CES 2006

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Wes Phillips Posted: Jan 08, 2006 3 comments
We're suckers for Proacs, so we were delighted to hear importer Richard Gerberg explain that the Studio line was designed to be affordable. "Well, affordable for Proac," Gerberg said. Our hearts fell—until Gerberg told us that the handsome stand-mounted Studio 110s were $1500/pair and the floorstanding Studio 140s were $2800/pair. Not cheap, but in line with our expectations for the venerable Northamptonshire manufacturer.
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John Atkinson Posted: Jan 08, 2006 1 comments
Toward the end of the final day in Las Vegas, I found Kalman Rubinson entranced by the sound of Shirley Horn singing and playing piano in the Audio Research room at T.H.E. Show. A pair of the new Mk.2 version of the Wilson Sophia speakers was being driven by ARC's Reference 210 monoblocks, a Reference 3 line stage, the Minnesota company's new Ref CD7 player, with cables from Shunyata and Cardas and AC conditioning by Richard Gray. I was equally entranced.
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Wes Phillips/Larry Greenhill Posted: Jan 08, 2006 0 comments
VTL's Luke Manley was glowing with some tube warmth himself. "These are the Autobias 450 monoblock amplifiers ($13,500/pair). They have an auto bias circuit, fault monitoring, regulated screen power supply, fully balanced input drivers with their own power supplies, and trickle-current on mute—which keeps you from 'poisoning' your cathode." This last feature prevents you from stressing your tubes on mute and power up, without subjecting them to the stress of hard off and on—"which is a very nice feature. This is a thoroughly modern tube amp."
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Wes Phillips/Jon Iverson Posted: Jan 08, 2006 0 comments
Walking through the halls of T.H.E. Show, we stumbled across Ray Samuels (of Ray Samuels Audio) manning his table of headphone ecstasy. We listened to Samuels' Raptor ($1175) driving AKG's new K 701 headphones ($400), which HeadRoom's Tyll Hertsens told us were his new reference cans. Maybe ours, too, based on the sound Ray was getting. Wes has begged for a pair for review. Stay tuned.
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Wes Phillips/Jon Iverson Posted: Jan 08, 2006 4 comments
We were on another mission from God—in other words, a request from Editor John Atkinson, which is the same thing for working journalists. "You have to check out Hovland's new power amplifier," JA gushed.
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Larry Greenhill Posted: Jan 08, 2006 4 comments
McIntosh displayed the full-range, $80,000/pair XRT2K speaker in their two-channel room at the Alexis Park. It sets a record for number of drivers per side—110—with 40 tweeters, 64 midrange units, and six woofers. Frequency response is claimed to be 16Hz–45kHz. The system driven to full volume by the 495lb McIntosh MC2KW monoblock ($30,000), which can deliver 2kW, demonstrated awesome dynamic range.
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Wes Phillips/Jon Iverson Posted: Jan 08, 2006 1 comments
Moon's Lionel Goodfield kept telling us to drop by the room to see something new. We walked in and asked, "What's new?" Goodfield waggled his eyebrows and said, "What's new with you?" Ba dum dum.
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Wes Phillips Posted: Jan 08, 2006 2 comments
Amphion's Anssi Hyvönen was happy to demo his tiny Ions ($1350/pair). The diminutive two-ways sport a 1" titanium tweeter and a 4.5" midrange/woofer, and weigh an easy to lift 10.5 pounds. They sound pretty darn big, though. I enjoyed them in a system with a T+A 1535 surround sound receiver and T+A SADV 1245 R DVD player, finding them spacious and three-dimensional. Then HeadRoom's Tyll Hertsens walked into the room and asked, "How do they sound as desktop speakers?"
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Larry Greenhill Posted: Jan 08, 2006 2 comments
High-end amplifier guru John Curl, well-known for his early designs at Mark Levinson Audio Systems and for the Vendetta phono preamplifier—some regard this as the finest head amp ever made— was at the Alexis Park to discuss his latest design for Parasound, the JC-2 preamplifier. [The price of the JC-2 has not been determined yet, but will be somewhere in the vicinity of $3200.] John was particularly pleased to point out that he had worked with the same circuit-board designer from the Vendetta days. He also pointed out the preamp’s "D-core" power transformer, which has an oval core at right angles to the winding. John believes that this is much quieter than a conventional toroidal transformer. However, he had persuaded Parasound to omit a phono stage because even the D-core transformer wasn't quiet enough for him. That brought up an obvious question—would he reintroduce the Vendetta? Although nothing was definite, he noted, "I'll probably have to do something because everyone is bugging me to bring it back."
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Wes Phillips/Jon Iverson Posted: Jan 08, 2006 6 comments
"What's new?" we asked Halcro's Philip O'Hanlon. He ushered us into a room with the brand new ("North American premiere") dm88 250W monoblocks ($40,000/pair). Also in the room were Hanlon's own pair of Classic Audio Reproductions T-3s ($16,500/pair and up, depending on finish)—updated reproductions of James B. Lansing's Hartsfields.
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Jon Iverson Posted: Jan 08, 2006 2 comments
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Wes Phillips/Jon Iverson Posted: Jan 08, 2006 0 comments
Chinese OEM manufacturer Dissun was sharing a room with Tetra, so when we stopped by to see what Adrian Butts had wrought, we were pleasantly surprised to see the suite filled with interesting components—all of them looking well built and beautifully turned out.
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Jon Iverson Posted: Jan 07, 2006 0 comments
Zu's newly designed tweeter machined from billet aluminum.
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Robert Deutsch Posted: Jan 07, 2006 0 comments
Esoteric's two-box (transport plus D/A converter) SACD player, feeding A70 amps (not sold in the US), an Audio Research Reference 3 preamp, and a pair of Aerial Acoustics 20T speakers combined to produce one of the smoothest, most musical sounds I heard at the show.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 0 comments
Signals-SuperFi introduced Peak Consult's new floorstanding three-way The Zoltan ("as in Kodaly") ($36,699.99/pair). The Zoltan boasts Peak Consult's usual glorious woodwork and uses a 1.5" Scanspeak cloth dome tweeter, 4" AudioTech midrange driver, and two 7" AudioTech woofers. Fronted by The Continuum Audio Labs Caliburn Turntable ($89,999.99), Boulder 2008 phono preamp ($30,000), Boulder 2010 preamp ($30,000), and Wavac HE 883 v1.3 monoblocks, strung together with Stereovox's SEI-600II and LSP-600c cables, the system pretty much blew me away. This is vinyl? Dean Can Dance was dynamic and vivid, with tons and tons of depth. No wonder Mikey Fremer raved about the Caliburn. The Zoltans cry out for further listening.

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