Integrated Amp Reviews

Sort By: Post Date | Title | Publish Date
Art Dudley Posted: Mar 18, 2008 0 comments
My first one-piece stereo—I think I paid $60 for it, including a pair of speakers with pegboard backs—gave me a lot of pleasure when I was young, and I loved it. Everything that came after has been better in every way but one: None has inspired that kind of love. And most have left me wondering if there might be something just a little bit better.
Art Dudley Posted: Feb 22, 2008 0 comments
Although she'll deny it, my wife thinks ill of me because I've failed to buy her a new Mini Cooper. I can point to a number of things in my defense—especially the Mini's lack of all-wheel drive, which we need for climbing our quarter-mile driveway in bad weather, and its insufficient cargo and passenger space—all of which would constrain a Dudley-owned Mini Cooper to recreational use only. And a new round of car payments would be difficult to justify for those reasons: not because I'm cheap, and not because I'm too old to appreciate a car that's fun to drive.
Art Dudley Posted: Jan 30, 2008 0 comments
"We've tried making it more powerful. When I was away on holiday, some of our people cooked up a more powerful version and presented it to me on my return. It sounded awful."
Art Dudley Posted: Nov 15, 2007 0 comments
Specialization seems to be an inevitable consequence of progress: As the products of man and God become more and more complex, they're called on to do fewer things in more focused ways.
John Marks Posted: Oct 28, 2007 0 comments
Ars-Sonum is a Spanish audio company that, as far as I can tell, makes only one product—but it's a doozy (footnote 1). The Filarmonía SE is a tube integrated amplifier that is, in many ways, an homage to Dynaco's iconic Stereo 70 power amplifier of 1959, but the Filarmonía is by no means a slavish copy. Get down to specifics, and it's actually more of a clean-sheet-of-paper design.
Robert Deutsch Posted: Sep 16, 2007 5 comments
"Onkyo Returns to its Stereo Roots to Debut New Digital Amplifier Technology." This heading of the press release for Onkyo's A-9555 digital integrated amplifier was surely intended to warm the cockles of the two-channel audiophile's heart. Some of us remember the Onkyo Grand Integra amplifiers of the 1980s, which were considered competitive with the big Krells and Mark Levinsons of the day. To refresh my memory, I looked through my Stereophile archives and found the December 1985 issue (Vol.8 No.8), which included Larry Greenhill's review of the Grand Integra M-510, a 300Wpc power amplifier covered in lacquered persimmon wood, weighing 139 lbs, and costing $4200 (about $8000 in 2007 dollars). Larry was most impressed with the M-510, describing it as "a very powerful amplifier with outstanding sonics across the board—power with delicacy."
Fred Kaplan Posted: Jul 22, 2007 0 comments
There's something a bit oddball about the notion of a $16,500 integrated amplifier—until you stop to consider that the market is fairly drenched with preamps and power amps that, together, cost that much and more. And putting both pre- and power amp in a single chassis cuts down on storage (one less shelf), accessories (one less pair of cable), and electrical outlets (one socket freed up).
Robert Deutsch Posted: Jun 24, 2007 0 comments
The naming of audio companies is a tricky business. Ideally, the name should be distinctive, so that people will remember it, and descriptive of the products. However, given the proliferation of audio manufacturers, it's getting more and more difficult to come up with a name that fulfills these criteria, and some names are similar enough to lead to confusion. In one of my show-report blog entries from the 2007 Consumer Electronics Show, instead of correctly listing a company name as Divergent Technologies, I called it Definitive Technologies, which is the name of an another audio company—and was rightly chastised for it in a comment by a reader. I'll bet that no such confusion will occur in the case of Flying Mole Electronics. (As far as I know, there is no Flying Groundhog Electronics.)
Art Dudley Posted: Jun 24, 2007 0 comments
I was the member of the family on whom the others could depend for technical assistance: mending eyeglass frames, fixing the radio, replacing the lightbulb in the oven, getting the car to idle smoothly. No job too big or too small. House calls a specialty.
Larry Greenhill Posted: Apr 22, 2007 0 comments
Over the years, I have used and enjoyed in my audio system large, single-purpose components. Each of these chassis has had but one role: preamplifier, amplifier, digital-to-audio converter (DAC), etc. I guess I've been just a little suspicious of products with multiple functions crammed into a single small chassis; I've figured that the designer may have cut a corner that could affect the sound.
Art Dudley Posted: Feb 18, 2007 0 comments
"Guitar groups are on the way out, Mr. Epstein."—Dick Rowe, Decca Records, 1962
Michael Fremer Posted: Jan 21, 2007 0 comments
Older audiophiles remember the splash NAD made in the late 1970s with the introduction of their 3020 integrated amplifier ($175). Ridiculously cheap, it looked graceful and sounded warm, inviting, and holographic. Removable jumpers between the 3020's sections permitted enthusiasts to determine whether the magic resided in its preamp, its power amp, or in some synergy of both.
Robert J. Reina Posted: Jan 21, 2007 0 comments
The one thing I've liked about designer Mike Creek of Creek Audio as much as his design talent is his predictability. I've been following his integrated-amplifier designs for nearly 20 years now, having reviewed, in sequence, the CAS4140s2 (for another magazine), the 4240SE (Stereophile, December 1995, Vol.18 No.12), and the 5350SE (March 2001, Vol.24 No.3). In each case, I was sufficiently impressed with the review sample that I bought it and made it my new reference in my second, affordable system. The predictable part comes from Creek's traditional nomenclature: an "s2" or "SE" (Special Edition) designation has always denoted a modest upgrade, and a numerical uptick in the model number a more significant upgrade, the level of significance denoted by the specific digit being increased. Hence, the update from 4240 to 5350 is intended to indicate a greater improvement in sound than the update from 4140 to 4240.
Jim Austin Posted: Oct 22, 2006 0 comments
At the extreme high end—Halcro, VTL, Boulder, etc.—reviewers gush about a lack of character. If you're paying $20,000, you want a preamplifier or power amp to disappear. At those price points we also want extreme, unfatiguing resolution, and noise that's well below what most people would consider audible. But at those prices, an absence of character is definitely something most people aspire to.
Michael Fremer Posted: Oct 15, 2006 0 comments
As you read this, are you listening to your stereo? Whatever the music, what you're actually hearing is your public utility's AC as modulated by your power amplifier. No matter how good the gear, the final result can be only as pure as the power feeding your components. Unfortunately, plenty of sonic schmutz usually comes along for the ride.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading