HE 2006

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Robert Deutsch Posted: Jun 06, 2006 0 comments
I heard some truly excellent-sounding systems at HE 2006, but if I had to pick one listening experience at the show that transcended all others, it would have to be Kimber’s IsoMike demonstration. The system itself is described by Wes Phillips in another blog entry, and I’m sure it would have sounded very good playing back normal CDs, but what made the sound more closely approach reality was that the source material consisted of four-channel recordings made by Ray Kimber using his IsoMike setup. (Ray is shown here holding a scale model of his IsoMike baffle.) I’ve been often disappointed with multichannel music playback, but this was completely convincing. The voices and instruments present in the room in a way that was at times spooky. Wes was right: Ray Kimber should be King of the Universe.
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Wes Phillips Posted: Jun 06, 2006 1 comments
Jon Iverson wrote about Bard's wireless system, but I think it worth emphasizing that, although Bard has a USB dongle that will transfer music from your computer to other systems, many audiophiles might be even more thrilled by the Bard One ($850), which inserts between your preamp and power amp and broadcasts to a nearby system, where it plugs into that preamp's line inputs. It's small and unobtrusive and sounded very good at HE2006, I hope to get my mitts on a sample and write about it further.
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Stephen Mejias Posted: Jun 06, 2006 0 comments
Leland Leard of Music Hall is a pair of spectacles the color of Jenny Lewis' dress. My eyes grew large and happy when I saw the Watson Twins vinyl propped up beside White Stripes and Gnarls Barkley discs.
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John Atkinson Posted: Jun 06, 2006 1 comments
Wes Phillips already described his reaction to the new Nagra CDT CD transport and CDC CD player/control center. As can be seen from this photo, a hidden benefit of the player is that it has two sets of analog outputs: one pair on the side to go with Nagra own's PL-L and PL-P preamps and another on the rear panel, to be used with conventional preamps.
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Wes Phillips Posted: Jun 06, 2006 1 comments
Red Dragon's Leviathan Series monoblock amplifiers deliver 500W into 8 ohms for $5995/pair. Driving Acoustic Zen Adagio loudspeakers, they sure sounded sweet—and powerful! They're packed with cool stuff, such as Neutrik silver XLR inputs and Cardas solid-copper binding posts, not to mention ERS paper, which is "employed at key locations to absorb and diffuse unwanted EMI."
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Stephen Mejias Posted: Jun 06, 2006 1 comments
You could smell the chocolate from just outside the door. Walking into the Moscode room, I was greeted by a bowl of silvery Hershey's Kisses.
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Wes Phillips Posted: Jun 04, 2006 Published: Jun 05, 2006 1 comments
The Moscode 401HR driving the Joseph Audio RM25si loudspeakers were sounding mighty fine. I actually thought they had more moxy than most really expensive systems I heard at the Show, particularly with acoustic music, such as Alison Krauss and Union Station. The top end really sparkled in a most believable way.
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Jon Iverson Posted: Jun 05, 2006 3 comments
While the focus of HE2006 was clearly on consumer equipment, two recording engineers stopped me in the halls to show off a hot professional recording device from Sound Devices. Todd Garfinkle from M•A Recordings first alerted me to the two channel version of the portable recorder, which retails for around $2,400. About the size of a small book, it sports pro inputs and the ability to save to a flash card or host computer.
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Robert Deutsch Posted: Jun 04, 2006 Published: Jun 05, 2006 1 comments
Speaker reviewer Bob Reina is actually a classically trained pianist. He's seen here tickling the ivories in a most satisfying manner during the John Atkinson Trio concert at HE2006.
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Robert Deutsch Posted: Jun 04, 2006 Published: Jun 05, 2006 0 comments
Immedia's Allen Perkins, the third member of the John Atkinson Trio at their Sunday afternoon concert, is studying with jazz drummer Peter Erskine (Diana Krall, Joni Mitchell).
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Fred Manteghian Posted: Jun 03, 2006 Published: Jun 04, 2006 2 comments
Dr. John brought down the house Saturday night at HE 2006, where the crowd brought him back for an encore.
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Wes Phillips Posted: Jun 04, 2006 5 comments
I always enjoy Ray Kimber's IsoMike demos more than almost any other HE Show demo. It's not the room full of pedigreed high-end gear, although he always has that. This time he demoed with four B&W 800d loudspeakers, two pairs of Pass Labs X350.5 power amplifiers, Genex Audio GX9000/DSD-BNC interface, and four channels of EMM Labs DAC8 MkIV DSD feeding EMM Labs Switchman (four channels worth, natch), not to mention a whole bunch of Kimber KableD-60, Kimber Select KS-3038, and Word Clock D-60 cables. Nor is it the meticulously recorded music that Ray has captured with his IsoMike process.
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Jon Iverson Posted: Jun 04, 2006 0 comments
Proving that you could create beautiful music within the confines of a cement hotel room, AAA Audio was showing off their new disc player atop the Critical Mass Systems isolation platform.
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Jon Iverson Posted: Jun 04, 2006 1 comments
Leonid Korostyshevski, who hails from Saratov Russia and has written for the Stereophile web site in the past, checks out headphones and some music. When asked what he liked best about the show, Leonid said "everything."
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Robert Deutsch Posted: Jun 04, 2006 1 comments
WLM stands for Wiener Lautsprecher Manufaktur, and their product literature states that the company’s ambition is "to keep the Viennese heritage of music alive." While this might appear to give short shrift to institutions like the Vienna Philharmonic and the Vienna State Opera, the system featuring WLM Lyra speakers, Audio Aero SACD player and electronics sounded was exceedingly musical in its presentation.

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