CES 2006

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Robert Deutsch Posted: Jan 07, 2006 0 comments
Some think that the high-end audio business is a competitive, cut-throat endeavor, leading to animosities, but this picture of (l–r): EveAnna Manley (Manley Labs), Dennis Had (Cary Audio) and Kevin Deal (Prima Luna) shows that it isn't always that way, at least for purveyors of tube equipment.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 0 comments
Also stunning were Furutech's impeccably machined, silver over rhodium AC plugs, which incorporate solid brass ground jumpers. What does that do? "You have to hear it to believe it," said Furutech's PR guy, Jonathan Scull. Okay, we're willing to go that far.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 0 comments
Penaudio's Tommi Forss was excited about the Finnish company's new Alba ($4000/pair). "We wanted a smaller floorstanding speaker than our Serenade, but a larger speaker than our Charisma, so we used the 1" SEAS Excel fabric dome tweeter from the Serenade and the 7" SEAS treated paper cone midrange/woofer in a compact time-aligned cabinet."
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John Atkinson Posted: Jan 07, 2006 3 comments
A product that impressed me last year was OliveMedia Products' Symphony music server. The size and appearance of a conventional CD player, the Symphony incorporates an 80GB hard drive and a WiFi hub so that it can act as a music-file server, all for just $899. I wrote my positive impressions of the Symphony with its digital output driving my high-end rig in our mid-November eNewsletter, so I checked out Olive at CES. The company was demonstrating the new Opus, which increases the HD size to 400GB and uses a high-end D/A section. The Opus will be available mid-February for $2999.
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Stephen Mejias Posted: Jan 07, 2006 2 comments
Parting the colorful wooden beads makes a sound like brushes against snare. I'm enveloped in soft green glow and the sweetest scents of liquor and jazz. I stand in the corner, trying to figure it all out. Two of the tallest speakers I've ever seen — vintage Acoustat 2+2s — climb all the way up to the ceiling. There's a glowing palm tree dancing between them. Along the walls are concert posters and all sorts of album art. To my right is a mirrored alcove, a bar area, holding many varieties of absinthe and other liquors I've never seen. The room is filled with smiles and everyone seems very comfortable, intoxicated. The space isn't set up for optimal listening. There are no rows of neatly arranged metal conference chairs. Instead there are couches and armchairs. In one, sits a man with his daughter in his lap. He taps his hand to the jazz, while the young girl nods her head in time to the snare hits. Together, they move from one seat to the next, and the girl immediately reacts to the difference in sound. The father — I learn his name is Marty — explains to his daughter, Briana, that they have just moved into a better listening position. "It sounds so different," she says.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 0 comments
Balanced Audio Technology's Geoffrey Poor proudly showed off BAT's new Solid-state preamp, the VK42SE ($5995). Those ominous looking black cans are brand new state-of-the-art oil-filled capacitors, which will sport a different livery in the production model, by the way. The 42SE features BAT's power supply bypass, dual mono, zero feedback circuitry and it sounds "more tubelike than some of our tubed designs," Poor proclaimed. "It's like a VK42 on steroids! It has more air, more liquidity, and more testicular fortitude. I don't know why we don't have it in the system."
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Larry Greenhill Posted: Jan 07, 2006 1 comments
If anyone was even in danger of presuming vinyl was passé at CES, all they had to do was come within earshot of the energetic DJ manning dual Stanton turntables at Intel's Las Vegas Convention Center booth. The DJ, Vince Pistricola, aka DJ Shortround, emerged from the Detroit music scene as a DJ and magazine publisher covering the latest in hip-hop with his Detroit Equipment Quarterly. As I took some time out to listen, DJ Shortround blasted through the din from thousands of rushing conventiongoers with a steady diet of techno. Although you'd think DJ Shortround's frantic scratching would wear out 10 phono cartridges an hour, he says that he has a "light" touch. And no he doesn’t have green skin—that was the effect of the lights!
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 3 comments
We heard the HE-333 v1.3 monoblocks ($69,000/pair) in the Signals-SuperFi room, but we don't know a lot about 'em, other than the price, the fact that the new guy outputs 150W rather than 100W, and that they are drop-dead gorgeous. Us guys are so easy—sometimes all it takes to get our interest is a flash of stocking.
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Stephen Mejias Posted: Jan 07, 2006 4 comments
Anton, of NFS Audio, was recommending a few rooms to me. "Have you heard the DeVore stuff?" he asked.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 6 comments
John Atkinson was speechless. Not merely speechless, but incoherent as well as inarticulate.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 15 comments
Anthony Gallo's new Reference 3.1 loudspeaker ($2995/pair) proved that it's better to set up a room properly than it is to try to beat it into submission with expensive components. Not to take anything away from Gallo's Ref 3.1, which sounded fantastic, but his demo proved that God truly is in the details, sounding bigger, realer, richer, and more dynamic than most of the googolbuck systems we heard today. In fact, one importer, who shall remain nameless, confessed that he had a pair in his living room rather than the costly lines he brings into the country.
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John Atkinson Posted: Jan 07, 2006 0 comments
In our forthcoming February issue, I review the 5.2 loudspeaker from Genesis Technologies. Like many Arnie Nudell designs, the 5.2 demands a lot of current from the partnering amplifier. (See, for example, my 1989 measurements of Arnie's classic IRS Beta design.) I was impressed, therefore, to hear the 5.2s being driven to great effect on a track from singer Jacintha by Genesis' new i60 60Wpc integrated tube amplifier. Made in China, with design input from veteran amplifier maven Bascom King, the i60 uses KT88s and will cost $3495. Rather than show the normal frontal shot of the amp, I photographed the hard-wired circuit, which impressed the heck out of me with its superb craftsmanship.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 1 comments
When your company is called Muse, I guess some product names just suggest themselves. When Kevin Halverson needed a moniker for his CD, DVD-A/V, and SACD player, he thought of Polyhymnia, the muse of sacred poetry, geometry, mime, meditation, and agriculture. Halverson says, "It means 'many voices," which it also does.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 0 comments
It has been a while since we saw a new design from Egglestonworks, so we were happy to see the Fontaine II ($5500/pair.) The Fontaine has a small footprint and looks even smaller than its 41" height would suggest. the driver complement is a 1" fabric dome tweeter and two 6" midrange/woofers. Like the other EW designs, the Fontaine II utilizes a transmission line.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 12 comments
Jon Iverson has a nose. I mean, he just knows—for instance, we were walking through the Alexis Park, I mean Alexis Villas, when he stopped in front of Zu's logo and said, "I think this might be worth investigating."

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