Red Wine Audio of Holden, MA, was the remaining link in the Sound by Singer chain: The aforementioned Bricasti D/A converter was, by means of its own volume control, used to directly drive a pair of Red Wine Liliana monoblock amplifiers ($5995/pair), wherein class-A tubed input stages are mated with class-A/B FET output stages to produce 115Wpc of very sweet-sounding watts. In this pic, Red Wine CEO Vinnie Rossi shows off the innards of his Isabella preamplifier ($3995 without phono-stage option), which uses 6H30 "super tubes," yet also supports all triodes in the 6922 family.
I've noted the typically spacious, airy sound of Reimyo electronics at previous shows, and at NYAS 2013 the brand followed suit. Playing through a pair of Combak Audio's single-driver Bravo loudspeakers (ca $8000/pair), themselves supported by Combak Dinosaur stands ($4000/pair not including feet, the latter represented by options too numerous to list here), the Reimyo gear did a lovely job with the classic Fritz Reiner/Chicago Symphony Orchestra Scheherazade. (NB: The astonishing trumpeter on that 1960 recording, Bud Herseth, died only days ago.) Reimyo products in use included the CDT-777 CD transport (ca $12,000), the CAT-777 preamp (ca $20,000), and the KAP-777 monoblock amplifiers ($27,000/pair). I was given to understand that Wynn Audio, which sponsored this room, now distributes Reimyo and Combak in the US.
Rear shot of the Burmester 909 stereo amplifier ($73,495).
Last year, Burmester relegated their loudspeakers and amplifiers to the grand ballroom of the Waldorf=Astoria, which made their gear easy to see but less accessible to listen to in a concentrated setting. At the New York Palace, Rutherford Audio, the North American distributor for Burmester, hosted their own listening room on the fourth floor with a diverse range of music ranging from Verdi to Infected Mushroom.
Simplifi Audio room would be a priority on my first day since I missed them entirely last year where they apparently kicked much booty. Hosted by the amicable duo of Daniel Weiss of Weiss Audio and Tim Ryan of Simplifi Audio, a San Diego-based distributor, their large room was devoted to three different systems that were demoed throughout the weekend. The one I heard and pictured above is the Klangwerk Ella 2-way active speaker system ($7,495) fed by the Weiss DAC202 ($6966) and Weiss MAN301 Network Player ($9083; $12,262 with internal DAC), and Integrita Audiophile Music Server (approximately $6000).
There it was again, that damned canned jazz. This time it poured out in buckets from the tremendous Spendor Classic SP100R2 loudspeaker ($11,500/pair) pumped by the 160 Watt JA 200 Monoblocks from Jadis ($25,995/pair). This had to be stopped.
This year, the surprising lack of SRV (and overabundance of easy listening) made me glad to hear his perennial cover of “Little Wing” through Sony’s new and more “affordable” SS-NA2ES floorstanding loudspeakers ($10,000/pair) through Pass Labs amplification. Last year’s system impressed me thoroughly, striking a balance between romance and detail. This year’s system favored speed and attack accenting flourishes I had never heard before in SRV’s Hendrix cover but sounding a bit cool on “Breaking Silence” by Janice Ian.
One of the most talked-about exhibitions at NYAS 2013and, indeed, one that impressed me more than mostwas by a newish company called Symbol Audio, specializing in heirloom-quality furnishings that are aimed, it must be said, at non-audiophiles possessed of both good jobs and good taste. The centerpiece of Symbol's room was their Modern Record Console, which combines a high-quality record player from Project, a built-in Apple MacMini with a Meridian Explorer D/A converter, a tubed (push-pull EL84s) integrated amplifier by ENG Vista (with source selections for phono, D/A, and WiFi), and a pair of Omega full-range drivers, supplemented with a self-powered, pedestal-mounted subwoofer. All of this is built into drop-dead-gorgeous cabinetry, bench-built in New Jersey from solid black walnut. Price: $26,500, woodchuck not included.
Industry veteran Louis Manno was on-hand to remind show attendees about the Audio History Library and Museum, a non-profit organization that's dedicated to creating an on-line database of information on the domestic and pro audio industries. (To that end, Manno brought with him some of the more tangible audio specimens from his collection.) Individuals and businesses alike can contribute to this project in a variety of ways; details are available at www.audiohistory.com.
On the wild and wacky social news and entertainment website reddit, there exists a subforum of curious, experienced, less-than experienced, and mostly kindly audiophiles who share pictures, experiences, and knowledge about their hi-fi adventures. Reddit meetups are a part of reddit culture, and prior to the show, we had big plans for this Saturday get together to take place at the Palace hotel lobby: a meet and greet, an epic photograph, and fried chicken! Apparently, not showing up for reddit meetups is also part of reddit culture.
In one of two rooms sponsored by New Jersey dealer Audio Doctor, Jay Rein of distributor Bluebird Music demonstrated an impressive system comprising KEF Blade loudspeakers ($30,000/pair), Chord SPM 14000 Mk.II mono amplifiers ($86,000/pair), the Chord CPA 8000 Reference preamp ($45,000), a Manley Steelhead phono preamp ($8000), and the Kronos turntable (starting at $32,000)a combination on which Neil Young’s Comes a Time album sounded so good, I can scarcely wait to hear it again when I get home. While there I also enjoyed some music filesappropriately, my friend Michael Lavorgna of Audiostream.com had the seat next to minecourtesy of the Chord DSX-1000 ($13,000), a music streamer that incorporates the same company’s well-received QBD 76 D/A converter.
The Audio Note Corporation of Japanwhich offers products under the surname of that company's founder, the late Hiruyasu Kondohas, in recent years, flown so far under the radar that some feared they were defunct. Now the leaders of Kondo have rededicated themselves to this market, with Rhapsody Music & Cinema as their new US distributor.
My friend Jason Victor Serinus asked, reasonably, how I and other Stereophile reporters might rank this most recent outing by the Chester Group against other shows. I said I thought that NYAS 2013 was very well organized and, when all was said and done, gratifyingly well attended. People did their jobs and luck mostly held: Con Ed workers created noise and logistical mayhem as they peeled away the pavement, yet hundreds of audiophiles flocked to the show nonetheless. The men were tearing up the street.