Floor Loudspeaker Reviews

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Jack English Posted: Oct 03, 2004 Published: Mar 01, 1994 0 comments
Reviewing audio equipment has always been a blast. With each passing month, some potentially wonderful new piece of audio gear finds its way into my system. But as an audiophile, I don't want to be constantly changing the equipment in my system—I want to put together the best setup I can and spend my time optimizing its performance. In spite of the revolving equipment door, I try to listen to the majority of music on my own equipment.
Dick Olsher Posted: Aug 26, 2011 Published: Mar 01, 1994 0 comments
Thanks to Ben Peters, there's an electrostatic lifeline in Holland. Founded about 25 years ago, his company, Audiostatic, struggled through the 1980s, but with distribution by SOTA Industries, it's now on firm footing in the US. In fact, SOTA's Jack Shafton told me that all assembly and some manufacturing are now conducted in the US. My ES-100 samples came from the first US production run.
Dick Olsher Posted: Apr 04, 2004 Published: Jan 01, 1994 0 comments
MACH 1 Acoustics? Cute name. Mach 1 is, of course, the speed of sound—the speed at which a loudspeaker's acoustic output is forever constrained to travel. Quite a fitting choice for Marc McCalmont, Marine and jet pilot turned speaker designer. Marc retired to Wilton, NH together with Melissa. (Oops, that should be MLSSA, the well-known acoustic analysis system—not Marc's girlfriend.)
Jack English Posted: Sep 05, 2008 Published: Dec 05, 1993 0 comments
Despite displaying its products at nearly every CES since 1985, Merlin remains essentially unknown in the US. Problems have plagued the company in this country: key suppliers have gone under, marketing efforts have lacked focus, and the principals of the company seemed to have gotten caught up in audio politics.
Corey Greenberg Posted: Jan 02, 2005 Published: Dec 02, 1993 0 comments
When Ken Kantor helped to found Now Hear This, Inc. (most commonly referred to by its initials, NHT) in 1986, he brought with him a wealth of design and production experience learned from stints with NAD and Acoustic Research. He also brought a desire to build and market products that a wide range of people could afford. NHT began by producing small, two-way designs distinguished by the angled front baffle which remains the company's trademark. The latter is no gimmick, but was designed to optimize the loudspeakers' radiation pattern, a matter of keen interest to Kantor ever since his undergraduate thesis work at MIT. This interest continued at AR, where he was responsible for the MGC-1 loudspeaker—probably his best known pre-NHT loudspeaker design.
Dick Olsher Posted: Apr 10, 2005 Published: Oct 10, 1993 0 comments
MartinLogan's Gayle Sanders has almost single-handedly raised the electrostatic/dynamic hybrid loudspeaker to a position of prominence in the High End. First, there was the MartinLogan Monolith (reviewed in Vol.8 No.3 and Vol.9 No.3), followed by the much more affordable Sequel (reviewed in Vol.11 No.12, Vol.12 Nos.8, 9, and 12, and Vol.14 No.2). Then came the subject of this review, the Quest, and most recently the diminutive Aerius, reviewed by JA elsewhere in this issue.
John Atkinson Posted: Oct 04, 1995 Published: Oct 04, 1993 0 comments
Combine an electrostatic panel to reproduce music's midrange and treble with a moving-coil woofer for the bass foundation. For decades, this has seemed the ideal way of designing a loudspeaker: Each type of drive-unit is used in the frequency region for which its performance is optimized. The resulting hybrid should sing like an angel.
Corey Greenberg Posted: Dec 31, 2005 Published: Oct 01, 1993 0 comments
Dear Diary:
Robert Harley Posted: Dec 09, 2007 Published: Aug 09, 1993 0 comments
To many audiophiles, the name Boston Acoustics is synonymous with mass-market budget loudspeakers. Although many of its products have offered good value for the money, Boston Acoustics has never been known for driving the envelope of high-priced loudspeaker design (footnote 1). The company has been content to churn out well-designed, affordable boxes and let others attempt state-of-the-art loudspeakers. Until now.
Jack English Posted: Apr 15, 2014 Published: Aug 01, 1993 2 comments
893count.250.jpgWhile Clearfield Audio may be a new name to many of you, it represents the marriage of two well-established members of the high-end community: Counterpoint and designer Albert Von Schweikert. Counterpoint had been working to add speakers to its product lineup for some time. The partnership with Von Schweikert, whom Stereophile readers will remember as the designer of the Vortex Screen favorably reviewed by Robert Harley in July 1989, fills out Counterpoint's high-end product line from source—the company showed a CD transport at the June 1993 CES—to speaker.

The Metropolitan
The developmental history of Vortex speakers provides a meaningful framework for the design of the Clearfield offerings, especially the Metropolitans, or Mets. Like the Vortex designs, the Mets are three-ways with transmission-loaded bass. Like the Kevlar Reference Screen (reviewed by Robert Greene in The Abso!ute Sound's "double-issue" 83/84, December '92), the Mets use Kevlar-coned midrange units from Focal that cover a broad range from 125Hz to 2kHz. What's dramatically different is the overall driver layout.

Robert Harley Posted: May 21, 2013 Published: Aug 01, 1993 0 comments
The loudspeaker designer's art has changed radically over the past 20 years. Although the goals are largely the same, today's designer employs tools and techniques unimaginable two decades ago. Computer modeling, powerful and affordable FFT machines, and sophisticated new driver technologies are just a few of the advantages enjoyed by the modern designer. The high-tech result is a vastly better loudspeaker—even inexpensive products today are significantly better than those of even five years ago, never mind 20.

The new Genesis III loudspeaker shows just how sophisticated the designer's art has become. The Genesis III is as far removed from the cones-in-boxes loudspeakers of yesterday as a Ford Taurus is from a Pinto. Combining a radically different cabinet with unusual custom drive-units, the Genesis III is a paradigm of how high technology has transformed loudspeaker design.

Thomas J. Norton Posted: Dec 09, 2007 Published: Jun 09, 1993 0 comments
I only found out after beginning my auditioning of Mirage's M-1si loudspeakers that the film 2001, A Space Odyssey was, at practically the same instant, undergoing a brief theatrical revival in major cities around the US. I might have known. Perhaps it was the persistent Strauss melodies that rattled around in my head as I set them up. Perhaps it was the two 5'-tall monoliths that subsequently stared at me as I sat in my listening chair. For whatever reason, the M-1sis were an imposing sight, and the association with out-of-this-world events was not a difficult one to make.
Robert Harley Posted: May 31, 1995 Published: May 31, 1993 0 comments
Choosing a loudspeaker can be difficult. Although it is easy to be seduced by a certain model's special qualities, that exceptional performance in one area is often at the expense of other important characteristics. Go with high-quality minimonitors for their spectacular soundstaging, but give up bass, dynamics, and the feeling of power that only a large, full-range system can provide. If you choose an electrostatic for its delicious midrange transparency, you may have to forgo dynamics, impact, and the ability to play loudly. Pick a full-range dynamic system for its bass and dynamics, but lose that edge of palpability and realism heard from ribbon transducers.
J. Gordon Holt Posted: Oct 09, 2005 Published: May 09, 1993 0 comments
Richard Shahinian has been offering loudspeakers to music lovers for more than 15 years. I use the word "offering" here in its strictest sense, because Dick has never "sold" his products—by pushing them. Indeed, he is probably one of the worst self-promoters in the business. If we think of "soft sell" in the usual context of laid-back and low-pressure, then Shahinian's approach would have to be called "mushy sell."
Thomas J. Norton Posted: Apr 18, 1995 Published: Apr 18, 1993 0 comments
Eighty thousand pairs. According to Vandersteen Audio, that's the number of Vandersteen 2s of various generations which have been sold since the loudspeaker—and company—first saw the light of day in 1977. The 2 has been continually refined along the way—a new driver here, a new crossover change there, heavy-duty stands—more changes, in fact, than the occasional changes in model designation would indicate. The 2's main calling card has always been a high perceived value for money. If anything, this calling card has only been enhanced over the years as its price remained remarkably stable while the cost of high-end audio in general was perceived—rightly or wrongly—as being on a dizzying upward spiral.

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