Audacious Audio

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Wes Phillips Posted: Nov 04, 2008 1 comments
I can't think of a product that was as eagerly anticipated as was Ayre's KX-R preamplifier ($18,500). Following in the footsteps of Ayre's MX-R monoblock amplifier, a Stereophile 2007 Product of the Year, and milled, like the MX-R, from a 75-lb billet of aluminum, the KX-R also shares with its monoblock stablemate the Ayre ethos of zero feedback and fully balanced operation. But what really caused the buzz was the declaration by Ayre founder and chief designer Charles Hansen that the KX-R, with its use of a technology he calls Variable Gain Transconductance (VGT) to control the volume, would set new standards for signal/noise ratio.
Michael Fremer Posted: Oct 17, 2008 0 comments
Don't be confused by the MBL 6010 D's oddly baroque, even retro looks. Behind all the glitz—the oversize, perfectly finished, black-lacquered faáade; the two big, solid brass knobs plated with 24-karat gold; the ornate lettering; and the incongruous digital volume display—resides a thoroughly modern, remote-controlled, unusually versatile, and well-thought-out solid-state preamplifier. Not that the 6010 is a new design. It's been around for a long time, and the current "D" iteration is at least five years old.
Michael Fremer Posted: Jun 20, 2008 0 comments
In an unfortunate coincidence, a few nights before the Cabasse team arrived to install the company's unusual-looking La Sphère powered speaker system, VOOM HD Networks, Monster HD channel, which is exclusively devoted to B horror movies, broadcast The Crawling Eye (aka The Trollenberg Terror), a 1958 black-and-white howler starring Forrest Tucker. I watched.
Wes Phillips Posted: Apr 15, 2008 0 comments
No matter how well you think you know the specialized world of high-end audio, there are always new companies, new technologies, and new products you just haven't gotten around to knowing yet.
Michael Fremer Posted: Dec 24, 2006 0 comments
Let me take you by the hand, and together we'll jump off an audio cliff. I promise a soft landing, though there might be some turbulence on the way down.
Michael Fremer Posted: Nov 26, 2006 0 comments
We were driving to a friend's house to celebrate her dad's 92nd birthday. Halfway there, a bright yellow, ground-hugging insect pulled in front of my car from across street. "Wow, that's a Lamborghini Countach!" I exclaimed. You don't often see one of those in my neighborhood—or in any neighborhood.
Michael Fremer Posted: Jan 14, 2006 0 comments
Part New Jersey diner, part Wurlitzer jukebox, with a snakelike tonearm that at certain angles looks vaguely lewd, this boxy, man-sized creation from Australia seems to have been built around its distinctive looks rather than for any functional purpose. Combine that with its sky-high price—itself almost obscene—and the result is apparently the sort of product that envious, cynical, self-loathing audiophiles love to hate, and reviewers love to write about.
Michael Fremer Posted: Aug 14, 2005 0 comments
When Wilson Audio Specialties' Peter McGrath offered me a pair of MAXX2 loudspeakers to review, I reminded him of just how small (15' by 21' by 8') my room is, and how close I sit to any speakers in it.
Michael Fremer Posted: May 18, 2012 Published: May 18, 2005 3 comments
Everyone's got their prejudices, and mine are against turntables with box-like plinths and big slabs of undamped acrylic. I have no problem with either in models that cost a few grand or less, but once you get into high-priced terrain, less plinth and less acrylic usually yields better performance. Generally, though, all a plinth gets you is a vibrating surface to transmit or store and release energy. Who needs that? If your high-performance 'table has a plinth, you need to heroically damp it the way SME does in its Model 30, and the way Rockport did in its System III Sirius.
Michael Fremer Posted: Feb 20, 2005 0 comments
"So what kind of music do you listen to?" I heard myself asking Leif Mårten Olofsson, designer of the Coltrane, Coltrane Alto, Duke, Miles II, Mingus III, and Monk loudspeakers, before I could take it back. The small company, headquartered in Göteborg, Sweden, where Volvos are made, has been building and marketing loudspeakers for the past six years, though Olofsson confesses he's been building them for 30 years, ever since he was 12.
Michael Fremer Posted: Jan 18, 2005 0 comments
Yamaha once made a loudspeaker shaped like an ear. I felt sorry for the guy (especially if he was an audiophile) who had to write the ad copy explaining why a speaker shaped like an ear would sound better than one shaped like a shoebox or a wedge of cheese. An ear-shaped loudspeaker makes about as much sense as an eyeball-shaped television. But what about a loudspeaker that is designed like a musical instrument?
Michael Fremer Posted: Oct 23, 2004 Published: Oct 01, 2004 0 comments
Back in the late 1980s, when I was writing for The Abso!ute Sound and couldn't afford any of the audio gear I was reviewing, my system consisted of an Oracle turntable with Magnepan unipivot arm, a pair of Spica TC-50 loudspeakers, and a heavily modified Hafler DH-200 power amp and DH-101 preamp. It was a fun system that imaged like hell, but my fondest audio memories of that time were of visiting fellow TAS reviewer Dr. Michael Gindi, who lived on Manhattan's West End Avenue, and listening to his mbl speakers. (With his shrink's paycheck, he could afford them.)
Michael Fremer Posted: Sep 19, 2004 Published: Sep 01, 2004 0 comments
No one has ever accused Rockport Technologies' Andy Payor of under-engineering a product, and this set of gleaming black beauties is no exception. The system is available in two configurations: as the two-way Merak II for $19,500/pair, including sturdy custom cradle-stands with integrated crossover; and as the Merak II/Sheritan II, a three-way, two-box floorstander that, to afford them at $29,500, will reduce some to living in the speakers' shipping crates. You could do worse for housing than checking into the Sheritan Rockport: The wooden crates are almost exquisitely finished.
Michael Fremer Posted: Jul 10, 2004 Published: Jul 01, 2004 0 comments
Leaving aside for a moment the fact that the Wavac SH-833 costs $350,000/pair—
Paul Messenger Posted: Sep 14, 2003 0 comments
I reviewed JMlab's Mezzo Utopia loudspeaker in the July 1999 Stereophile (Vol.22 No.7). By chance, the Mezzos had followed a pair of B&W Nautilus 801s into my listening room, and the substitution had proved rather interesting. For all their many fine qualities, the 801, with its 15" bass driver, was distinctly bass-heavy in my room, whereas the 11" drivers of the Mezzos seemed just right in this regard.

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