HE 2006

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Wes Phillips Posted: Jun 04, 2006 1 comments
Information travels by jungle telegram at these shows, so by Sunday, I'd heard that I had to hear Nagra's set-up about 50 times. As a result, when I walked into the Nagra/Verity Audio/Silversmith/Audion/Sonic Euphoria room, I was startled to see, not one, but two systems—and the pricier of the two was off in the room's corner with its back to a curved bank of windows, leaving the $35,000/pair Verity Sarastros firing into the room at a more acute angle than I'd ever attempt. It sounded good, though. In fact, it sounded fantastic!
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Jason Victor Serinus Posted: Jun 04, 2006 0 comments
In the Simaudio/Dynaudio room, the sheer size and weight of the bass commanded equal respect. This was some of the finest low bass extension I have so far encountered at the show. (The bass impact of the new Wilson Watt/Puppy8s also deserves mention). Imagine my surprise when, after my audition, Simaudio’s Costa Kouliisakis told me that he had not yet succeeded in getting the room to deliver all of the deep bass extension the equipment was capable of producing.
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Wes Phillips Posted: Jun 04, 2006 2 comments
Just got back from the John Atkinson/Bob Reina/Allen Perkins jazz trio concert and it was great! Especially when you consider that these guys only play together once a year at the HE shows.
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Jon Iverson Posted: Jun 03, 2006 Published: Jun 04, 2006 1 comments
Sonneteer/Bardaudio's Haider Bahrani holds the $425 Bardone TX wireless audio transmitter. This device can broadcast an uncompressed CD stream wirelessly up to 50 meters (164 feet).
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John Atkinson Posted: Jun 03, 2006 0 comments
Guitarist Anthony Wilson, whose new album with his 9-piece band, "The Power of Nine" was featured in the May Stereophile, turned in a blistering set of hard-blowing jazz Friday afternoon at Home Entertainment 2006, courtesy of AudioQuest, Audio Research, and Vandersteen.
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Stephen Mejias Posted: Jun 03, 2006 0 comments
Elina Lamm spinning discs in the very smooth Lamm Industries suite. It gets my vote for Most Comforting Music at the Show.
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Robert Deutsch Posted: Jun 03, 2006 0 comments
Shanling is known for the striking industrial design of their tube electronics. Seen in the Music Hall room, the new A500 integrated amp ($6499) maintains the striking looks, but it's solid-state. Lots of nice blue lights, though.
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Stephen Mejias Posted: Jun 03, 2006 0 comments
"At first, we didn't want to sell these speakers," admitted Jay Rein of the adorable Neat Motives. "I mean, who needs another nineteen hundred dollar speaker?"
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Jason Victor Serinus Posted: Jun 03, 2006 1 comments
Unexpected amusement greeted me in the small Covenant Audio & Aaudio Imports room. As soon as I entered, an overgrown post-adolescent seated himself in the sweet spot, took one look at the visually stunning Wavac HE-833v1.3 tube monoblocks ($69,000/pair), Wavac PR-T1 tube preamp (a mere $30K), Acapella High Violin MK 888 horn speakers ($48,000/pair—where do they get these names?), and Accustic Arts Drive and DAC ($12,800 together), all held together and powered by assorted cables and power products from PranaWire, Stealth and Isoclean, and blurted out, "This looks like super-high end."
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Wes Phillips Posted: Jun 03, 2006 0 comments
Ping Gong, AAA Audio's energetic director, shyly told me he had brought "something special" to the show. Knowing AAA's penchant for high-value, low-cost hi-fi, I expected something modest, but impressive. What he had brought was just flat-out impressive.
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John Atkinson Posted: Jun 02, 2006 Published: Jun 03, 2006 2 comments
Yesterday, we published a photo—see http://blog.stereophile.com/he2006/060106dryeye—of audiophiles listening to a CD-R of the provisional master of "Shenandoah" from my new recording of Cantus' There Lies the Home album, due for release in July, on the new Wilson WATT/Puppy 8s. You can see in that picture Wilson's Peter McGrath about to shoot a photo. This is what he captured. But what is Mikey Fremer holding in his hand?
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Robert Deutsch Posted: Jun 03, 2006 1 comments
VTL announced a major upgrade to their TL-7.5 Reference Linestage Preamplifier (current gain technology, with dramatically lower noise floor), which is now the TL-7.5 Series II. They also have an upgraded version of the MB-450 monoblocks and a new 250Wpc MB-185. Pictured: VTL’s Bea Lam with the system that featured the TL-7.5/MB-450 combo driving Wilson Sophia 2s. Lovely sound.
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Jon Iverson Posted: Jun 03, 2006 3 comments
Ultimate Audio Video had the Ferguson Hill FH007 Mini System set up out in the hall. Yes you can have horns and an iPod too.
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Jon Iverson Posted: Jun 03, 2006 1 comments
Here's another shot of the Ask The Editors seminar, this time from the audience.
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Jon Iverson Posted: Jun 03, 2006 0 comments
. . . Go To Jail. An appropriate license plate parked out front of the Sheraton at HE2006.

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