CES 2006

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Wes Phillips/Jon Iverson Posted: Jan 08, 2006 12 comments
At $9750/pair, Tetra's 506 ain't cheap, but they sounded awfully good with Dissun's Original electronics. An 8" midrange/woofer and a 1.25" fabric-dome tweeter were making pretty music in this rear-ported design. Wynton Marsalis and Herbie Hancock have already purchased pairs, we were told. We asked, "Where's [Tetra's designer] Adrian Butts?"
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John Atkinson Posted: Jan 08, 2006 0 comments
We reported a couple of weeks back about the management buyout at English digital specialist dCS. CES saw the first public showing of the new products we wrote about, including the Verdi Encore SACD transport, which upsamples CDs to a DSD stream to feed a dCS DAC, such as the Elgar Plus seen here beneath the transport with both clocked by the dCS Verona that I reviewed a year ago. The rest of the dem system was a pair of Verity Parsifal speakers driven by a VTL S-400 amplifier and VTL's new TL-6.5 line preamp: the sound on a cut from the new Jackson Browne CD that Robert Baird writes about in the January 2006 Stereophile was effortlessly smooth, analog-like in the ease of musical communication. And on the top of the Encore is the award we presented to dCS at CES for the original LaScala transport being one of our two Joint Digital Products of 2005.
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Larry Greenhill Posted: Jan 08, 2006 5 comments
The German Clearaudio company, ever-reverent of James Bond's lineage of luxury philosophy, introduced the $17,000 Goldfinger cartridge. Magnets have been doubled up to eight pieces, and a dynamic range of an extraordinary 100dB is claimed. Eric Clapton's "Layla" on vinyl (Reprise 9362-4502-1) never sounded better, I thought.
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John Atkinson Posted: Jan 08, 2006 1 comments
Toward the end of the final day in Las Vegas, I found Kalman Rubinson entranced by the sound of Shirley Horn singing and playing piano in the Audio Research room at T.H.E. Show. A pair of the new Mk.2 version of the Wilson Sophia speakers was being driven by ARC's Reference 210 monoblocks, a Reference 3 line stage, the Minnesota company's new Ref CD7 player, with cables from Shunyata and Cardas and AC conditioning by Richard Gray. I was equally entranced.
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Wes Phillips Posted: Jan 08, 2006 3 comments
We're suckers for Proacs, so we were delighted to hear importer Richard Gerberg explain that the Studio line was designed to be affordable. "Well, affordable for Proac," Gerberg said. Our hearts fell—until Gerberg told us that the handsome stand-mounted Studio 110s were $1500/pair and the floorstanding Studio 140s were $2800/pair. Not cheap, but in line with our expectations for the venerable Northamptonshire manufacturer.
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Wes Phillips/Larry Greenhill Posted: Jan 08, 2006 0 comments
VTL's Luke Manley was glowing with some tube warmth himself. "These are the Autobias 450 monoblock amplifiers ($13,500/pair). They have an auto bias circuit, fault monitoring, regulated screen power supply, fully balanced input drivers with their own power supplies, and trickle-current on mute—which keeps you from 'poisoning' your cathode." This last feature prevents you from stressing your tubes on mute and power up, without subjecting them to the stress of hard off and on—"which is a very nice feature. This is a thoroughly modern tube amp."
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Wes Phillips/Jon Iverson Posted: Jan 08, 2006 0 comments
Walking through the halls of T.H.E. Show, we stumbled across Ray Samuels (of Ray Samuels Audio) manning his table of headphone ecstasy. We listened to Samuels' Raptor ($1175) driving AKG's new K 701 headphones ($400), which HeadRoom's Tyll Hertsens told us were his new reference cans. Maybe ours, too, based on the sound Ray was getting. Wes has begged for a pair for review. Stay tuned.
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Wes Phillips/Jon Iverson Posted: Jan 08, 2006 4 comments
We were on another mission from God—in other words, a request from Editor John Atkinson, which is the same thing for working journalists. "You have to check out Hovland's new power amplifier," JA gushed.
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Larry Greenhill Posted: Jan 08, 2006 4 comments
McIntosh displayed the full-range, $80,000/pair XRT2K speaker in their two-channel room at the Alexis Park. It sets a record for number of drivers per side—110—with 40 tweeters, 64 midrange units, and six woofers. Frequency response is claimed to be 16Hz–45kHz. The system driven to full volume by the 495lb McIntosh MC2KW monoblock ($30,000), which can deliver 2kW, demonstrated awesome dynamic range.
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Wes Phillips Posted: Jan 08, 2006 2 comments
Amphion's Anssi Hyvönen was happy to demo his tiny Ions ($1350/pair). The diminutive two-ways sport a 1" titanium tweeter and a 4.5" midrange/woofer, and weigh an easy to lift 10.5 pounds. They sound pretty darn big, though. I enjoyed them in a system with a T+A 1535 surround sound receiver and T+A SADV 1245 R DVD player, finding them spacious and three-dimensional. Then HeadRoom's Tyll Hertsens walked into the room and asked, "How do they sound as desktop speakers?"
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Wes Phillips/Jon Iverson Posted: Jan 08, 2006 1 comments
Moon's Lionel Goodfield kept telling us to drop by the room to see something new. We walked in and asked, "What's new?" Goodfield waggled his eyebrows and said, "What's new with you?" Ba dum dum.
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Larry Greenhill Posted: Jan 08, 2006 2 comments
High-end amplifier guru John Curl, well-known for his early designs at Mark Levinson Audio Systems and for the Vendetta phono preamplifier—some regard this as the finest head amp ever made— was at the Alexis Park to discuss his latest design for Parasound, the JC-2 preamplifier. [The price of the JC-2 has not been determined yet, but will be somewhere in the vicinity of $3200.] John was particularly pleased to point out that he had worked with the same circuit-board designer from the Vendetta days. He also pointed out the preamp’s "D-core" power transformer, which has an oval core at right angles to the winding. John believes that this is much quieter than a conventional toroidal transformer. However, he had persuaded Parasound to omit a phono stage because even the D-core transformer wasn't quiet enough for him. That brought up an obvious question—would he reintroduce the Vendetta? Although nothing was definite, he noted, "I'll probably have to do something because everyone is bugging me to bring it back."
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Jon Iverson Posted: Jan 07, 2006 0 comments
Zu's Adam Decari shows us how the computer generation helms a CES demo room. In addition to the DJ turntables and laptop, note the Apple G5 computer at the back used as the only disc player for the main system.
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 1 comments
Stanalog's George Stanwick was pleased as punch with Sugden's new Masterclass components: Masterclass Integrated Amplifier ($6500) and Masterclass CD Player ($5500).
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Wes Phillips/Jon Iverson Posted: Jan 07, 2006 1 comments
You may not know the name Furutech, but you've almost certainly heard some of its products—the Japanese manufacturer's high-purity copper has been used in many well known audiophile cables and components. Now Furutech is offering cables, connectors, AC accessories, and other products under its own name.

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