Budget Component Reviews

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John Atkinson Posted: Sep 09, 2006 0 comments
As readers of the Stereophile eNewsletter will be aware, the twin subjects of distributing music around my home and integrating my iTunes library of recordings into my high-end system have occupied much of my attention the past year. I bought an inexpensive Mac mini to use as a music server, using an Airport Express as a WiFi hub, which worked quite well, but my big step forward was getting a Squeezebox. I described this slim device in the mid-March and mid-April eNewsletters; I urge readers to read those reports to get the full background on this impressive device. In addition, the forums and Wiki pages on the Slim Devices website offer a wealth of information on getting the most from a Squeezebox.
Wes Phillips Posted: Nov 05, 2006 Published: Sep 05, 2006 0 comments
I've been a little remiss in writing about one of the best tools for travel I've experienced recently: Ray Samuels Audio's Emmeline The Hornet ($350), a tiny (3" L by 2" W by 1" H) rechargeable portable headphone amplifier. I tend to travel with my iPod packed with hi-rez music files and a pair of low-impedance headphones. That's not a marriage made in heaven, so I also need a headphone amplifier. Over the years, portable headphone amps have gotten better and better while getting smaller and smaller. The Hornet is the smallest I've discovered so far and is my current favorite.
Robert J. Reina Posted: Oct 01, 2006 Published: Sep 01, 2006 0 comments
When I reviewed JBL's S38 loudspeaker for the June 2001 issue of Stereophile (Vol.24 No.6), I was impressed with the performance of this large, inexpensive ($599/pair) bookshelf speaker. When I received a press announcement at the end of 2005 announcing JBL's new affordable speakers, the Studio L series, which incorporates innovations developed for JBL's recording-studio monitors, I began a discussion with JBL's public-relations firm. They promised many significant design innovations and sonic improvements over the S series.
Robert J. Reina Posted: Jul 23, 2006 2 comments
When I review an affordable loudspeaker, first impressions are important. Once I've unpacked the speaker, noted the quality of its construction and finish, and have complimented or grumbled about the ergonomics of its five-way binding posts, I fire 'er up and give 'er a first listen. Occasionally, the sound will put a smile on my face, either because I'm impressed with the amount of uncolored detail emanating from such an affordable product, or because the speaker sounds so sweet that I'm intoxicated.
Kalman Rubinson Posted: Jul 23, 2006 0 comments
I am a Revel junkie. Their Ultima Studios have been my reference loudspeakers for years, and I've spent many happy hours with their Performa F-30s and Ultima Gems. They're all great speakers. When the original Gem was launched, it was made clear that all the corporate and economic weight of Revel's parent company, Harman International, was behind the development of this new line. When I visited Revel some years back, I saw cutting-edge design and development, in-house manufacturing of the most critical parts under the tightest scrutiny, and quality control of nearly compulsive meticulousness. All of this was reflected in the speakers' prices, which were reasonable for their quality and performance.
Art Dudley Posted: Jun 26, 2006 0 comments
You've heard it said that the early bird catches the worm, which is all well and good if you like worms. If you're more interested in music, you might want to follow the lead of Roy Gandy instead: He's the managing director of Rega Research, a 331/3-year-old audio company that was the very last of its kind to enter the CD market. Rega's first CD player, the Planet of 1996, was a success in virtually every way.
John Atkinson Posted: Apr 09, 2006 0 comments
How to integrate a computer into a high-end audio system is a hot topic these days. I'm getting more and more e-mails from readers asking for advice, Wes Phillips wrote about transferring his LPs to audio files in his October and November newsletters, and a lively thread on this topic ran on the forum at www.stereophile.com.
Michael Fremer Posted: Mar 11, 2006 0 comments
Wilson Audio Specialties' David Wilson likes to say that you should build a stereo system from the speakers down. Of course he does—he sells speakers. But that doesn't mean he's wrong. So recently, when offered an inexpensive new product for review, I decided it would be a good test of Wilson's theory. I tried driving Wilson's $45,000/pair MAXX2 speakers with Outlaw Audio's RR2150, a $599 stereo receiver.
Robert J. Reina Posted: Feb 19, 2006 0 comments
The penultimate stop on Bob Reina's British Invasion Tour of Affordable Loudspeakers (footnote 1) brings us to the doors of KEF. Although KEF is a large and well-established British firm, I've noticed that their product lines have not been as visible in the US as those of, say, B&W, Wharfedale, or Mission. In fact, the last time I heard a KEF speaker, it was the company's then-flagship design, at a Consumer Electronics Show nearly 20 years ago! Before that, when I lived in London, KEFs were ubiquitous, down to the older, entry-level designs tacked to the walls of the ethnic restaurants I frequented. My strongest KEF memory is a cumulative one: Every KEF speaker I've ever heard, regardless of price, venue, or setup, has always produced good, convincing sound.
Robert J. Reina Posted: Dec 18, 2005 0 comments
The last few years at our annual Home Entertainment Show, many readers have come up to me and asked: "How do you select which speakers to review?" In my case, most candidates are either new products that have impressed me when demonstrated at our HE Shows, or new products from manufacturers whose designs have impressed me in the past. Occasionally, editor John Atkinson gets wind of a speaker and asks if I'd like to review it. But once in a while, a manufacturer reads a rave review of a competing product that makes his or her blood boil.
Robert J. Reina Posted: Nov 19, 2005 0 comments
Following in the footsteps of my August 2005 review of the B&W DM603 S3, the second stop of the Bob Reina British Invasion Tour is the latest revamping of Wharfedale's affordable Diamond series.
Art Dudley Posted: Nov 19, 2005 0 comments
Yet another of the best systems I've ever heard at a hi-fi show was an exhibit by some former distributors for the English manufacturer Exposure Electronics, at a Chicago Consumer Electronics Show in the late 1980s. The exhibitors seemed to believe it was better to impress with a humble product than to overwhelm with a full-bore assault, because they limited their display to a single amplifier: the then-new Exposure X (as in "10") integrated, mated to a record player comprising a Linn LP12 turntable, Ekos tonearm, and Troika cartridge, and a pair of Linn Kan loudspeakers.
Robert J. Reina Posted: Sep 17, 2005 0 comments
One of my favorite parts of attending Stereophile's Home Entertainment shows—aside from seeking out the sexy new gear and pressing the flesh of readers—is the "Ask the Editors" panel discussions. What begins as a Q&A session usually turns into a free-for-all, as the outspoken and opinionated likes of Sam Tellig, Michael Fremer, Ken Kessler, and John Marks barely give room for wallflowers such as Art Dudley and yours truly to express our opinions—except when editor John Atkinson asks each of us, in turn, to cast our votes for the "most interesting rooms to visit." At both the HE2004 and HE2005 "Ask the Editors" panels, one company was recommended by a number of Stereophile writers, me included: Almarro Products.
Robert J. Reina Posted: Aug 21, 2005 0 comments
It occurred to me recently that, after nearly a decade of specializing in reviewing affordable speakers, and with the exceptions of two entry-level Mission models, I'd never taken a look at recent designs from the large mainstream British speaker manufacturers. So with this review I embark on a Bob Reina "British Invasion" tour to seek out the most innovative and value-conscious designs from companies that have been household names in British stereo shoppes for decades.
Art Dudley Posted: Jul 24, 2005 0 comments
Here we are, back to the Arcam I know and love: a company that not only invents good products, but good product categories as well. Like the Arcam Black Box of the 1980s, which gave so many people fits at the time—yet which, once you heard it, made good musical sense. It made good marketing sense, too: With that one stroke, teensy, weird, nestled-away-in-the-English-countryside Arcam did nothing less than create the domestic market for outboard digital-to-analog converters.

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