CES 2006

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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 15 comments
Anthony Gallo's new Reference 3.1 loudspeaker ($2995/pair) proved that it's better to set up a room properly than it is to try to beat it into submission with expensive components. Not to take anything away from Gallo's Ref 3.1, which sounded fantastic, but his demo proved that God truly is in the details, sounding bigger, realer, richer, and more dynamic than most of the googolbuck systems we heard today. In fact, one importer, who shall remain nameless, confessed that he had a pair in his living room rather than the costly lines he brings into the country.
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John Atkinson Posted: Jan 07, 2006 0 comments
In our forthcoming February issue, I review the 5.2 loudspeaker from Genesis Technologies. Like many Arnie Nudell designs, the 5.2 demands a lot of current from the partnering amplifier. (See, for example, my 1989 measurements of Arnie's classic IRS Beta design.) I was impressed, therefore, to hear the 5.2s being driven to great effect on a track from singer Jacintha by Genesis' new i60 60Wpc integrated tube amplifier. Made in China, with design input from veteran amplifier maven Bascom King, the i60 uses KT88s and will cost $3495. Rather than show the normal frontal shot of the amp, I photographed the hard-wired circuit, which impressed the heck out of me with its superb craftsmanship.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 1 comments
When your company is called Muse, I guess some product names just suggest themselves. When Kevin Halverson needed a moniker for his CD, DVD-A/V, and SACD player, he thought of Polyhymnia, the muse of sacred poetry, geometry, mime, meditation, and agriculture. Halverson says, "It means 'many voices," which it also does.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 0 comments
It has been a while since we saw a new design from Egglestonworks, so we were happy to see the Fontaine II ($5500/pair.) The Fontaine has a small footprint and looks even smaller than its 41" height would suggest. the driver complement is a 1" fabric dome tweeter and two 6" midrange/woofers. Like the other EW designs, the Fontaine II utilizes a transmission line.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 12 comments
Jon Iverson has a nose. I mean, he just knows—for instance, we were walking through the Alexis Park, I mean Alexis Villas, when he stopped in front of Zu's logo and said, "I think this might be worth investigating."
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Robert Deutsch Posted: Jan 07, 2006 0 comments
I think it's fair to say that Bryston is one of the more conservative manufacturers of audio electronics, with solid engineering and avoidance of anything that smacks of fads or esoteric tweaks. It then comes as a convincing endorsement of power-line conditioners as a product category that the Canadian company now distributes the new Torus power-line conditioners. Based on hefty toroidal transformers from Plitron, these are aimed at the pro as much as the audiophile market; the top-of-the-line A5AB delivers up to 100 amps and weighs 220 lbs. Bryston’s James Tanner seems quite pleased with it.
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Jon Iverson/Wes Phillips Posted: Jan 07, 2006 2 comments
DEQX (pronounced "decks") has been succesfully showing their active EQ system for several years now, and each time, they push the envelope forward with a better product and better demo. This year they topped themselves again and have teamed up with newcomer Wasatch Acoustics to create a state-of-the-art system comprised of a modular speaker system with amplification and active digital EQ.
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Wes Phillips/Jon Iverson Posted: Jan 06, 2006 3 comments
The Krell EVO 505 SACD/CD player ($10,000), features matched 24-bit /192 kHz DACs and separate power supplies for the drive mechanism, digital, and analog circuitry as well as CAST and Current Mode. The EVO 525 ($13,500) adds a dual-channel video format converter, so it can output 480i, 480p, 576i, 576p, 720p, 1080i, and 1080p via HDMI. There were also two multichannel preamp processors introduced, but I'll leave those to Kal Rubinson to report.
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Robert Deutsch Posted: Jan 06, 2006 4 comments
Prima Luna, Dutch maker of affordable tube electronics, had two new monoblock amplifiers: the EL34-equipped Model 6 and the KT88'd Model 7. What's particularly interesting is that the Model 7 can also be used with EL34s, so the indecisive audiophile can get a Model 7 with an extra set of EL34s, and, voilà! For the tube cost of $160 you effectively have a different amplifier.
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Larry Greenhill Posted: Jan 06, 2006 2 comments
Soundsmith introduced a strain-gauge cartridge system in the Joseph Audio room at the Alexis Villas. The output of the dedicated battery-powered preamplifier can be fed to a preamp's line input as it does not require any equalization.
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Wes Phillips/Jon Iverson Posted: Jan 06, 2006 6 comments
Walking through the Las Vegas Convention Center, Jon Iverson, Stephen Mejias, and I were stopped in our tracks by a set of sleek, colorful, sexy loudspeakers, Jamo's new dipole Reference R909s ($14,999/pair). I was struck by how nicely Jamo has covered the backs of the speakers with a handsome grille-cloth shroud, only to have Chris Otte tell me that "of course, very few customers will want to cover them up." I'm not so sure—I suspect most folks can do without the sight of the two woofers' nether regions.
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Wes Phillips/Jon Iverson Posted: Jan 06, 2006 0 comments
It was nice to see Audiolab products again—simple components with simple livery, not the stylish, but incomprehensible faceplates of the products manufactured after TAG Mclaren acquired the firm. Jon Iverson, Stephen Mejias, and I didn't get a chance to hear the new 8000Q preamplifier, 8000M 125W mono amplifier, 8000P 100Wpc stereo amplifier, 8000CD CD player, or 8000S 60Wps integrated amplifier ("all priced under $1000, we hope"), but we wanna. They ship in March. We can't wait.
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Wes Phillips/Jon Iverson Posted: Jan 06, 2006 44 comments
Shure's Christian Potts entertained Jon Iverson, Stephen Mejias, and me with his description of the company's high-end E4 ($299) ear buds, which utilize a two transducer system, but he really tantalized us with preliminary information about the E500 ($499), a three transducer in-ear monitor. I shamelessly begged for a demo pair, but Potts told me that John Atkinson had scheduled a session for tomorrow, so I probably won't get no satisfaction—but I'm (ahem) shure we'll enjoying reading about his adventures with them.
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Wes Phillips/Jon Iverson Posted: Jan 06, 2006 5 comments
Tucked within the madness of the "Zoo," as the Las Vegas Convention Center is called by its inmates, Krell assembled a temple of high-end heavy metal. Jon Iverson, Stephen Mejias, and I steered Primedia's Greg Nevins over to the monoblock Evolution One 450W power amplifiers ($50,000/pair) and Evolution Two preamplifiers ($40,000/pair), assuming they were Krell's newest additions. Au contraire, Todd Eichenbaum assured us, Krell was introducing 10 (!) new models at the show—a new line called EVO, which replaces the CAST line with components containing trickle-down technology from the Evolution flagship products.
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Robert Deutsch Posted: Jan 06, 2006 0 comments
Final Sound, the Dutch maker of electrostatic speakers, has been revamping their entire line, with increased sensitivity and reliability being among the claimed results. I was quite taken with sound of the top-of-the-line Model 1000i ($10,000/pair).

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