HE 2006

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Robert Deutsch Posted: Jun 03, 2006 0 comments
In the Show's ongoing HE Luminaries series, Jim Thiel, founder of Thiel Audio, talked to John Atkinson about his ideas on speaker design, and the evolution of his speakers through the years, including the new CS3.7, which made its debut at HE2006.
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Stephen Mejias Posted: Jun 03, 2006 0 comments
I could barely make my way into the Totem room. The crowd stretched out into the hall. When I finally found some space, I made sure to have some fun.
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Wes Phillips Posted: Jun 02, 2006 3 comments
Gamut was driving the L-7s with its $6000 CD3 and $9800 DI 150 180Wpc integrated amplifier. The CD 3uses Burr Brown's PCM 1792 converter and upsamples the signal to 24-bits/192kHz. I didn't get many details about the DI 150, but it does have balanced and single-ended inputs and balanced preamp output. The line in Gamut's product literature that I loved was: "Life is a process of constant discovery and refinement. For this reason, we reserve the right to change without advance notice." Me too.
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Wes Phillips Posted: Jun 02, 2006 13 comments
Richard Vandersteen can't leave a good thing alone. He got to tinkering with his Quatro ($6995/pair, reviewed by Mikey Fremer in the forthcoming July issue of Stereophile) by replacing the fabric shells with wood, reinforcing the speaker's base with X material, and replacing the tweeter with the model from his 5 Signature. The result is a small, floorstanding loudspeaker with huge sound. The Quatro Woods run $10,000/pair.
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Robert Deutsch Posted: Jun 02, 2006 2 comments
David Wilson seems excited about his new Series 8 Watt/Puppy speaker system, and, having heard the demo, I can appreciate why. The company gets bonus points for listing the music used on a poster outside the door of the dem room.
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Jon Iverson Posted: Jun 02, 2006 4 comments
One of the great demos at the show is a comparison between two identical systems and rooms, with one major difference: one has been treated with Real Traps and RPG acoustic treatment products and one left au natural. The display was hosted by dealer Ultimate Audio Video and acoustics consultants Rives Audio and the difference was not subtle. As Stephen pointed out, the treated room was much easier to listen to, with a more open soundstage and less confused imaging. Rives Audio treated the room with RPG's products and Real Traps Corner Mondo Traps and Tri-Corner Bass Traps. Richard Rives Bird commented that after being set up, both rooms were within 3dB of flat in the bottom end, so the company's PARC equalizer was not even needed.
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Robert Deutsch Posted: Jun 02, 2006 0 comments
The rebirth of Reference Recordings is one of the feel-good stories of audio. Here’s RR’s Marcia Martin, holding up two of their new releases, from pianist Joel Fan and from Keith Lockhart conducting the Utah Symphony in works by Bernstein.
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Wes Phillips Posted: Jun 02, 2006 0 comments
Well, that's the twiddly bits inside my ears—a custom mold was taken by an audiologist so that Ultimate Ears could produce a pair of UE-10 Pros for me to review.
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Wes Phillips Posted: Jun 02, 2006 6 comments
We still haven't learned the price of Peak Consult's InCognito X two-way floorstanders, but we're starting to believe Per Kristoffersen when he says he set out "to build the best two-way loudspeaker in the world,"
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Wes Phillips Posted: Jun 02, 2006 3 comments
Jim Thiel's CS3.7 was announced at CES 2006 and even shown—sort of. It wasn't a working model and it was packed with new technological, um, wrinkles, such as its 4.5" aluminum midrange ring with an "undulating, radially ribbed contour." Not to mention the 3.7's new, ribbed 10" woofer and passive radiator, which resemble hubcaps of the "spinner" variety.
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Wes Phillips Posted: Jun 02, 2006 0 comments
They're so small, you'd almost have to bet they're class-D, but the $16,500/pair 300W MX-Rs are linear all the way. The tiny brutes were fed by Ayre's C-5xe universal player ($5950) and K-1x preamplifier ($8600 with phono section), and Ayre cables. The system, which included Vandersteen Quatro Wood speakers, sounded far more detailed and lithe than the MX-Rs did at CES. MAybe it's the smaller room, or maybe it's those Quatros. Heck, it could even be that Ayre's Charlie Hansen can't leave a good thing alone either.
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Robert Deutsch Posted: Jun 02, 2006 5 comments
Those who’ve admired the sound of the speakers from TAD, but could not get past the prices, will be interested in the new line from Pioneer, which use trickle-down versions of the TAD drivers and cabinets just slightly less elaborate in resonance-damping characteristics, and much lower prices ($6000 for the S-1EX pair on demo). Designer Andrew Jones is obviously pleased by the sound, as well he might be.
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Wes Phillips Posted: Jun 02, 2006 0 comments
Michael Fremer is promoting his new turntable set-up DVD, on sale here at the show and through fine audiophile retailers everywhere.
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Robert Deutsch Posted: Jun 02, 2006 1 comments
A CD player that combines the transport from a Sony PlayStation, an output section using rare New Old Stock tubes, and no remote control? That’s the DynaStation II CD player ($6000), said to have a cult following in Germany, and now imported by Avatar Acoustics. You can have it somewhat cheaper if you want less esoteric tubes, or pay more if you want even more esoteric ones. The system with Ascendo System E speakers, using the DynaStation II as the source, sounded really good, though.
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Jason Victor Serinus Posted: Jun 02, 2006 1 comments
11 AM Thursday, my first room at HE2005: I've just spent way over an hour listening to VTL gear in two completely different configurations. The first, in a hotel suite whose dimensions are similar to rooms in many smaller homes or larger apartments, paired the new VTL MB-450 monoblocks, TP6.5 phono preamp, and just upgraded Reference TL-7.5 linestage preamp with the Jadis JD1 Mk.II transport and JS 1 DAC, VPI Aries 3 turntable with JMW 10.5i tonearm and Benz LP cartridge, Wilson Sophia 2s, and Cardas cabling.

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