Budget Component Reviews

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Stephen Mejias Posted: Apr 09, 2012 Published: Dec 01, 2011 7 comments
Because I am an audiophile, I want to hear that music through the best possible source component. Lately, I've been enjoying CDs through the Emotiva ERC-2 CD player ($449).

The Emotiva ERC-2 measures 17" (435mm) wide by 4.25" (110mm) high by 14" (360mm) deep and, at 17.5 lbs (8kg), is the heaviest component to enter my listening room since the 25-lb Simaudio Moon i3.3 integrated amplifier ($3300, discontinued). The player's distinct appearance was developed by Emotiva's president and CEO, Dan Laufman, and VP of engineering, Lonnie Vaughn. In building the ERC-2, their goal was to "keep it simple, easy to use, and elegant . . . in a machine-oriented way."

Stephen Mejias Posted: Nov 15, 2011 0 comments
On Thursday, August 11, Cut Copy performed for a massive crowd at Brooklyn's Prospect Park, putting the perfect end to what had been a beautiful summer day. Concert photos by Natalie.

The enormous sky above Brooklyn's Prospect Park was a dazzling watercolor. Warm, soft shades of yellow, orange, and violet swept across a saturated canvas as the sun slowly dissolved into the horizon and day reluctantly gave way to night. It was the second week of August and, though no one wanted to admit it, the days had become noticeably shorter.

I walked alone through turnstiles that led to the large band shell where thousands of people would congregate for the final night of "Celebrate Brooklyn," a summerlong series of outdoor concerts. This year's season included performances by a wonderfully diverse and talented collection of artists—some obscure, some renowned, all worthwhile: Andrew Bird, Larry Harlow, Animal Collective, Real Estate, The Feelies, Los Lobos, The Bad Plus, Dr. John, and dozens of others.

Stephen Mejias Posted: Mar 02, 2012 Published: Nov 01, 2011 0 comments
The two-way Energy CB-10 ($269.99/pair) is a bass-reflex design. A large rear-firing port has an internal diameter of 2" and flares out to 2.75". The speaker uses a 1" aluminum-dome tweeter and a 5.5" woofer with a ribbed elliptical surround, the latter said to increase excursion, decrease distortion, and create a larger piston area for greater efficiency, making the CB-10 an easy match for amplifiers. The CB-10's frequency range is listed as 66Hz–20kHz, its in-room sensitivity as 90dB, and its nominal impedance as 8 ohms. In Energy's Convergent Source Module design, the tweeter and woofer are meant to act as a coincident source working together to provide wide bandwidth, constant dispersion, and a flat frequency response. In theory, this would all add up to easy setup and satisfying listening from anywhere in the room.
Stephen Mejias Posted: Mar 02, 2012 Published: Nov 01, 2011 3 comments
While listening to Boston Acoustics' A 25 loudspeaker ($299.98/pair), I kept thinking about magic.

Paul Messenger introduced Boston Acoustics' A Series in the April 2011 "Industry Update." With the creation of the A Series, Paul reported, BA wanted to create a "global loudspeaker," one that would be appreciated by music lovers worldwide.

John Marks Posted: Oct 27, 2011 0 comments
In large part because I was fascinated by the potential of Direct Acoustics' Silent Speaker II loudspeaker ($748/pair) in affordable systems (see my columns in the June 2011 and August 2011 issues), I rounded up three CD receivers that are network- and Internet Radio–ready and cost under $1000: one each from TEAC, Marantz, and Denon. These models are functionally and cosmetically more similar than different, and, it turned out, sounded more alike than not.
Stephen Mejias Posted: Oct 27, 2011 5 comments
We were sitting near the pool, in a cozy, private cabana on the outdoor terrace of the Trump Plaza Residences in downtown Jersey City, surrounded by all kinds of beauty: To the north, the old Powerhouse Building stood proud, strong, and silent; to the south, Exchange Place's Colgate Clock was just beginning to glow, extending its tireless arms toward Lower Manhattan; to the east, the Empire State Building soared into the humid evening sky, its white-lit spire making thin veils of the summer clouds; and to the west, the redbrick row houses of Harsimus Cove hummed with the sounds of quiet domestic life. Before us stretched a long table covered with delicious treats: cheeses, meats, and crackers; olives, grapes, and hummus; bottles of beer, vodka, and wine. We were at Shana's place, with Natalie, Nicole, and Daniela—Kristin was there, too. And all I could think about were loudspeakers.
Jon Iverson Posted: Oct 24, 2011 0 comments
Oh boy, another new DAC review. Some folks think DACs, once you get past the features, all sound pretty much the same. I mean, it's just digital. Well, they're right. Pretty much. Just as two new cars of a particular make, model, color, and options package both look the same, sitting there on the lot.

But if you discover a ding in the door of one of them, where most folks still see only a new car, you now see the ding. It might have been there all along, undetected the first few times you walked around the car—maybe your buddy even had to point it out to you. It's insignificant in the scheme of all that a new car is, but once you've seen it, you always see it. Now you can easily tell the two cars apart, and we both know which one you'll drive home.

Art Dudley Posted: Oct 10, 2011 3 comments
I don't remember where I was when the Berlin Wall came down, and I already don't remember what I was doing when Liz Taylor died. (I suppose I was busy not thinking about Liz Taylor.) But I do remember when USB-based computer audio became a serious medium: That was when Gordon Rankin, of Wavelength Audio, introduced asynchronous data streaming, with his proprietary Streamlength software. After that, things picked up speed.
Robert J. Reina Posted: Sep 09, 2011 2 comments
The buzz was all over the audiophile 'net. "Pioneer has a new bookshelf speaker that's killer for the money!"

Hmm, I thought. Pioneer. Speakers?

To be fair, I've had the Pioneer brand on my mind for well over 30 years. The company was my brand of choice for car-stereo electronics in the 1970s, for Dolby S cassette decks in the '80s, for DVD players in the '90s, and for plasma TVs in the '00s and '10s. I felt a bit guilty that I hadn't focused on the fact that Andrew Jones, the very same design guru who came up with Pioneer's TAD Reference One loudspeaker ($70,000/pair), had had a hand in designing a few two-channel speaker models starting at $99.99/pair. The audio gossip was all about the second model from the bottom of Pioneer's speaker line, the SP-BS41-LR ($149.99/pair). I thought I'd better get a pair and review them.

Stephen Mejias Posted: Jul 29, 2011 13 comments
Around midnight, Natalie decided to move the party from her and Nicole's apartment (see last month's column) to our favorite local dive, Lucky 7, just a few blocks away on the corner of Second and Coles, in Jersey City. We threw wide the old red door and stepped into the stench of stale beer, the sound of cheap speaker cones tearing at the seams. I love Lucky's as much as anyone, but the music there on a Saturday night is always too goddamned loud.
Robert J. Reina Posted: Jul 11, 2011 2 comments
A while back, I received an e-mail from The Kid (Stephen Mejias): "I've been listening to and enjoying the Wharfedale 10.1 loudspeakers ($350/pair) for a couple of months. I wrote about them for my March and April issue columns, but they are good enough for a complete review. Are you interested?"

Hmm . . . so The Kid is now assigning me equipment reviews? "Sure, why not?"

The day after the Wharfedales arrived, The Kid sent me another e-mail: "Have you unpacked them yet? They are so pretty!"

That they are, Kid.

John Marks Posted: Jul 05, 2011 Published: Jun 30, 2011 0 comments
Direct Acoustics is a loudspeaker company in Weston, Massachusetts, that sells, by mail-order only, just one product: the two-way, floorstanding Silent Speaker II ($748/pair).

Its seemingly paradoxical name refers not to any inability of the Silent to create sound, but rather is intended by its maker to indicate two aspects of its performance. First is the ability of the loudspeaker boxes to "disappear" in the sense of not being readily apparent as sound sources. Well, okay, everyone wants that. The other intended sense of Silent is that the woofer and its loading arrangement were designed to minimize stray noises created by the woofer's excursion, or by the movements of air within, or in and out of, its vent or port.

Art Dudley Posted: May 19, 2011 3 comments
I tried to name a high-end audio product that's been recommended more often than the Rega Planar 3 turntable. I failed.

The closest I could come was Rega's own RB300 tonearm, surely the best-selling perfectionist tonearm of all time. After that came the Rega Planar 2 turntable, a sample of which I owned and loved in the early 1980s. Next on my list was the original Rega Elys, a moving-magnet cartridge that sounded as chunky and direct as it was cheap and magenta.

Robert J. Reina Posted: May 16, 2011 3 comments
The two-way, biwirable, rear-ported Dreamcatcher is designed and manufactured in Canada; its drive-units are designed by Totem, but made and assembled in Europe. The 1" titanium-dome tweeter, manufactured by German Acoustik, is mated to a 4" Scan-Speak woofer. Totem founder Vince Bruzzese feels very strongly about sourcing his drivers in the West. In the past, he got his small woofers from Peerless in Denmark, but switched to Scan-Speak when Peerless started manufacturing in China. Bruzzese also pointed out that the tweeter used in the Dreamcatcher costs him €16, more than 15 times as much as most similar Asian-made tweeters.
Stephen Mejias Posted: May 09, 2011 4 comments
Head-Direct's HiFiMan HM-602 is the second in a growing line of perfectionist-quality portable music players designed by Fang Bian, a 31-year-old audiophile and student of nanotechnology at the City University of New York's Hunter College. Bian's first HiFiMan design was the larger, heavier, more versatile HM-801 ($790; see my review here). In building the HM-602, Fang sacrificed the '801's removable amplifier module, 15V rechargeable battery, and coaxial input, thus creating a smaller, more portable product. Much sleeker and less substantial than the '801, the HM-602 measures approximately 4" L by 2.5" W by 1" D and weighs just 7oz—it can rest comfortably in the palm of a hand or a coat's inner pocket.

Overall, the HM-602 has a handsome, rather serious appearance: With its gold controls and its fine metallic finish, which at times seems a deep green and at others takes on a smoky charcoal, the HM-602, like its predecessor, exhibits an air of elegance and sophistication. And while the HM-801 proudly takes after Sony's famed Walkman—Fang Bian once owned every available model of the now-discontinued portable cassette player—the HM-602 much more closely resembles Apple's iPod Classic. On its front panel, below the 2" LCD screen, the HM-602 has a four-way control ring similar to the iPod's scroll wheel, and three sliding switches: Power, Hold (deactivates controls while music is playing), and DAP/USB.

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