Wes Phillips
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Wes Phillips
Wes Phillips May 30, 2008 0 comments
This carved detail from a house in Bourbon-Lancy reminded me of the marginals Sergio Aragonés drew for Mad.
Wes Phillips
Wes Phillips May 30, 2008 0 comments
This carved detail from a house in Bourbon-Lancy sort of snuck up on me. I walked past it, got about five steps down the street and did a classic double take.
Wes Phillips
Wes Phillips May 30, 2008 0 comments
A shop sign in Bourbon-Lancy. A Hallmark moment if ever there was one.
Wes Phillips
Wes Phillips May 30, 2008 0 comments
This dashing zouave graced an antiques store in Bourbon-Lancy. What did it sell? Why, military antiquities, of course. I was tempted by a Hussar's sabre, but I was pretty sure I couldn't carry it on the airplane home with me.
Wes Phillips
Wes Phillips May 30, 2008 0 comments
Lyon, I was told, has an extensive network of underground tunnels, which helped its citizens hide Jews during the Occupation. As I walked by this wine shop, I snapped a photo of its stairs to underground Lyon.
Wes Phillips
Wes Phillips May 30, 2008 0 comments
Lyon Cathedral. I'm a sucker for shots like this.
Wes Phillips
Wes Phillips May 30, 2008 0 comments
The series of shots that follow has nothing to do with audio. I simply like these photos, so I present them hoping you will, too.
Wes Phillips
Wes Phillips May 30, 2008 0 comments
Here's another example of how Guy.HF combines hand processes with modern technology. The finish room is state-of-the-art, combining heat with super-sophisticated polymer finish formulations. "Yet," Jean-Paul Guy told me, "there is always some orange peel. Machines can't detect it and they can't correct what they can't sense, so a human being carefully checks each piece and makes it perfect."
Wes Phillips
Wes Phillips May 30, 2008 0 comments
A Guy.HF craftsman uses a precision machined winding stick to establish that a cabinet is true.
Wes Phillips
Wes Phillips May 30, 2008 0 comments
As a sometime wood-butcher myself, I assumed that the multifaceted Focal cabinets would require some pretty fancy clamps. Not so, Jean-Paul Guy explained. Modern materials technology has given us a stretchy, incredibly strong, adhesive film that's quick to apply, infinitely versatile, and also cheap.
Wes Phillips
Wes Phillips May 30, 2008 0 comments
Jean-Paul Guy's office contains his electronics test bench and a variety of classic French hi-fi. He's definitely one of us.
Wes Phillips
Wes Phillips May 30, 2008 0 comments
It seems as though there's a QC employee for every assembly employee at Guy.HF. Not exactly, Jean-Paul Guy explained. Every G.HF employee is responsible for the work that comes to him or her—so after each employee signs off on a product as good to go, the next, um, guy inspects it before accepting it. "Mistakes get made," M. Guy told me, "but we try not to perpetuate them."
Wes Phillips
Wes Phillips May 30, 2008 0 comments
Guy.HF is located in Bourbon-Lancy, about two hours north of Focal's St. Etienne factory. The facility has produced Focal's cabinets since Jacques Mahul founded JMLab in 1980. The front of the cabinet-making facility is the original woodworking shop Guy's father Emile founded in 1945—the back end of the factory is newly built and state-of-the-art. Focal and Guy.HF were so intertwined that Focal bought a 49% interest in Guy.HF and the cabinet maker's entire output is now 100% Focal.
Wes Phillips
Wes Phillips May 30, 2008 0 comments
It is Friday, after all. I met this suave French kitty in my hotel's rooftop garden in Lyon. Even French cats have a certain je ne sais qua.
Wes Phillips
Wes Phillips May 30, 2008 0 comments
Fewer loudspeaker companies have anechoic chambers than you realize. They take up an awful lot of space, for one thing. Focal has one, and it has a twist—rather than have a suspended floor, the company puts its speakers on a hydraulic jack and suspends it 30' above the floor. This makes getting massive speakers into and out of the chamber a lot easier and safer.
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