Interviews

Sort By: Post Date | Title | Publish Date
Filed under
David Lander Posted: Sep 05, 2013 1 comments
Before striding into the future, John Dibb enjoyed considerable exposure to his sceptered isle's fascinating past. He was born in England's North Country, in 1948, in a model West Yorkshire village established a century earlier by an enlightened industrialist determined to provide comfortable housing and communal amenities for his employees and their families; called Saltaire, it's now a UNESCO World Heritage Site. At age 11, young Dibb won a place at the nearby Bingley Grammar School, which dates back half a millennium, to the era of Henry VIII. He later studied at the University of Bradford, one of two English colleges then offering a course in materials science.
Filed under
Stereophile Staff Posted: Aug 09, 2013 6 comments

In April 2013, Stereophile editor John Atkinson took part in two Music Matters evenings held by Colorado retailer ListenUp. JA took time off from the formal presentations to talk to ListenUp's George McClure about how we perceive music and about what matters most when we record and playback music.

Robert Baird Posted: Aug 08, 2013 1 comments
Down deepest, beneath everything he does, underlying all the facets of his ever-expanding career in music, Terence Blanchard is still a New Orleans guy. Question that and you can hear his dander rise.
Filed under
Robert Baird Posted: Jun 25, 2013 Published: Jul 01, 2013 1 comments
Tune those young ears, Mr. Anderson! After a 30-year career in audio engineering that's seen his name appear in the credits of over 1700 albums, Jim Anderson, who won the 2013 Grammy for Best Surround Sound Album, for his remastering of Patricia Barber's Modern Cool, thinks education is the key to stemming the tide of degraded sound that threatens to swallow the recorded-music industry. Anderson, who's taught for a decade in New York University's Clive Davis Department of Recorded Music, starts his students early.
Filed under
Steve Harris Posted: May 30, 2013 Published: Jun 01, 2013 1 comments
It's not easy to get Roy Gandy to look back. "I'm not a past person, I don't reminisce," he says. "But right at this moment I'm feeling very happy. We've not quite completed the launch of a whole new range of turntables and a new range of electronics, and I'm feeling elated."
Robert Baird Posted: May 09, 2013 Published: May 01, 2013 0 comments
"You see that empty space?" says Willie Nile, motioning toward a lot between buildings on Bleecker Street, an impish Irish grin flickering across his face. "They haven't built anything there yet because Anna Wintour lives around the corner. And that red-brick house over there, the one with the white door? That's where Dylan lived. I used to see Bob around the neighborhood now and again."
Filed under
Stereophile Staff Posted: Apr 30, 2013 14 comments

At the 2013 AXPONA in Chicago in March, Cool Cleveland asked JA for his thoughts on the state of high-end audio. His answers might surprise you.

Filed under
Robert Baird Posted: Apr 09, 2013 4 comments
"While the selection and fine tuning of exhilarating-sounding vintage audio equipment is an exciting, often life-long search, let's not forget it's ultimately the music that matters—mankind's mysterious mastery of making air move in esthetically & emotionally thrilling ways. Most importantly, remember to ask yourself the age-old question: Can I dance to it?"
Filed under
John Atkinson Posted: Jan 27, 2013 4 comments
Bill Thomas at CES with the ground-breaking coaxial HF/MF unit designed by Jim Thiel (Photo: John Atkinson)

We reported last November that Thiel Audio Products, the Kentucky-based speaker manufacturer founded by Kathy Gornik and the late Jim Thiel, had been had been acquired by a private equity firm based in Nashville, TN, and that Gornik was no longer with the company. At the 2013 Consumer Electronics Show, held January 8–11 in Las Vegas, the Thiel display at the Sands Convention Center was packed. I met up with Thiel's new CEO, 55-year old Bill Thomas, and asked him what had led him and his two partners to acquire the company.

Robert Baird Posted: Jan 04, 2013 Published: Jan 01, 2013 1 comments
In a discussion about what their music is—and is not—Dave King, drummer for the Bad Plus, remembers opening a show for free-jazz patriarch Ornette Coleman at the New Jersey Performing Arts Center. After their set, the band joined the audience to watch Coleman.

"After the first couple tunes—and this was in a seated theater—I swear, half the audience had left. Fifty years into your career, and he's still making people want to check it out and then decide if they can take it. And that's every night, I bet.

Robert Baird Posted: Aug 21, 2012 Published: Sep 01, 2012 3 comments
"We tried to do some work between the legs of . . .

"Ummmm . . . that sounds weird."

Rock musicians—do they ever think about anything but sex?

Rush guitarist Alex Lifeson chuckles. He explains that what he meant to say was that he, singer-bassist Geddy Lee, and the exalted, formerly mustachioed object of Planet Earth's most fervent drummer cult, Neil Peart, were trying to write songs during a break in a recent tour.

Filed under
Stereophile Staff Posted: Jul 10, 2012 0 comments
In May 2009, JA gave dems comparing hi-rez recordings against CD and MP3 versions at the three ListenUp! stores in Colorado. This was part of the Music Matters program, in which audio retailers invite manufacturers and the occasional member of the audio press to demonstrate just how great music can sound on a high-end audio system. Before the Denver event, JA sat down with Adrienne Alterman to share his views.
Filed under
David Lander Posted: Jun 20, 2012 5 comments
Imagine a speaker firm with an introductory product that pushes the outside of the performance envelope while tearing the pricing envelope to shreds. A reviewer in an audio journal that tilts toward the high end deems this speaker "appallingly expensive," notes he would have bought the test sample if he'd had the money, and confesses that being without it makes him feel "rather as though a member of the family has passed away." Now envision a speaker company at the peak of the industry sales curve, one so successful that a mainstream hi-fi magazine ranks it No.1 in market share for two separate years. Very different companies, right?
Steve Guttenberg Posted: May 03, 2012 0 comments
Photo: Aiyana Elliott

Even when Loudon Wainwright III (left in photo with Ramblin' Jack Elliot) was a young man he was writing autobiographical songs, and his old themes of family, sex, and death resonate more deeply on his new record, Older Than My Old Man Now. He usually performs solo, armed with just an acoustic guitar or a banjo, but most of his recordings present more heavily produced versions of LWIII's music. When I chatted with LWIII in late April I wanted to explore that dichotomy and how those transformations take place.

Art Dudley Posted: Apr 20, 2012 10 comments
In 1862, skepticism among the educated was exemplified by the medical establishment, which ridiculed Joseph Lister's notion of "animals in the air." By contrast, the professional skeptic of 2012—yes, it's now possible to make a comfortable living in the field—finds himself inconvenienced by 150 years of discovery, and makes do with ridiculing Lister for his Quaker faith. I guess that passes for progress in some circles.

Pages

X