Turntable Reviews

Sort By: Post Date | Title | Publish Date
Michael Fremer Posted: Dec 27, 2010 Published: Mar 01, 2010 1 comments
Thirty years have not diminished the beauty and elegance of Oracle's Delphi turntable. In my opinion, it still ranks among the best-looking turntables ever made. I bought an original Mk.I, used, in 1982, and very positively reviewed the Delphi Mk.V in the December 1997 Stereophile.

In its three decades the Delphi has undergone many upgrades both technical and aesthetic. Not surprisingly, so has the price. The Mk.II Delphi sold for $1250 in 1986; the Delphi Mk.VI with Turbo power supply and dedicated power cord now sells for $8500, which, in today's market, I think is reasonable for what you get. The review sample came with an Oracle/SME 345 tonearm ($3100) and a Benz-Micro Thalia high-output MC cartridge ($1700), for a total cost of $13,300—or $11,600 for just 'table and arm.

Robert J. Reina Posted: Feb 23, 2010 0 comments
In the January 2010 issue of Stereophile I gushed effusively about the $450 Marantz PM5003 integrated amplifier. Not only was I impressed with the sound, build quality, and features of this very affordable component, but, intrigued by how it might be combined with other gear to build a complete entry-level system for about a thousand bucks, I began to ponder other entry-level components that might nicely complement it. My goal here, of course, is to inspire a new generation of young audiophiles. I felt a turntable would be a good place to start.
Art Dudley Posted: Feb 23, 2010 0 comments
Revolver? More like evolver: 80 years after the first electrically driven record players became available, professional and amateur engineers continue to seek new ways to spin LPs with ever-greater steadiness and precision.
Michael Fremer Posted: May 15, 2009 0 comments
Much has happened in the analog world since I reviewed SME's flagship Model 30/2 turntable for the March 2003 Stereophile (footnote 1). Back then, spending $25,000 on a turntable (without tonearm) was an odd extravagance intended only for those seriously committed to the format, and who already owned large LP collections. Although new LPs were being pressed in growing numbers, the resurgence of vinyl was still spotty, and the long-term prognosis for the old medium remained in question.
Art Dudley Posted: Mar 20, 2009 0 comments
During a century of development of the phonograph, dozens of different things have been considered crucial to its performance: lack of bearing noise, lack of motor noise, freedom from runout error in the platter, high moment of inertia in same, immunity to all manner of unwanted vibration, and so forth. But now I wonder if the most important factor of all hasn't been overlooked, or at least misunderestimated, throughout much of that time: Could it be that motor torque is more critical than any of us imagined?
Michael Fremer Posted: Jul 15, 2008 0 comments
It's now been eight years since a Rega P3 turntable passed through my listening room. While the new P3-24 superficially resembles the P3 (and virtually every other Rega 'table), the company has made some significant changes, including upgrading to the high-quality, low-voltage (24V), electronically adjusted motor used in the more expensive P5, P7, and P9. As in those models, an electronic circuit trims the phase angle of the P3-24's motor coils, thus substantially reducing motor vibrations. In 1998, during a factory tour, a Rega engineer demonstrated the circuit's effectiveness to me. As he adjusted the circuit board's pot, vibrations from the motor dramatically decreased, until it was difficult to tell if the motor was spinning or not. Back then, this "hand-trimmed" motor technology was available only in the P9. The P3-24 uses a less sophisticated version of the same basic idea.
Art Dudley Posted: May 31, 2008 0 comments
The Oakland fluker said, "You mean we should lug our Connie Companion layout all that way? It's too heavy and something might happen to it."
Michael Fremer Posted: Dec 23, 2007 0 comments
Simon Yorke is an artist, a machinist, an electronics wiz, and a political idealist. He's also an analog enthusiast who melds aesthetic and technical considerations into eye-catching, densely packed, compact record-playing devices that are ruggedly built and functionally elegant. His turntables' smooth, matte-gray, metallic finishes and efficient lines make them among the most visually pleasing ever made.
Filed under
Michael Fremer Posted: Nov 15, 2007 2 comments
Conceptually audacious, elegantly designed, executed with space-age precision, and remarkably compact, Grand Prix Audio's direct-drive Monaco turntable ($19,500) aims to turn the tables on the belt-drive designs that have dominated analog playback for three decades.
Art Dudley Posted: Oct 20, 2007 0 comments
Visit www.stereophile.com and look at the Vote Results for June 17, 2007: You'll see that when we asked our readers to name the one audio product that's spent the greatest amount of time in their systems, the most common answer by far was the Linn Sondek LP12 turntable (footnote 1). Little wonder that Scotland's most famous record player endures as an object of attention for various and sundry commercial tweaks.
Art Dudley Posted: May 19, 2007 0 comments
For a word that first appeared in print only 35 years ago, prequel has a lot of impact—if only in a commercial sense. The television series Smallville has become a staple of American broadcasting. Film producers gambled millions on the chance that audiences would want to know what happened when Batman began. And while moviegoers have turned their backs on the apparently awful Hannibal Rising, the book of the same name is doing brisk business indeed.
Michael Fremer Posted: Apr 22, 2007 0 comments
Almost immediately on entering the analog marketplace in 1982, Franc Kuzma, a mechanical engineer based in Slovenia, then part of the former Yugoslavia, established a reputation for manufacturing finely engineered, high-performance products that sold at reasonable prices. Kuzma's early industrial designs, however, while serviceable, looked less than distinguished.
Art Dudley Posted: Jan 21, 2007 0 comments
Here's something that's difficult to visualize but nonetheless true: If you attempt to isolate from their environment the working bits of a record player—the main bearing, platter, tonearm, and cartridge—by means of an elastic drive belt and a suspended subchassis of the usual sort, you'll create almost as many problems as you solve.
Art Dudley Posted: Dec 24, 2006 0 comments
People love it when audio reviewers reach for that highest of all compliments: "I enjoyed the thing so much, I decided to keep it" (footnote 1). Manufacturers love it for obvious reasons. Readers love it because nuance is out of style at the moment, and the ambiguities implied by less decisive conclusions can be frustrating to adults who read with their mouths open. Publishers love it because strong, declarative statements have been scientifically proven, in double-blind reading tests, to attract subscribers.
Art Dudley Posted: Nov 19, 2006 0 comments
"Hail, mortal!"
—Michelle Pfeiffer as Titania, reacting to Kevin Kline as Bottom, when he succeeds in operating a phonograph

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading