HE 2006

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Wes Phillips Posted: Jun 06, 2006 1 comments
Jon Iverson wrote about Bard's wireless system, but I think it worth emphasizing that, although Bard has a USB dongle that will transfer music from your computer to other systems, many audiophiles might be even more thrilled by the Bard One ($850), which inserts between your preamp and power amp and broadcasts to a nearby system, where it plugs into that preamp's line inputs. It's small and unobtrusive and sounded very good at HE2006, I hope to get my mitts on a sample and write about it further.
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John Atkinson Posted: Jun 06, 2006 1 comments
Wes Phillips already described his reaction to the new Nagra CDT CD transport and CDC CD player/control center. As can be seen from this photo, a hidden benefit of the player is that it has two sets of analog outputs: one pair on the side to go with Nagra own's PL-L and PL-P preamps and another on the rear panel, to be used with conventional preamps.
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Wes Phillips Posted: Jun 06, 2006 1 comments
Red Dragon's Leviathan Series monoblock amplifiers deliver 500W into 8 ohms for $5995/pair. Driving Acoustic Zen Adagio loudspeakers, they sure sounded sweet—and powerful! They're packed with cool stuff, such as Neutrik silver XLR inputs and Cardas solid-copper binding posts, not to mention ERS paper, which is "employed at key locations to absorb and diffuse unwanted EMI."
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Stephen Mejias Posted: Jun 06, 2006 1 comments
You could smell the chocolate from just outside the door. Walking into the Moscode room, I was greeted by a bowl of silvery Hershey's Kisses.
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Jason Victor Serinus Posted: Jun 06, 2006 0 comments
My first visit on the Show's final day was to the Usher room. After listening to their large BE10 floorstander ($14,400/pair), paired with the 2500 amp, 2200 preamp, and CD player (combined cost $5600) and cables from Shunyata and Stereovox, I was treated to Usher’s new entry-level $400 bookshelf baby. Seen here at the left of their lineup, other Stereophile writers had been impressed. While Usher’s little babies understandably offered less low bass extension than the big floorstander, they delivered far higher sound quality than anyone in their right mind could either expect or hope for at this price point.
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Robert Deutsch Posted: Jun 06, 2006 8 comments
And so we say goodbye to the Sheraton Gateway and the City of Angels. Home Entertainment 2006 was a good Show, with some great sounds. I echo Wes Phillips's sentiments below. In talking to people, I had a sense that we were all part of a community of individuals with much the same goals, if not always the same way of reaching them. The Show staff were unfailingly pleasant and efficient. The hotel’s facilities served the needs of both exhibitors and attendees well—and by the last day of the show I actually figured out how to go from my room to the escalators without making at least one wrong turn!
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Wes Phillips Posted: Jun 04, 2006 Published: Jun 05, 2006 1 comments
The Moscode 401HR driving the Joseph Audio RM25si loudspeakers were sounding mighty fine. I actually thought they had more moxy than most really expensive systems I heard at the Show, particularly with acoustic music, such as Alison Krauss and Union Station. The top end really sparkled in a most believable way.
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Jon Iverson Posted: Jun 05, 2006 3 comments
While the focus of HE2006 was clearly on consumer equipment, two recording engineers stopped me in the halls to show off a hot professional recording device from Sound Devices. Todd Garfinkle from M•A Recordings first alerted me to the two channel version of the portable recorder, which retails for around $2,400. About the size of a small book, it sports pro inputs and the ability to save to a flash card or host computer.
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Robert Deutsch Posted: Jun 04, 2006 Published: Jun 05, 2006 1 comments
Speaker reviewer Bob Reina is actually a classically trained pianist. He's seen here tickling the ivories in a most satisfying manner during the John Atkinson Trio concert at HE2006.
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Robert Deutsch Posted: Jun 04, 2006 Published: Jun 05, 2006 0 comments
Immedia's Allen Perkins, the third member of the John Atkinson Trio at their Sunday afternoon concert, is studying with jazz drummer Peter Erskine (Diana Krall, Joni Mitchell).
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Jon Iverson Posted: Jun 04, 2006 0 comments
Proving that you could create beautiful music within the confines of a cement hotel room, AAA Audio was showing off their new disc player atop the Critical Mass Systems isolation platform.
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Jon Iverson Posted: Jun 04, 2006 1 comments
Leonid Korostyshevski, who hails from Saratov Russia and has written for the Stereophile web site in the past, checks out headphones and some music. When asked what he liked best about the show, Leonid said "everything."
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Robert Deutsch Posted: Jun 04, 2006 1 comments
WLM stands for Wiener Lautsprecher Manufaktur, and their product literature states that the company’s ambition is "to keep the Viennese heritage of music alive." While this might appear to give short shrift to institutions like the Vienna Philharmonic and the Vienna State Opera, the system featuring WLM Lyra speakers, Audio Aero SACD player and electronics sounded was exceedingly musical in its presentation.
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Robert Deutsch & John Atkinson Posted: Jun 04, 2006 0 comments
Former Stereophile scribe (now PR person) Jonathan Scull (left), blogger Stephen Mejias (center), and surround-sound maven Kal Rubinson—plus webmaster Jon Iverson, Ultimate AV's Fred Mantegian, and your humble servant, taking the picture&151;were having a good time, about to go out to dinner. Then, in the cab on the way to the restaurant, Jonathan realized that he had left his new digital camera back at the Sheraton, on the table that you see in the picture. A frantic call to the Sheraton, asking them to look for the camera, was to no avail. Then, after dinner, when we got back to the hotel, as we got out of the cab, we were spotted by Maureen Jenson, Editor of Home Theater magazine, who called out to Jonathan: "Did you get your camera?" It turns out that Maureen found the camera, and had passed it on to one of the Stereophile staff to return to Jonathan. Disaster averted!
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Jason Victor Serinus Posted: Jun 04, 2006 0 comments
In the Simaudio/Dynaudio room, the sheer size and weight of the bass commanded equal respect. This was some of the finest low bass extension I have so far encountered at the show. (The bass impact of the new Wilson Watt/Puppy8s also deserves mention). Imagine my surprise when, after my audition, Simaudio’s Costa Kouliisakis told me that he had not yet succeeded in getting the room to deliver all of the deep bass extension the equipment was capable of producing.

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