Jason asked if would send him a flash drive carrying a few demo tracks that he might use to audition systems at the show—a fun idea, however one that I can’t successfully realize: At this time, I have no real library of high-resolution (or even CD-quality) digital files, nor do I have proper means of ripping CDs. Simply put, while I do plan on building a proper computer-audio system, I haven’t gotten around to it yet. I’ve been busy hanging out with girls and cats, decorating the new apartment, and admiring the Mets’ ability to find creative ways to lose close games. Give me a few more months.

Julia Holter’s new album, Loud City Song, is scheduled to be released on August 20th, by Domino. This is Holter’s third album in as many years: Her limited-release debut, Tragedy (recently given proper and deserving reissue treatment by Domino), was met by almost universal critical acclaim, while her follow-up, Ekstasis, expanded her sound, solidified her standing as one of today’s most exciting young artists, and was one of my favorite records of 2012.

With Calidostópia!, recently released as a download, he’s combined the glitchy pointillism of previous releases, such as 2010’s fascinating O (which I used as a test disc in my “Follow-Up” review of Simaudio’s versatile i3.3 integrated amplifier), with the voices of seven South American singers: Agustín Albrieu of Argentina; Andrés Gualdrón of Columbia; Maité Gadea of Uruguay; Hana Kobayashi of Venezuela; and Dandara Modesto, Aiace Felix, and Emilia Suto of Brazil.