Interviews

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Robert Deutsch Posted: Feb 13, 1998 0 comments
Audio designers may differ in their specific design approaches, but the best of them have in common a real passion for their craft. I certainly found this when I visited the Hales Design Group factory in Huntington Beach, California. Although still in his early 30s, Paul Hales has been involved in the design and manufacture of high-quality loudspeakers for almost a decade—first with the Hales Audio partnership, then with his own company, Hales Design Group. When he was just 23, an age when most people are still trying to figure out what they want to do with their lives, Paul had a speaker company and a speaker, the System Two Signature, that got a rave review in Stereophile (Vol.13 No.9, September 1990). Naturally, my first question was about beginnings...
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Brian Damkroger Posted: Dec 03, 1997 0 comments
Brilliant designs, spectacular initial success, rave reviews, explosive growth that stretches resources way beyond limits, too much attention to technology and too little to manufacturing and business practices, long hours, quality problems, conflicts between partners, and finally...
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Barry Willis Posted: Sep 14, 2012 Published: Nov 14, 1997 3 comments
Nothing at 41 E. 62nd Street in Manhattan offers any clue as to what sort of business that takes place inside. The waiting room feels vaguely monastic: straw mats on the floor, a row of shoes near the door. Like a day spa offering acupuncture and shiatsu. There's no corporate name, no logo, no mission statement.

A clock running six and a half hours late hangs above a receptionist's unoccupied desk. An enormous white dog is asleep under framed pictures of old blues artists: Son Thomas, Etta Baker, Pernell King, Cora Fluker, Big Joe Williams.

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John Atkinson Posted: Oct 21, 1997 0 comments
Canadian loudspeaker company PSB International celebrated both its 25th anniversary in July and the 10th anniversary of the introduction of its Stratus series. (I review the latest version of the flagship Stratus speaker, the Gold i, elsewhere in this issue.) Started by Paul Barton and two friends in the summer of 1972, PSB Speakers was named after Paul and his high-school sweetheart Sue (now his wife). Paul & Sue Barton Speakers is now part of Lenbrook Industries, which distributes NAD, Marantz, and Bang & Olufsen in Canada, and which in turn is part of the Canadian conglomerate Lenbrook Inc.
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Wes Phillips Posted: Oct 21, 1997 0 comments
Stereophile Editor John Atkinson walked into our office brandishing a CD (footnote 1). "Guess what Ken Kantor did? He took a year off from running NHT (footnote 2) to make this disc."
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Wes Phillips Posted: Mar 30, 1997 0 comments
While I was working on my review of the K-1 preamplifier, I telephonically corralled Ayre's Research Director Charlie Hansen for a midwinter afternoon's gabfest. I started by asking Charlie how he became an audiophile.
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Wes Phillips Posted: Mar 22, 1997 0 comments
With 25 years of experience in sound recording, audio retailing, and loudspeaker design and manufacturing, Ken Kreisel has insightful things to say about just about any audio-related subject. The president of Miller & Kreisel Sound Corp. (M&K), Kreisel pioneered the satellite/subwoofer speaker concept that laid the groundwork for the home theaters of today. M&K's most recent offering—the S-150THX surround speaker system—is reviewed in this issue (see archived article).
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Jonathan Scull Posted: Jul 08, 2007 Published: Mar 08, 1997 0 comments
Our interview with Hiroyasu Kondo—founder of Audio Note Japan, and a legendary figure in his own time—took place during HI-FI '96 last June at the Waldorf=Astoria. It seemed very natural; the crowd at the Show was very internationalist. Herb Reichert of Audio Note New York found us a quiet corner after lunch, and we sat down to talk.
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Jonathan Scull Posted: Jul 07, 2013 Published: Feb 01, 1997 2 comments
Jonathan Scull: You say your YBA CD-1 Blue Laser CD player makes use of Stochastic Resonance, Yves-Bernard?

Yves-Bernard André: Yes...in adding some noise to the signal, we can actually get more information back.

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Steven Stone Posted: Jan 22, 1997 0 comments
September 1997 saw the 35th anniversary of Stereophile magazine, founded by J. Gordon Holt back in 1962. If any interview needs no introduction, this is it. My interview with Gordon was conducted around the kitchen table in Gordon's Boulder, Colorado home over a couple of cold beers. It seemed appropriate to start at the very beginning...
J. Gordon Holt: I don't remember when that was.
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Robert Deutsch Posted: Mar 05, 2005 Published: Sep 05, 1996 0 comments
Although the term "professional" is often used as part of model designations in consumer electronics, the actual overlap between the audiophile consumer market and the real pro market is quite small. There are speakers in common use as studio monitors that no self-respecting audiophile would want to be caught dead listening to, and the typical audiophile loudspeaker would go up in smoke if asked to pump out the kind of volume that pro application routinely demands. To a lesser extent, the same applies to amplifiers: pro is pro and consumer is consumer, and ne'er the twain shall meet.
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John Atkinson Posted: Aug 24, 1996 0 comments
One of the characteristic traits, I have found, that defines the loudspeaker designer is that they are loners—they seem to avoid one another's company as if on purpose. But if ever you sit down with a designer, all you need to do to open him up is to ask him what he feels to be important in loudspeaker performance.
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Jonathan Scull Posted: May 24, 2013 Published: Jun 01, 1996 0 comments
Luke Manley at Manhattan's Innovative Audio (Photo: John Atkinson)

Jonathan Scull: How long has VTL been in business, Luke?

Luke Manley: My dad, David Manley, and I co-founded VTL in June of 1986. We started small on the East Coast, and soon after we moved to California.

Scull: Is it because you're really a West Coast kind of guy?

Manley: [laughs] You bet! There's a lot of supporting industries out there; a big base of electronics manufacturers, for example.

Scull: What, in the San Francisco area?

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John Atkinson Posted: May 30, 1996 0 comments
I first met Tony Federici at a 1986 high-end show in Lucerne, Switzerland. He was at that time distributing Perreaux amplifiers in the US; the dem room Perreaux shared with KEF and McIntosh overlooked Lake Lucerne and Wagner's villa at Tribschen, perhaps the most idyllic setting for Show sound I have ever experienced. Tony was educated as a philosopher: In the 10 years I've known him, I have never known him at a loss for an opinion. It's all the more strange, therefore, that Stereophile has never asked him to submit to the ordeal of a formal interview.
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Shannon Dickson Posted: Apr 27, 1996 0 comments
Siegfried Linkwitz was born in Germany in 1935. He received his electrical engineering degree from Darmstadt Technical University prior to moving to California in 1961 to work for Hewlett-Packard. During his early years in the USA, he did postgraduate work at Stanford University. For over 30 years Mr. Linkwitz has developed electronic test equipment ranging from signal generators, to network and spectrum analyzers, to microwave sweepers and instrumentation for evaluating electromagnetic compatibility.

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