Robert Baird

And finally there were the Scottish bands . . .

"If you tried to give rock'n'roll another name, you might call it 'Chuck Berry.'"—John Lennon

Can high-resolution audio become "The New Cool?"

The Heart Collectors are an Australian band with a positive message.

Call me perverse, or perhaps I've just been around too many musicians for too long, but the part of Exhibitionism, The Rolling Stones traveling show that I liked best was the very opening display in which you walk into a facsimile of the apartment that the five band members once shared in London when they were starting out. You could almost smell the rotting garbage and unwashed socks and underwear.

On Moon Saloon, Rhode Island's Arc Iris, led by singer Jocie Adams, has discarded any traces of the Americana that was present on the band’s self-titled debut. The sheer amount of textures present on Moon Saloon is wonderful, an attribute abetted by an atmospheric digital recording and a decent LP pressing.

At first glance the pairing of R. Stevie Moore (right), the Nashville born/New Jersey-residing DIY legend who over the past several decades has released literally hundreds of cassettes—and, to be fair, some records he actually worked on—and Jason Falkner (left), the always brilliant, sometimes cranky, LA pop auteur behind Three O'Clock, Jellyfish and The Grays (with Jon Brion), a couple of great solo records, and contributions to records by Beck, Aimee Mann and AIR, seems fairly odd. But once you listen to Make It Be, these two triangular pegs actually fit into their own unique space that's neither round not square.