News

Sort By: Post DateTitle Publish Date
Jon Iverson  |  Jul 23, 2000  |  0 comments
According to a new report, the number of adults going online to access music-related content has exploded in the few months, increasing 48% between December 1999 and March 2000. These numbers are based on recent findings released by market analysts Cyber Dialogue, who say that "The dramatic growth in online music users can be attributed to the media's newfound obsession with Napster, Gnutella, and MP3. When combined with a marked increase in online music offerings and the proliferation of file-sharing software, the increase in demand for online music makes perfect sense."
Stereophile Staff  |  Jul 23, 2000  |  0 comments
The Recording Industry Association of America's lawsuit against Napster may be an attack on one of its best friends, if results of a recent study by research organization Jupiter Communications can be believed.
Barry Willis  |  Jul 16, 2000  |  0 comments
A merger announced Wednesday, July 12 by Columbia, Maryland–based USA Digital Radio and Lucent Digital Radio of Warren, New Jersey may hasten the creation of a unified US standard for terrestrial digital radio, according to industry analysts. The merger was approved by the National Radio Systems Committee, which is in charge of developing a set of digital radio specifications for the US. It was also backed by 15 companies involved in the rollout of digital radio, including Viacom Inc.'s Infinity Broadcasting Corp. and Clear Channel Communications, Inc.
Stereophile Staff  |  Jul 16, 2000  |  0 comments
Chip Stern notes that, "as often as not, it ain't the heat—it's the stupidity. When confronted by the smattering of self-referential dilettantes, acrimonious Internut wannabes, and obsessive-compulsive types who suck the air out of our aural fun-house, I find myself overcome with the desire to program my phaser for Clip." And fire away he does in "Snobs, Slobs, & Marley's Ghost," added to the Archives this week.
Jon Iverson  |  Jul 16, 2000  |  0 comments
By their very nature, most audiophiles seem perpetually restless, never content with that last tweak. Following in that hallowed tradition, PS Audio has been trying to reinvent the technologies traditionally used in power-line conditioners to optimize those pulses of alternating current that juice our audio systems. The company made waves with the introduction of their Power Plant line of products last year (see previous report); their P300 garnered a very positive review from Stereophile's Robert Deutsch.
Barry Willis  |  Jul 16, 2000  |  0 comments
Audiophiles have complained since the earliest days of the compact disc that music reissued in the digital format often doesn't sound as good as it does on the original LPs. For nearly 20 years, such complaints have been dismissed by ordinary music lovers and by music-industry executives as the rantings of purists, but at least one major label is now admitting that many early CDs were not very good.
Jon Iverson  |  Jul 16, 2000  |  0 comments
With Napster as the little red devil with a pitchfork prodding them on, the third-largest record company in the world, EMI, making good on its earlier announcement, last week became the first major label to begin releasing music online. In a move the company hopes will silence the critics who say that Napster has become successful because the big labels have provided no Web-based alternatives, EMI put over 100 albums and 40 singles online "through all the normal retail websites."
Barry Willis  |  Jul 09, 2000  |  0 comments
Federal courts long ago established that music fans have certain "fair use" rights when it comes to making copies of recordings they own. They can transfer recordings from one format to another—such as from LP to cassette tape or from CD to MiniDisc—and they can share those recordings with others, provided that the results are only for private, noncommercial use.
Barry Willis  |  Jul 09, 2000  |  0 comments
For technophiles, DVD is the current hot ticket. The compact disc is far from dead, however. The 20-year-old format has been given a new lease on life by Sony Corporation, which in early July announced the development of a new technique that will double the data-storage capacity of recordable CDs.
Richard L. Hess  |  Jul 09, 2000  |  0 comments
Editor's Note: Richard Hess has recently spent time remastering several CDs and wrote about the experience for an engineering newsgroup. We think Stereophile's online readers will find his comments about the process interesting.
Jon Iverson  |  Jul 09, 2000  |  0 comments
Information released last week by NPD Intelect reveals eye-opening statistics about digital audio recorder formats. The numbers show that, from January to May 2000, unit shares of digital recording sales in retail stores were 30.8% for CD recorders (not including computer-based systems), 40.9% for MiniDisc recorders, and 28.3% for MP3 recording devices (also not including computer-based systems).
Stereophile Staff  |  Jul 09, 2000  |  0 comments
Kalman Rubinson had tried to get his hands on the Revel Performa F30 loudspeakers back in January 1999, but was thwarted until later in the year, when J-10 decided to send them his way. Kal was clearly excited about these speakers, and explains in detail exactly why.
Jon Iverson  |  Jul 02, 2000  |  0 comments
With new high-end audio formats hitting the shelves and MP3 and Napster dominating the online music news, developments in the world of radio have taken a back seat lately. But two announcements this week offer a peek at where the broadcast business might be headed.
Stereophile Staff  |  Jul 02, 2000  |  0 comments
The bad news for the music industry: Teenagers bought less music last year, according to a recently released survey commissioned by the Recording Industry Association of America. The good news: Middle-aged folks bought more, according to the same survey.
Barry Willis  |  Jul 02, 2000  |  0 comments
DVD-Audio will soon bring high-resolution multichannel sound to music lovers, but they may be dismayed by the format's several varieties and the semi-compatible hardware that will be needed to play them. That was the impression left by a lecture the last week of June at Dolby Laboratories' Presentation Studio in San Francisco.

Pages

X