News

Sort By: Post DateTitle Publish Date
Barry Willis  |  Nov 12, 2000  |  0 comments
For the music industry, copyright and royalty litigation is like an endless war fought on many fronts. During early November, as four of the industry's "Big Five" continued their pursuit of the file-sharing service Napster, a parallel trial in US Federal Court in New York against music archiving-and-accessing site MP3.com by Universal Music Group entered its penalty phase, that segment of the proceeding in which aggrieved plaintiffs seek to extract money from guilty defendants. Other plaintiffs in the trial—Sony Music Entertainment, BMG, Warner Music, and EMI—have all settled with the San Diego-based Internet service for an average of $20 million each.
Jon Iverson  |  Nov 12, 2000  |  0 comments
The Comdex trade show, taking place this week in Las Vegas, is flushing out scores of convergence consumer electronics products, in addition to the more traditional computer fare. Apogee Technology, formerly Apogee Acoustics, a name familiar to many Stereophile readers, is among the dozens of companies announcing technology for the modern consumer electronics marketplace.
Stereophile Staff  |  Nov 12, 2000  |  0 comments
Larry Greenhill writes: "I can't resist reading about a company's flagship loudspeaker—the price-no-object product that embodies the most advanced ideas from a company's research and design department . . . The cost? Don't ask." Six years in development, the Dynaudio Evidence loudspeaker is just such a cutting-edge product. So, Greenhill explains, "when the opportunity arose to review the Evidence, the flagship speaker from Danish company Dynaudio, I eagerly agreed." His verdict awaits.
Stereophile Staff  |  Nov 05, 2000  |  0 comments
Chip Stern writes, "There is something enduring and reassuring in the classic audio verities." The Vandersteen 2Ce Signature loudspeaker is certainly considered one of those timeless classics. But how does a speaker released in its first incarnation more than 20 years ago hold up by today's standards? Stern lends his modern ear to the task and includes notes from Richard Vandersteen himself.
Barry Willis  |  Nov 05, 2000  |  0 comments
At least one media conglomerate has seen the light. In a surprise move, German giant Bertelsmann AG broke ranks with the music industry and settled its copyright-infringement lawsuit with embattled Napster, in effect becoming the startup's tentative partner. The deal, reached on October 31, could mark the real beginning of the music industry's move into the Internet age. Bertelsmann is the parent organization of Bertelsmann Music Group (BMG), one of the world's major music labels, as well as online music retailer CDnow.
Jon Iverson  |  Nov 05, 2000  |  0 comments
Could this be a record executive's dream come true and the end of the need for watermarking as we know it? CantaMetrix has announced the further development of a new technology, MusicDNA, that the company claims is capable of identifying and tracking the billions of existing as well as new MP3 files on the Internet and providing an exact accounting for the copyright, "thus enabling legal file sharing and linking value-added data to songs."
Charles Hollander  |  Nov 05, 2000  |  0 comments
Sidney Smith, revered audio engineer and a founding father of the modern audio industry, passed away on October 25, 2000 after a battle with cancer. He was 77. Sid, a family man, left a loving wife, Marilyn, three caring daughters, Jennie, Pattie, and Laura, and two grandchildren.
Barry Willis  |  Nov 05, 2000  |  0 comments
Is community radio at death's door? More than 1000 churches, schools and community organizations nationwide have applied for licenses to operate 10W-100W FM stations. Despite a strong grass-roots movement, and the support of Federal Communications Commission chairman William Kennard, the low-power radio (LPFM) movement is about to be buried by the combined weight of the National Association of Broadcasters, National Public Radio, and their many friends in the US Congress.
Stereophile Staff  |  Nov 05, 2000  |  0 comments
Attention, high-end audio manufacturers ready to crack the exporting nut: The Consumer Electronics Association (CEA) has just released its "General Guide for the Export of Consumer Electronics," providing a step-by-step process which the CEA says manufacturers can use to navigate the often uncharted and challenging regulatory waters of the export market. According to the CEA, the guide focuses on assisting manufacturers in exporting their products to the South American and Pacific Rim countries of Argentina, Brazil, Chile, Hong Kong, Japan, Singapore, South Korea and Taiwan. The organization reports that, in a survey of its membership, these countries were identified as primary growth markets of interest.
Stereophile Staff  |  Oct 29, 2000  |  0 comments
According to the latest figures from the Consumer Electronics Association (CEA), the month of August showed positive gains in the overall factory sales of audio products to dealers. The CEA reports that sales for the month rose six percent compared to the same period last year, resulting in year-to-date sales of $5.3 billion, an 11.2% rise over last year.
Jon Iverson  |  Oct 29, 2000  |  0 comments
It's a brave new audio world: Coinciding with last week's release of Medeski, Martin & Wood's latest work, The Dropper, to retailers' shelves as a polycarbonate-and-aluminum CD, Liquid Audio announced that the title was simultaneously being made available as a full-album digital download. Liquid reports that this is the first time a Blue Note title has been released in a digital format at the same time as its physical release.
Stereophile Staff  |  Oct 29, 2000  |  0 comments
Five years after opening a research office in Moscow, BMG Entertainment has launched an affiliate called BMG Russia OOO, which will work from the capital. The intent is to develop the Russian market for BMG products, discover and sign new musical talent—and combat piracy.
Barry Willis  |  Oct 29, 2000  |  0 comments
A group of researchers has claimed success at cracking four digital audio watermarking technologies presented in a challenge by the Secure Digital Music Initiative in September. The claim has been denied by David Leibowitz, chairman of Verance Corporation, creator of one of the challenged watermarks. SDMI has made no public statement on the claim, and has resolved to remain silent until all 447 submitted hacks are evaluated.
Stereophile Staff  |  Oct 29, 2000  |  0 comments
John Atkinson points out that "a much-touted benefit of DVD-Audio and Super Audio CD is that these new media can store digital audio data extending one or more octaves higher in frequency response than the capabilities of the CD." But is this a difference that makes a difference? Atkinson examines the mounting pile of data in What's Going On Up There? Is there recorded life above 20k? The answer may surprise you.
Barry Willis  |  Oct 29, 2000  |  0 comments
Artists' groups are celebrating what they hope will be more than a symbolic victory over the recording industry in the wake of legislation signed by President Clinton the last week of October. Known as "The Works Made for Hire and Copyright Corrections Act," the repeal negates a provision that was inserted into last year's "Satellite Home Viewer Act" at the insistence of the Recording Industry Association of America, designating musical recordings as "works for hire." Such a designation catergorizes a musical recording as a commodity that can be purchased at a fixed price, such as a table built by a furniture craftsman, rather than as a performance subject to syndication and royalty fees.

Pages

X