Stephen Mejias

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Stephen Mejias  |  Feb 21, 2006  |  10 comments
I'm not even sure what holiday it was that kept us out of the office yesterday, but I am thankful for it. We can call it Tweak Day.
Stephen Mejias  |  Feb 17, 2006  |  2 comments
A special treat today: the new Rye Coalition album, Curses, to be released by Gern Blandsten on April 18th, arrived in our office. Robert brought it over to me. I've been listening to it all day.
Stephen Mejias  |  Feb 16, 2006  |  2 comments
For the last couple of days, I've been listening to one special CD from start to finish, and over and over again. I don't want it to ever end. Elizabeth must be sick of it. I'm sorry, Elizabeth. But, no: she's not sick of it because she understands. She knows what this is all about. And when I'm not listening to it, I'm holding onto it tightly, smiling over the lovely cover of sweethearts and peaches, reading the song titles from top to bottom and then from bottom to top. Memorizing the shade of red, imagining her hands putting it all together.
Stephen Mejias  |  Feb 15, 2006  |  3 comments
JA captured the image: I watch as Michael Bishop works with a dirty pot. Robert Baird sits in the hotspot. Lukas Lipinski monitors the session.
Stephen Mejias  |  Feb 14, 2006  |  2 comments
It must have been at Herald Square, where I was transferring onto the B, that I realized JA had left a message on my cell. I couldn't listen to the message below the ground — no service down there — but the display let me know that the call arrived at 7:58am. Why in the world would John be calling me at 7:58 in the morning? It was now almost 8:30. Shit:
Stephen Mejias  |  Feb 13, 2006  |  10 comments
The City was yesterday touched by twenty-seven inches of snow. In the Lower East Side, red, black, and green fire escapes were given pure, white highlights. On Orchard Street, a single figure could possibly be seen trudging through the heavy downfall, an umbrella in one hand, a burning cigarette in the other.
Stephen Mejias  |  Feb 10, 2006  |  6 comments
It's been quieter than usual.
Stephen Mejias  |  Feb 09, 2006  |  2 comments
You should see Elizabeth right now, in blue sweater and black jeans, hair obscuring her sharp eyes as she preys over hundreds of black & white photocopied pages of equipment reports, columns, and, of course, "Recommended Components."
Stephen Mejias  |  Feb 08, 2006  |  13 comments
A contributor to our forum has made a fine argument for the case that "the future of high-end audio, if it has one at all, is inexorably linked to video." And he cites my recent discussion of the Burwen Bobcat as proof.
Stephen Mejias  |  Feb 07, 2006  |  0 comments
You know, because, at first, all I had was the Arcam Solo, and the Arcam Solo does everything. It's a good-looking, easy-to-use, single-box multi-purpose solution; a CD playing, AM/FM receiving, integrated amplifying dreamboat of a component. It does everything I want it to do, does it all very well, and takes up almost no space and draws very little attention to itself while doing it. I love it. If you're interested in a fun and easy, one-stop ride into the high-end, then I think you should definitely get to know the Solo. But, like Reading Rainbow, you don't have to take my word for it. I can't go assuming authority around here. I may not know audio all that well yet, but I know cool. And the Arcam Solo is cool. Art Dudley, who is way smarter than me about this, and most other stuff, also liked it. He said:
Stephen Mejias  |  Feb 06, 2006  |  3 comments
Me: We're gonna go see Brokeback Mountain tonight.
Elizabeth: [Gasp of horror!]
Me: What? What's with the gasp of horror?
Elizabeth: Steel yourself.
Me: Why? Am I gonna cry? I'm not afraid of crying. I cry all the time, anyway.
Elizabeth: No, I don't think you're going to cry. But you might wince. A lot.
Me: Oh.
Stephen Mejias  |  Feb 02, 2006  |  5 comments
I'm not sure what makes it so special; I'm not sure if it really is as special as Mark Levinson says it is. "This is about life. This is going to bring digital music life."
Stephen Mejias  |  Feb 01, 2006  |  5 comments
Mark Levinson has thick, black eyebrows and big, beautiful hands which flutter with energy and something more.

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