Sort By: Post Date | Title | Publish Date
Filed under
Steve Harris Posted: Jan 14, 2007 0 comments
"This won't be a short job," says Arcam's president, John Dawson (footnote 1). He's talking about the challenge of engineering the next generation of Arcam home-theater products to embrace the new high-resolution video formats. It's possibly the biggest technical challenge English company Arcam has faced since, almost exactly 30 years ago, Dawson and his original business partner, Chris Evans, launched their first product—an unpretentious, 35W hi-fi amplifier called the A&R Cambridge A60.
Filed under
Steve Harris Posted: Sep 23, 2006 0 comments
There are many colorful characters, many high-profile movers and shakers, in high-end audio, but there are only a few whose influence extends far beyond the promotion of their own brands. One of this exalted and mighty handful is Robert Stuart, chairman and technical director of the UK's Meridian Audio.
Robert Baird Posted: Nov 02, 2007 Published: May 02, 2006 0 comments
Before I even turn on the recorder, Willie Nile is telling me his theory of how the granite under Manhattan Island conducts electricity, which accounts for the perceptible charge that many people feel makes New York City so special. It's also what draws artists like flies, none more passionate than singer-songwriter Nile, who's personally contributed a few volts during his years in NYC.
Filed under
David Lander Posted: Oct 30, 2005 0 comments
David Chesky, whose company has been making superior recordings for nearly 20 years now, isn't from the engineering side of the business. He's talent—a pianist who sometimes performs on his label, a composer of classical and jazz selections integral to its catalog, and an arranger as well.
John Marks Posted: Aug 28, 2005 0 comments
Firms that specialize in architectural acoustics usually concentrate on the big jobs—churches, schools, and auditoriums. Rives Audio is unusual in that they specialize in "small-room" acoustics, for residential listening rooms and home theaters. Rives is unusual in another way: they consult on a nationwide and even international basis.
Filed under
Wes Phillips Posted: Dec 16, 2013 Published: May 01, 2005 0 comments
My e-mailbox fills up with press releases announcing new products and new companies, and that always makes me wonder: Where does all this stuff come from?

I mean, I have lots of ideas—I feel like Butch Cassidy: "I have vision, and the rest of the world wears bifocals." But there's a huge gap between having a good idea and starting a company that successfully gets that idea out in front of the public. And, I suspect, there's an even greater gulf between getting a product out there and actually making a living at it.

Filed under
Steve Guttenberg Posted: Mar 27, 2005 0 comments
The first thing you notice about Walter Sear's legendary Manhattan studio is that it feels so darn comfortable. Sear Sound doesn't have a wall of gold records, gleaming million-dollar consoles, or the latest high-resolution digital workstations, but a quick stroll around the three studios reveals a treasure trove of tube and analog professional gear: a pair of Sgt. Pepper–era Studer recorders plucked from EMI's Abbey Road studios; an early Modular Moog synthesizer Sear built with Bob Moog; and a collection of 250 new and classic microphones.
Filed under
David Lander Posted: Feb 06, 2005 Published: Jan 06, 2005 0 comments
Editor's Note: In 1954, a New York writer and teacher reinvented the world of audio with the modest-looking Acoustic Research AR-1 loudspeaker. A small fraction of the size of the behemoths that were then de rigeur for the reproduction of bass frequencies, Edgar Villchur's loudspeaker went as low with less distortion. Perhaps more importantly, the AR-1 pioneered both the science of speaker design and the idea that a low-frequency drive-unit could not be successfully engineered without the properties of the enclosure being taken into account.
Filed under
Steve Guttenberg Posted: Jan 02, 2005 Published: Dec 02, 2004 0 comments
Jim Fosgate fits the category of Classic American Inventor to a T. This softspoken, quietly intense man has earned 18 patents and founded three successful electronics companies. In the late 1970s, he pulled out of the car audio business to follow his quadraphonic bliss, and designed the Fosgate Tate 101, arguably the finest quad decoder of the era. He also created the best-selling matrix surround processor of all time, Dolby's Pro Logic II, and in 2003 won an Emmy for the Development of Surround Sound for Television. He now serves as a senior executive consultant for Fosgate Audionics, a division of the Rockford Corporation.
Filed under
David Lander Posted: Jun 27, 2004 Published: Jun 01, 2004 0 comments
Tom Jung's career has been dotted with numbers. In 1969, he and a partner founded Sound 80, a Minneapolis recording studio named by an advertising wizard who had previously conjured up the appellation Cure 81 for a Hormel ham, supposedly while sipping Vat 69 scotch. Some years later, engineers from another Midwestern company with a numeral in its name, 3M, stopped by with an experimental tape recorder that also employed digits. Those zeros and ones proved critical to the recordings Jung went on to engineer and produce at his next company, Digital Music Products, better known as DMP.
Art Dudley Posted: Apr 18, 2004 Published: Apr 01, 2004 0 comments
Consider the fate of Giordano Bruno, a 16th-century astronomer who challenged Ptolemy's notion of Earth being the center of a finite universe—and in doing so went head to head with the church of Rome. Bruno's scholarly diligence and fearlessness were rewarded not with fame, riches, or accolades from his colleagues, but with a hot-lead enema, after which he was burned at the stake. Next heretic in line, step right up, please.
Filed under
David Lander Posted: Jan 04, 2004 Published: Dec 01, 2003 0 comments
Maybe Dan D'Agostino was destined to develop and build a line of products distinguished by their sheer might. After all, he grew up just blocks from a natural phenomenon synonymous with power: Niagara Falls. Even today, when the 56-year-old D'Agostino returns to his boyhood home to visit his parents, he enjoys pulling on a pair of shorts and going for a long run in the adjacent park, which resounds with the Falls' unrelenting thunder.
Filed under
David Lander Posted: Apr 23, 2004 Published: Jan 01, 2003 0 comments
The Pennsylvania Gazette documented an early connection between music and an American named Winey when, in 1759, it listed for sale as part of an estate "a middle sized organ, having eight stops." Interested parties were directed to one Jacob Winey, a Philadelphia merchant.
Filed under
Steve Guttenberg Posted: Oct 29, 2002 Published: Oct 30, 2002 0 comments
We all know that women generally have better hearing than men and enjoy music at least as much as men do, but women are conspicuously absent from every segment of the high-end audio scene. The vast majority of high-end companies are owned by men, and any head count of female designers, retailers, reviewers, or consumers will yield a pitifully small number. High-end audio is a man's, man's, man's world.
Wes Phillips Posted: May 06, 2002 0 comments
People are wrong when they say the opera isn't what it used to be. It is what it used to be. That's what's wrong with it.—Noël Coward


Enter your username.
Enter the password that accompanies your username.