Room Treatment Reviews

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Brian Damkroger  |  Feb 02, 2000  |  0 comments
One of the challenges I faced in optimizing the performance of the Thiel CS7.2 loudspeakers that I reviewed in February 2000 was controlling and tuning their interaction with my listening room. Intuition, experience, trial and error—all came into play, as did several of the procedures and calculations covered by Jonathan Scull in his "Fine Tunes" column.
Jonathan Scull  |  Mar 07, 2004  |  First Published: Dec 01, 1998  |  0 comments
Over time I've successfully used a variety of tuning devices to refine the acoustics in Kathleen's and my listening room. But I've always suspected that Acoustic Science's Tube Traps might be a good way to finish it off. I've occasionally asked visitors to stand in one spot or another behind the speakers as I listened for tergiversation (ie, "to change one's tune"; Hoo-hah!). I found several locations where a nice, dense audiophile body made an improvement to the sound.
Robert Harley  |  Dec 09, 2007  |  First Published: Dec 09, 1989  |  0 comments
The acoustic environment for music reproduction is easily the most overlooked source of sonic degradation. Many fine playback systems are compromised by room-induced anomalies that severely color the reproduced sound. When we live in a world of directional wire, high-end AC power cords, and $4000 CD transports, paying attention to the listening room's contribution to the musical experience takes on greater urgency.
J. Gordon Holt  |  Mar 02, 2009  |  First Published: Apr 02, 1986  |  0 comments
In my rather jaded report from the 1986 Winter CES (Vol.9 No.2), I remarked that there was nothing really new in the field of high-end audio. Well, I was wrong. I overlooked the Acoustic Sciences Corporation Tube Traps, a patented new acoustic device designed by Arthur Noxon (president of ASC). The Traps represent the first practical and effective solution to a perennial audiophile problem: standing waves in the listening room.

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