I've been chipping away for some time at the task of trying to put together a music lover's stereo system for about half the money of my last such effort: $2500 to $3750 now, vs around $7500 back in 2005. My timing was good: CD and DVD receivers are a hot product category, with several attractive new entries at various prices.
I got a call a while back from Stephen Mejias (Stereophile('s Sancho Panza to John Atkinson's Don Quixote), who informed me that Aperion Audio had redesigned their entire line of loudspeakers, and suggested that I check them out. I had responded very favorably to Aperion's Intimus 533-T, which I reviewed in the April 2007 issue. I loved the speaker's sound, the sexy appearance, and felt it was good value at $750/pair. And I thought Aperion's 30-day free trial with free shipping each way was a deal that few could resist. So when this factory-direct, Oregon-based company informed me that they'd updated the drivers and crossovers across their entire speaker line, I decided to give a listen to their new flagship, the Intimus 6T ($1390/pair).
In a world of me-too products, NuForce distinguishes itself from all those other components whose names begin with i by actually using a capital I. Actually, that statement is unkind, even unfairunlike the myriads of products designed to capitalize on the Apple iPod's current sexiness, the NuForce Icon isn't designed to be portable (although NuForce does offer an Icon Mobile). What the Icon unquestionably is is a fine little piece of audio engineering, which most of those other i components are not.
The Gini Systems "LS3/5a" is an unlicensed and inexact replica of the celebrated LS3/5a outside (remote location) broadcast monitoring loudspeaker originally developed by the BBC in the early 1970s. (For a précis of the LS3/5a's history, click <here.)
The Gini Systems "LS3/5a" is an unlicensed and inexact replica of the celebrated LS3/5a outside (remote location) broadcast monitoring loudspeaker originally developed by the BBC in the early 1970s. (For a précis of the LS3/5a's history, click here.)
Fearless leader called me and asked if I'd be interested in reviewing the Simaudio Moon i-1 ($1500), the entry-level integrated amplifier in Simaudio's Classic line. Hmmm. I'd been very impressed by all of the more expensive Simaudio products I'd heard at Stereophile's Home Entertainment shows over the years, and the 50Wpc Moon i-1 would be an interesting match for the affordable speakers I've had in-house lately. Send it on, JA!
You know me. I'm not perzackly an audio slut, but I am easy. When Audio Advisor's Wayne Schuurman called me to pitch the Vincent KHV-1pre tube-transistor headphone amplifier, he pretty much had me at "tube" and "headphone." But I wasn't familiar with Vincent Audio.
Fried Products Corporation's Compact 7 is a two-way, standmounted loudspeaker with a 1" ring-radiator tweeter and a 7" woven glass-fiberconed mid-woofer in a "line tunnel" enclosure. Its cabinet is substantial and well made, with handsome real-wood veneers. The speakers come in mirror-imaged pairs, the tweeters offset toward the inside. The Compact 7 is unusual in that its mid-woofer is above its tweeter, which is likely related to the line-tunnel bass loading. Fried insists that the speakers be placed at least 28" above the floor, which dictate I followed.
In a moment, I will resume my ongoing quest to put together a music lover's stereo system for about half the cost of my last such effort (see my columns in the October and December 2005 issues): $3750 rather than $7500. But first I want to urge everyone who hasn't already done so to check out the results of the Five Great Art Songs of the Rock Era write-in competition announced in my February 2008 column. The winning entries are greatreally thought-provoking. Indeed, some of the lists, plus an unaccountably belated recollection, prompted me to put together my own alternate list. This list doesn't invalidate or replace my original one, but it benefited from the energy all the entrants (thanks, everyone) put into theirs. Here goes:
Last December, when Wadia Digital announced that it was releasing an iPod docking cradle that could access the digital signal before it had passed through the player's own D/A converter, many audiopundits were surprised. I was disbelieving, and nearly told Wadia's John Schaffer that he was shining me on. After all, Apple has tiptoed around the whole issue of consumers being able to digitally copy their iTunes files, going so far as to wrap its iTunes Music Store files in digital rights management (DRM) code.
Most of this column is dedicated to two hi-fi products for the massesnot from Lvov, via Vladimir Lamm, of Lamm Industries; or from Leningrad, via Victor Khomenko, of Balanced Audio Technologies; nor from any other Soviet-born audio hero. (Neither Vladimir nor Victor is on the list of "Name of Russia" contenders for greatest Russian of all time.) Nor from any consumer audio company, but from the world of professional audio. An Iron Curtain almost separates the two.
There is much to admire and to enjoy in this idiosyncratically charming hybrid loudspeaker. Eminent Technology has been around for about 25 years. Founder Bruce Thigpen was a pioneer in air-bearing technology, and ET's first product was a well-regarded air-bearing tonearm. The company later developed and was awarded patents for its Linear Field Transducers (LFTs): push-pull loudspeaker panels that operate on the magnetic rather than the electrostatic principle. Arraying magnets both front and rear of the plastic-membrane diaphragm eliminates a problem inherent in many planar-magnetic designs: as excursion increases, the magnetic restorative force diminishes. As can be expected, this technology is not efficient at reproducing bass, so most such speakers have been hybrids.
I always enjoy reviewing affordable loudspeakers from Polk Audio, who trumpet high value for the dollar with their philosophy of "Incredible Sound/Affordable Price." They also update their broad and deep product lines more frequently than do most manufacturers. I've always been intrigued by how much Polk has been able to deliver at the bottom of the price range. In fact, the first Polk speaker I reviewed, the RT25i (September 2001, Vol.24 No.9), is the only affordable speaker I've reviewed for Stereophile that I ended up buying (for my computer-based musical-composition system). So, when approached by Polk to review a speaker from their affordable RTi A series, I was interested in the least expensive of that line's five models: the RTi A1 ($349.95/pair).
We continue the search for the successor to Fried's Q loudspeaker of yore. Renaissance Audio is the former Morel USA, so they have a long track record in both OEM driver manufacture and making complete loudspeakers. As I mentioned in my June column, their MLP-403.5 loudspeaker is a two-cubic-foot, sealed-box three-way with a dome midrange driver, at the near-improbable price of $1090/pair (footnote 1).
A while back, out of the blue, I was contacted by audio distributor May Audio Marketing. They wanted to know if I was interested in reviewing any models from the Genius line of German manufacturer ASW Loudspeakers. I have a lot of time for distributors such as May Audio, whose primary role is to promote lesser-known European audio products on this side of the pond. All of May's principal clientsCastle, Enigma, and Gradient speakers; Sonneteer and Sphinx electronics; and Roksan turntable systemsare much better known in their home countries than in the US.