As We See It

Sort By: Post Date | Title | Publish Date
Filed under
Art Dudley Posted: Mar 26, 2014 Published: Apr 01, 2014 12 comments
"You know how to whistle, don't you, Steve?"—Lauren Bacall, To Have and Have Not, 1944

Yesterday, I played a minor role in a dustup on Facebook. It began when a fellow journalist posted a controversial quote from a veteran manufacturer known for generating same. The bait proved irresistible, and a long line of audio mavens, myself included, swam around the hook for an hour or so. The manufacturer himself also waded in, and before the fight was over, he'd made a show of demanding the home address of one of his antagonists, thus raising the manly specter of bodily harm. If there were any women in the audience, I'm sure they were impressed.

Filed under
Herb Reichert Posted: Feb 25, 2014 Published: Mar 01, 2014 12 comments
Way back when, I met this maenad woman at Caffe Reggio in Greenwich Village and told her I was an artist. She told me she was an art collector and invited me to her loft to see her collection. While she was showing me an impressive assortment of African and contemporary art, she was dropping names: William Burroughs, Bob Marley, John Cage, etc. Hmmm . . . really? I spoke up. "Oh, I love John Cage. What was he like?"
Filed under
Jason Victor Serinus Posted: Jan 26, 2014 Published: Feb 01, 2014 17 comments
You don't need me to tell you that listening habits are changing. Although those who predict that the end of our beloved home stereo systems is near (footnote 1) have more than a little in common with those who predict the imminent destruction of humankind, there's no question that listening via computers, iPods, and headphones has become the order of the day among a large segment of younger Americans.
Filed under
Stephen Mejias Posted: Dec 27, 2013 Published: Jan 01, 2014 9 comments
It's no secret that the high-end audio industry has done a poor job of reestablishing the mainstream respect it enjoyed through the latter half of the 20th century, but its lack of reach has never been as painfully obvious as it is today. Teens are inextricably tied to smartphones, moms and dads are infatuated with Bluetooth streaming, and most people would rather pay too much for an MP3 than anything at all for a DSD download. In a world dominated by fancy gadgets and intriguing technologies, the pursuit of true high-fidelity sound remains an obscure pastime for a relatively small group of aging males. Everyone knows Apple, Beats, and Bose, but few have heard of Vivid, Wilson, or YG.
Filed under
Art Dudley Posted: Nov 30, 2013 Published: Dec 01, 2013 13 comments
It began innocently enough. In June, Slate.com published a sampling from an exhibit by the photographer Kai Schaefer, in which classic LPs of different eras were partnered with the similarly classic record players on which they might have been played: Tea for the Tillerman on a Dual 1219, Kind of Blue on a Rek-O-Kut Rondine, Sgt. Pepper's on a Thorens TD 124—you get the idea. The photos worked as cultural documents, as good-natured kitsch, as surprisingly beautiful and compelling industrial art. I was thoroughly charmed.
Filed under
Jason Victor Serinus Posted: Oct 25, 2013 Published: Nov 01, 2013 13 comments
Thanksgiving will mark two years since Charles died. I still miss him.

I first met Charles in the 1990s, around the time I began to review recordings and audio equipment. I had just left my apartment and was driving slowly down the street when I spied a somewhat bent-over, wizened-looking man carrying a copy of Stereophile under his arm. My astonishment at discovering another Stereophile reader whom, it turned out, living just two buildings away, brought my car to a sudden halt.

Filed under
Henry Rollins Posted: Sep 25, 2013 Published: Oct 01, 2013 19 comments
At the time of my August 2011 "As We See It," I was using a Wilson-McIntosh system. That system is still with me and still gets quite a bit of use. Its location, however, has changed. In its place is a system that I can't see switching out or needing to replace: Wilson Alexandria XLF speakers with VTL Siegfried Series II Reference monoblock power amps, TL-7.5 Series III Reference preamplifier, and TP-6.5 Signature phono stage. It might take a small army of people to move it, but beyond that, I think I'm good to go.
Filed under
Steve Guttenberg Posted: Aug 28, 2013 Published: Sep 01, 2013 33 comments
No one ever had to pay for recorded music—it was always "free" on the radio—and the home taping of LPs, the copying of cassettes, and, later, burning CDs made buying music optional. Then Napster and other file-sharing sites kicked it up a notch and made it very easy to assemble a 10,000-song collection without spending a dime. Now, Spotify, BitTorrent, SoundCloud, MOG, and YouTube make music instantly accessible on demand. It raises the question: Will music lovers continue to buy music? Paying for recorded music is now, more than ever, a voluntary act.
Filed under
Colleen Murphy Posted: Jul 23, 2013 Published: Aug 01, 2013 8 comments
For over three decades, I have felt compelled to turn people on to music. Throughout my career as a DJ, all of my endeavors have been linked by the desire to spread the joy of listening to records, in the hope that people would feel something like the emotional resonance I feel. My Classic Album Sundays adventure—see www.stereophile.com/content/classic-album-sundays-bellwether— was born from this lifelong dedication to musical curating, and propelled by a eureka hi-fi moment.
Filed under
John Atkinson Posted: Jun 24, 2013 Published: Jul 01, 2013 9 comments
In the wrap-up of his coverage of the 2013 Salon Son & Image show in Montreal, which took place at the end of March, Robert Deutsch asked if there were too many audio shows. The Chicago AXPONA show was held two weeks before SSI, the second New York Audio Show followed less than three weeks later. In May, there was the humongous High End 2013, in Munich, followed two weeks later by the third T.H.E. Show Newport Beach, followed by: the Capital AudioFest, in Washington, DC (July 26–28); the fourth California Audio Show, in the Bay Area (August 8–11); the tenth Rocky Mountain Audio Fest (October 11–13); and TAVES in Toronto (November 1–3).

While this is no more shows than took place in 2011 or 2012, many exhibitors, manufacturers and distributors alike, to whom I talked at the spring events felt that the high-end audio industry is suffering from an overload of audio shows.

Filed under
Steve Guttenberg Posted: May 29, 2013 Published: Jun 01, 2013 21 comments
I have a hunch that the overwhelming majority of Stereophile readers have pretty decent hi-fis, but they probably listen to a lot more music in their cars, or through computer speakers, or on the go with headphones. I'm in that last group, and log more hours listening to Jerry Harvey's astonishing JH13 Freqphase custom-molded in-ear 'phones than to my Magnepan MG3.7 speakers—but music moves me more through the 3.7s.
Filed under
Robert Deutsch Posted: Apr 29, 2013 Published: May 01, 2013 1 comments
Few topics ignite more heated arguments among audiophiles than the price of audio equipment. How much do you have to spend to get really good sound? Are people who buy expensive gear wasting their money, or is it simply a matter of getting what you pay for? There are many such issues, most of which have been discussed at length in Stereophile and various online forums; here are a few I haven't seen addressed except in passing.
Filed under
Jason Victor Serinus Posted: Mar 28, 2013 Published: Apr 01, 2013 0 comments
Cole Porter: An All-Star Tribute (DVD, VAI) includes outtakes of the great Ethel Merman filming for TV, in 1960, a performance of Irving Berlin's "Alexander's Ragtime Band." In take after take, something goes wrong. Each time the director shouts "Cut!," Merman stops in her tracks, almost as if deflating; when the director yells "Action!" she starts from the top, fresh as new, the model showbiz professional.
Filed under
John Atkinson Posted: Feb 26, 2013 Published: Mar 01, 2013 8 comments
It's been 30 years since I began work on my very first equipment report, of the Goldbug Brier moving-coil phono cartridge, for Hi-Fi News & Record Review. That review appeared in the British magazine's May 1983 issue; I have lost track of how many equipment reviews I've written since then, but my review of the Vandersteen Treo loudspeaker in this issue is at least my 500th.
Filed under
Jason Victor Serinus Posted: Jan 30, 2013 Published: Feb 01, 2013 199 comments
The demo seemed simple enough. A distributor proposed a session for the Bay Area Audiophile Society (BAAS) that would pit his relatively low-cost speaker cable against an ultra-expensive competing model named for a Norse god. We would listen to the music first with the high-priced spread, then with his cable, then discuss the differences. As far as the distributor was concerned, everyone would hear that the Nordic Emperor had no clothes.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading