CES 2006

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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 1 comments
When your company is called Muse, I guess some product names just suggest themselves. When Kevin Halverson needed a moniker for his CD, DVD-A/V, and SACD player, he thought of Polyhymnia, the muse of sacred poetry, geometry, mime, meditation, and agriculture. Halverson says, "It means 'many voices," which it also does.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 0 comments
It has been a while since we saw a new design from Egglestonworks, so we were happy to see the Fontaine II ($5500/pair.) The Fontaine has a small footprint and looks even smaller than its 41" height would suggest. the driver complement is a 1" fabric dome tweeter and two 6" midrange/woofers. Like the other EW designs, the Fontaine II utilizes a transmission line.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 12 comments
Jon Iverson has a nose. I mean, he just knows—for instance, we were walking through the Alexis Park, I mean Alexis Villas, when he stopped in front of Zu's logo and said, "I think this might be worth investigating."
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Robert Deutsch Posted: Jan 07, 2006 0 comments
I think it's fair to say that Bryston is one of the more conservative manufacturers of audio electronics, with solid engineering and avoidance of anything that smacks of fads or esoteric tweaks. It then comes as a convincing endorsement of power-line conditioners as a product category that the Canadian company now distributes the new Torus power-line conditioners. Based on hefty toroidal transformers from Plitron, these are aimed at the pro as much as the audiophile market; the top-of-the-line A5AB delivers up to 100 amps and weighs 220 lbs. Bryston’s James Tanner seems quite pleased with it.
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Jon Iverson/Wes Phillips Posted: Jan 07, 2006 2 comments
DEQX (pronounced "decks") has been succesfully showing their active EQ system for several years now, and each time, they push the envelope forward with a better product and better demo. This year they topped themselves again and have teamed up with newcomer Wasatch Acoustics to create a state-of-the-art system comprised of a modular speaker system with amplification and active digital EQ.
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Jon Iverson Posted: Jan 07, 2006 0 comments
Zu's Adam Decari shows us how the computer generation helms a CES demo room. In addition to the DJ turntables and laptop, note the Apple G5 computer at the back used as the only disc player for the main system.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 1 comments
Stanalog's George Stanwick was pleased as punch with Sugden's new Masterclass components: Masterclass Integrated Amplifier ($6500) and Masterclass CD Player ($5500).
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 1 comments
You may not know the name Furutech, but you've almost certainly heard some of its products—the Japanese manufacturer's high-purity copper has been used in many well known audiophile cables and components. Now Furutech is offering cables, connectors, AC accessories, and other products under its own name.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 0 comments
Dusty Vawter's Channel Island Audio has made its reputation building high-performance audio components in extremely small packages, but we were still surprised to see how tiny CIA's new VDA-2 DAC ($599)is. How small? Try 4.4" W by 2.65" H by 4.4" D.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 0 comments
Leave it to a bass player. John Atkinson sidled up to Jon Iverson and me last night and said, "Have you heard Ascendo's room yet? It has a bandpass woofer that doesn't sound like a bandpass woofer at all—it sounds good."
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Jon Iverson Posted: Jan 07, 2006 0 comments
Zu's newly designed tweeter machined from billet aluminum.
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Robert Deutsch Posted: Jan 07, 2006 0 comments
Esoteric's two-box (transport plus D/A converter) SACD player, feeding A70 amps (not sold in the US), an Audio Research Reference 3 preamp, and a pair of Aerial Acoustics 20T speakers combined to produce one of the smoothest, most musical sounds I heard at the show.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 0 comments
Signals-SuperFi introduced Peak Consult's new floorstanding three-way The Zoltan ("as in Kodaly") ($36,699.99/pair). The Zoltan boasts Peak Consult's usual glorious woodwork and uses a 1.5" Scanspeak cloth dome tweeter, 4" AudioTech midrange driver, and two 7" AudioTech woofers. Fronted by The Continuum Audio Labs Caliburn Turntable ($89,999.99), Boulder 2008 phono preamp ($30,000), Boulder 2010 preamp ($30,000), and Wavac HE 883 v1.3 monoblocks, strung together with Stereovox's SEI-600II and LSP-600c cables, the system pretty much blew me away. This is vinyl? Dean Can Dance was dynamic and vivid, with tons and tons of depth. No wonder Mikey Fremer raved about the Caliburn. The Zoltans cry out for further listening.
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Robert Deutsch Posted: Jan 07, 2006 0 comments
Some think that the high-end audio business is a competitive, cut-throat endeavor, leading to animosities, but this picture of (l–r): EveAnna Manley (Manley Labs), Dennis Had (Cary Audio) and Kevin Deal (Prima Luna) shows that it isn't always that way, at least for purveyors of tube equipment.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 0 comments
Also stunning were Furutech's impeccably machined, silver over rhodium AC plugs, which incorporate solid brass ground jumpers. What does that do? "You have to hear it to believe it," said Furutech's PR guy, Jonathan Scull. Okay, we're willing to go that far.

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