Stand Loudspeaker Reviews
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Wes Phillips Mar 22, 1997 0 comments
In the summer of 1996, SGHT editor Lawrence Ullman made me an offer I couldn't refuse: "Wes," he asked, "how would you like to review M&K's new THX speaker package?"
Larry Greenhill Sep 10, 2005 Published: Feb 10, 1997 0 comments
I first heard the Totem Acoustic Tabù loudspeakers at HI-FI '96, Stereophile's Home Theater & Specialty Audio Show at the Waldorf=Astoria in New York City last June. A startlingly realistic vocal recording drew me to Totem's sixth-floor demo room. Vincent Bruzzese, the speaker's designer, was playing Michael Jonasz singing "Si si si le ciel" from la fabuleuse histoire de Mister Swing (WEA 2292-42338-2, imported by May Audio Marketing). The small, two-way Tabù cast a holographic, palpable musical image with clear highs and sizzling dynamic pace. I was bitten, and set things in motion for this review. And two other things drew me to the Tabù: its capacitor-less crossover and its similarity to Totem's Model 1.
Kalman Rubinson Jul 09, 2006 Published: Feb 09, 1997 0 comments
Ever since the 1960s, when I built a pair of Altec A7 clones, I've had a preference for relatively big speakers. Yes, I was seduced by the Stax F-81 electrostatics because of their incredibly low coloration, but inevitably I felt the need to return to something that would move more air. Regardless of the type of music (I do like the big stuff) or the sound levels, unless the sound has solidity and size, I can't easily suspend disbelief.
Wes Phillips May 24, 2012 Published: Nov 01, 1996 0 comments
As the music swelled in the background, Humphrey Bogart leaned toward Ingrid Bergman and tenderly said, "Mnn mmmm mnn nnrm murrrmr."

Damn! I hate when that happens. I ran the laserdisc back and played it again, this time louder.

"MNN MMMM MNN NNRM MURRRMR," said Bogart.

When you think about it, the center channel is probably the most important channel—if you don't believe this, watch a movie sometime with the dialog speaker turned off and see how compelling the experience is. I mean, I like explosions, rocket launches, and train wrecks as much as the next guy, but what I really want from a video sound system is the words.

Thomas J. Norton Jun 28, 2008 Published: Sep 28, 1996 0 comments
Reality check number one. Tired of reading about the latest and greatest $65,000 loudspeakers? Or even the current hot ticket at $2500? Such loudspeakers promise to bring you the audio truth, or the golly-gee-whiz, honest-to-gosh, absolutely positively real sound. And some of them do seem to come awfully close, though truth be told, we're still a long way from replicating reality—and will never do it with just two channels.
John Atkinson Oct 09, 2005 Published: Sep 09, 1996 0 comments
Loudspeaker manufacturer Boston Acoustics made its name—and its fortune—building high-performance but low-cost speakers. Indeed, I recently set up a modest system for my mother-in-law that was based on Boston's classic A-40—a two-way design that sold for just $160/pair back in 1986—and was very pleasantly surprised at the quality these little speakers offered. Back in the early '90s, however, the Massachusetts-based company announced that they were taking a step into the High End with a new loudspeaker line, the Lynnfields (see Thomas J. Norton's interview with Boston's Andy Kotsatos elsewhere in this issue). These were designed by expatriate British engineer Phil Jones, previously responsible for the impressive Acoustic Energy speakers.
Jack English Nov 06, 2005 Published: Sep 06, 1996 0 comments
Beauty is in the eye of the beholder—but all too often there is little of beauty to be found in high-end audio. In these aesthetic dark ages, we have been indoctrinated to forsake grace and elegance; we all know that every underlying penny should be spent only in the pursuit of superior sonic performance.
John Atkinson Jun 26, 1996 0 comments
While large, floorstanding speakers appear to offer the most material for the buck, I feel that small stand-mounted speakers both offer the best value in sound quality, as well as standing the best chance of sounding good in moderate-sized listening rooms. In recent months Stereophile has reviewed a varied group of such speakers. In order of descending price, these include the Acoustic Energy AE2 Signature ($5495/pair, November '95); Dzurko Acoustics Jaguar ($4500/pair, reviewed elsewhere in this issue); Totem Mani-2 ($3995/pair, February '96); Platinum Audio Solo ($2498/pair, November '95); Coincident Speaker Technology Troubador ($1495/pair, January and February '96); Joseph Audio RM7si ($1299-$1499/pair, February '96); Acarian Alón Petite ($995-$1195/pair, January '96); Phase Technology PC80 II ($699/pair, December '95); and Spectrum 108cd ($399/pair, December '95).
John Atkinson Jun 26, 1996 0 comments
While large, floorstanding speakers appear to offer the most material for the buck, I feel that small stand-mounted speakers both offer the best value in sound quality, as well as standing the best chance of sounding good in moderate-sized listening rooms. In recent months Stereophile has reviewed a varied group of such speakers. In order of descending price, these include the Acoustic Energy AE2 Signature ($5495/pair, November '95); Dzurko Acoustics Jaguar ($4500/pair, reviewed elsewhere in this issue); Totem Mani-2 ($3995/pair, February '96); Platinum Audio Solo ($2498/pair, November '95); Coincident Speaker Technology Troubador ($1495/pair, January and February '96); Joseph Audio RM7si ($1299-$1499/pair, February '96); Acarian Alón Petite ($995-$1195/pair, January '96); Phase Technology PC80 II ($699/pair, December '95); and Spectrum 108cd ($399/pair, December '95).
John Atkinson Feb 07, 1996 0 comments
Following my review of two high-performance minimonitors last November (footnote 1), I received a letter asking why I recommended a stand-mounted speaker at all when it was possible to buy a floorstanding design with more bass for the same amount of money. Furthermore, the correspondent went on, when you consider that the minimonitor sitting on its stand occupies as much floorspace as the floorstander, it's hard to see why a market for minimonitors exists at all.
John Atkinson Feb 02, 1996 0 comments
Following my review of two high-performance minimonitors last November (footnote 1), I received a letter asking why I recommended a stand-mounted speaker at all when it was possible to buy a floorstanding design with more bass for the same amount of money. Furthermore, the correspondent went on, when you consider that the minimonitor sitting on its stand occupies as much floorspace as the floorstander, it's hard to see why a market for minimonitors exists at all.
Wes Phillips, Robert J. Reina Jan 11, 1996 0 comments
SLAM! My left foot went numb. My fellow salesman, Danny Shapiro, had lost control of the Thiel CS5 that we'd been walking into place in Demo Room V, and it had come crashing down on my foot with unerring accuracy—all 180 lbs worth. As I stared down in horror, I remembered that we'd left the spikes on. But wait a minute—there was no pool of blood spreading out from under the CS5. How could that be? Convinced that the heavy cabinet was acting as a tourniquet, I levered it off my foot, expecting a grisly sight. I got one: my new Rockport pierced by the carpet-point—right between my big and second toes. And people ask me why I like small loudspeakers.
J. Gordon Holt Nov 26, 2012 Published: Jan 01, 1996 2 comments
KEF's Home THX speaker system is somewhat unusual in that it includes an active subwoofer. (While most Home Theater subs are powered types; it's just that few THX models are.) Although powered speakers have never enjoyed much popularity with American audiophiles, they can yield better results than the mix'n'match approach because each amplifier/driver combination can be optimized.
Wes Phillips Nov 26, 2012 Published: Jan 01, 1996 8 comments
Coincident Speaker Technology was known until recently as Concentric Speaker Technology. Under that name they marketed a line of cylindrical speakers covered in leather. All of their previous offerings have been discontinued along with their former name; the Troubador ($1495/pair), a handsome two-way housed in an asymmetrical cabinet, is the first of their new line of speakers. A bass module/speaker support à la the Wilson Puppy is also offered. Coincident's speakers are designed by Israel Blume and are direct-marketed in the US. There's a 30-day money-back guarantee and a five-year warranty on parts and labor.
Jonathan Scull Nov 11, 2013 Published: Jan 01, 1996 1 comments
8883aroyals.1.jpgThe match between amplifier and speaker for single-ended operation is critical, which is why John Atkinson suggested I let Wavelength's Gordon Rankin lead when it came to choosing a speaker to partner his special-edition Cardinal amplifiers. If you're not talking roughly 92dB sensitivity and a fairly benign load, say no lower than 6 ohms, you're just not talking single-ended. That precluded running the Cardinals on the big Avalon Ascents with their lowish 86dB sensitivity (in spite of the relatively benign impedance curve).

After more discussion it became evident that the best speakers to use were the very ones Gordon employed in his own reference system—the Swiss-made Reference 3A Royal Master Control loudspeakers.

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