monoblocks, which output 250–300W in triode mode ($35,000). Also on hand were the fabled Messenger preamp and the Lector four-chassis CD Drive and DAC ($9000).
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Jon Iverson Posted: Jun 02, 2006 1 comments
The live music portion of HE 2006 opened Friday with a performance from the Los Angeles Guitar Quartet, who have a new album out on Telarc. Fred Manteghian, Stephen Mejias and myself, all guitarists, sat in the front row and decided we all need to practice harder. Much harder.
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Wes Phillips Posted: Jun 02, 2006 6 comments
Continuum has continued to refine its flagship Caliburn turntable system ($99,950). Chief among the changes are the Cobra tonearm's new shape, said to result in greater rigidity, and the Castellon stand's magnetic suspension. The Continuum system sure made a 50-year-old Moods of Gene Ammons LP sound fresh and present.
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Wes Phillips Posted: Jun 02, 2006 3 comments
Gamut was driving the L-7s with its $6000 CD3 and $9800 DI 150 180Wpc integrated amplifier. The CD 3uses Burr Brown's PCM 1792 converter and upsamples the signal to 24-bits/192kHz. I didn't get many details about the DI 150, but it does have balanced and single-ended inputs and balanced preamp output. The line in Gamut's product literature that I loved was: "Life is a process of constant discovery and refinement. For this reason, we reserve the right to change without advance notice." Me too.
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Wes Phillips Posted: Jun 02, 2006 13 comments
Richard Vandersteen can't leave a good thing alone. He got to tinkering with his Quatro ($6995/pair, reviewed by Mikey Fremer in the forthcoming July issue of Stereophile) by replacing the fabric shells with wood, reinforcing the speaker's base with X material, and replacing the tweeter with the model from his 5 Signature. The result is a small, floorstanding loudspeaker with huge sound. The Quatro Woods run $10,000/pair.
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Robert Deutsch Posted: Jun 02, 2006 2 comments
David Wilson seems excited about his new Series 8 Watt/Puppy speaker system, and, having heard the demo, I can appreciate why. The company gets bonus points for listing the music used on a poster outside the door of the dem room.

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