CES 2006

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Wes Phillips/Jon Iverson Posted: Jan 08, 2006 6 comments
"What's new?" we asked Halcro's Philip O'Hanlon. He ushered us into a room with the brand new ("North American premiere") dm88 250W monoblocks ($40,000/pair). Also in the room were Hanlon's own pair of Classic Audio Reproductions T-3s ($16,500/pair and up, depending on finish)—updated reproductions of James B. Lansing's Hartsfields.
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Jon Iverson Posted: Jan 08, 2006 2 comments
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Wes Phillips/Jon Iverson Posted: Jan 08, 2006 0 comments
Chinese OEM manufacturer Dissun was sharing a room with Tetra, so when we stopped by to see what Adrian Butts had wrought, we were pleasantly surprised to see the suite filled with interesting components—all of them looking well built and beautifully turned out.
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Robert Deutsch Posted: Jan 08, 2006 4 comments
The Audio Refinement brand of affordable components from France's YBA is no more—problems with their Asian manufacturing partner, I understand. But there’s good news: Audio Refinement has been reborn as YBA Design, with a new Asian manufacturing facility that promises to be more reliable. The first two products in the line—designed by Yves-Bernard André, Mr. YBA himself—are the YA201 integrated amp and YC201 CD player, each priced at $1499. The industrial design is stunning in its elegance and simplicity, and, judging by the sound of a pair of Focal-JMlab 1007Be loudspeakers driven by the YBA Design combo, the performance is up to YBA's usual high standards.
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Wes Phillips Posted: Jan 08, 2006 4 comments
Walking through the halls of T.H.E. Show, Jon Iverson and I were caught by John DeVore as we tried to cruise the halls quickly. "You've got to hear this," he gushed. "This is probably the worst sound and the best music you'll hear at the show."
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John Atkinson Posted: Jan 08, 2006 15 comments
Codenamed "ML-DVD" during its development, the Mark Levinson No.51 Media Player made its debut at CES. The $18,000, limited-edition player (only 150 will be offered for sale) is intended to get all there is to be gotten from CDs and DVD-Vs, but pointedly will not play SACDs or DVD-As (though it will, of course, play the video-zone Dolby Digital tracks of the latter). I listened to the No.51 in a system comprising the Mark Levinson No.40 controller, the new No.433 three-channel amplifier for the LCR speakers (a pair of Revel F52s and a C32) and a No.431 two-channel amp for the Revel M22 rears, along with two Revel F15 subs. Whether it was two-channel music—Greg Browne's "Who Killed Cock Robin?", which was everywhere at the Show—or film surround sound—Pleasantville—there was an addictive ease to the system's sound, coupled with extraordinary dynamic range.
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John Atkinson Posted: Jan 08, 2006 0 comments
Toward the end of the final day in Las Vegas, I found Kalman Rubinson entranced by the sound of Shirley Horn singing and playing piano in the Audio Research room at T.H.E. Show. A pair of the new Mk.2 version of the Wilson Sophia speakers was being driven by ARC's Reference 210 monoblocks, a Reference 3 line stage, the Minnesota company's new Ref CD7 player, with cables from Shunyata and Cardas and AC conditioning by Richard Gray. I was equally entranced.
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Stephen Mejias Posted: Jan 08, 2006 0 comments
I weeble-wobbled my way upstairs, following the sounds of The White Stripes', "My Doorbell."
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Wes Phillips/Jon Iverson Posted: Jan 08, 2006 6 comments
We'd heard a lot about Raidho's Eben X-3 loudspeakers ($16,500/pair), so we dropped by T.H.E. Show to check out these dynamic three-way floorstanders. When we arrived, Art Audio's Kevin Carter was listening to the X-3s driven by Art's Vivo 25Wpc 300B push/pull stereo power amplifier ($13,000). It sure was purty.
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Wes Phillips/Jon Iverson Posted: Jan 08, 2006 12 comments
At $9750/pair, Tetra's 506 ain't cheap, but they sounded awfully good with Dissun's Original electronics. An 8" midrange/woofer and a 1.25" fabric-dome tweeter were making pretty music in this rear-ported design. Wynton Marsalis and Herbie Hancock have already purchased pairs, we were told. We asked, "Where's [Tetra's designer] Adrian Butts?"
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Larry Greenhill Posted: Jan 08, 2006 5 comments
The German Clearaudio company, ever-reverent of James Bond's lineage of luxury philosophy, introduced the $17,000 Goldfinger cartridge. Magnets have been doubled up to eight pieces, and a dynamic range of an extraordinary 100dB is claimed. Eric Clapton's "Layla" on vinyl (Reprise 9362-4502-1) never sounded better, I thought.
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John Atkinson Posted: Jan 08, 2006 0 comments
We reported a couple of weeks back about the management buyout at English digital specialist dCS. CES saw the first public showing of the new products we wrote about, including the Verdi Encore SACD transport, which upsamples CDs to a DSD stream to feed a dCS DAC, such as the Elgar Plus seen here beneath the transport with both clocked by the dCS Verona that I reviewed a year ago. The rest of the dem system was a pair of Verity Parsifal speakers driven by a VTL S-400 amplifier and VTL's new TL-6.5 line preamp: the sound on a cut from the new Jackson Browne CD that Robert Baird writes about in the January 2006 Stereophile was effortlessly smooth, analog-like in the ease of musical communication. And on the top of the Encore is the award we presented to dCS at CES for the original LaScala transport being one of our two Joint Digital Products of 2005.
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Larry Greenhill Posted: Jan 07, 2006 1 comments
If anyone was even in danger of presuming vinyl was passé at CES, all they had to do was come within earshot of the energetic DJ manning dual Stanton turntables at Intel's Las Vegas Convention Center booth. The DJ, Vince Pistricola, aka DJ Shortround, emerged from the Detroit music scene as a DJ and magazine publisher covering the latest in hip-hop with his Detroit Equipment Quarterly. As I took some time out to listen, DJ Shortround blasted through the din from thousands of rushing conventiongoers with a steady diet of techno. Although you'd think DJ Shortround's frantic scratching would wear out 10 phono cartridges an hour, he says that he has a "light" touch. And no he doesn’t have green skin—that was the effect of the lights!
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Stephen Mejias Posted: Jan 07, 2006 4 comments
Anton, of NFS Audio, was recommending a few rooms to me. "Have you heard the DeVore stuff?" he asked.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 3 comments
We heard the HE-333 v1.3 monoblocks ($69,000/pair) in the Signals-SuperFi room, but we don't know a lot about 'em, other than the price, the fact that the new guy outputs 150W rather than 100W, and that they are drop-dead gorgeous. Us guys are so easy—sometimes all it takes to get our interest is a flash of stocking.

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