The two Sashas of Obad Imports (l-r): Sascha Kuettel hefts the JohnBlue JB3 loudspeaker ($370/pair), while Sasha Obad struggles with the KingRex T20 amplifier ($259) and PSU power supply ($189). These units are just a little bit heavier than Michael Fremer's reference amplifiers.
The Pierre Gabriel speakers usually demonstrated at the Montreal show are normally humongous affairs, and, with partnering equipment by Jadis, the system price may leave you with little change from a $500k bill. I was surprised, then, to see a relatively modest-lookingbut still very-good-soundingspeakers playing in the Pierre Gabriel/Jadis room.
Like many Stereophile readers, I read with great interest, and a certain amount of incredulity, Jason Victor Serinus's rather gushing CES report on the Sennheiser HD800 headphones. Now, I have a lot of respect for JVS's opinionswe share an appreciation of opera and other vocal music, and we're both great fans of Fritz Wunderlichbut, reading his report, part of me was intrigued and another part was thinking "Come on, Jason, these are just headphones, what's the big deal?"
Shure's public relations representative, Monica Moufrage, explains that the new SE115 earphones ($139) replace the company's popular SE110, and come in four great colors: black, (sort of) red, blue, and (definitely) pink.
Simaudio's Costa Koulisakis was excited to tell us about the company's new "Reach For The Moon" trade-up program. For up to a year after initial purchase, Simaudio customers interested in moving up the Sim price ladder can receive a 100% refund on their well-maintained gear. After the first year, Sim owners can receive a 75% refund on their used gear. "It's a way to stimulate the economy, while building brand loyalty," he said.
SSI seems to feature a higher proportion than usual of rooms sponsored by high-end dealers, and one of the best sounds I experienced was in the room from Montreal dealer Son-Or Filtronique. The top-line, multi-box dCS Scarlatti SACD front-end (soon to be reviewed for Stereophile by Mikey Fremer) drove Audio Research electronics (Reference 3 preamp and Reference 110 amplifier) with speakers the impressive Kliimt from Vienna Acoustics. Cabling was all Shunyata. Corinne Bailey Rae's perfomance of Joni Mitchell's "River," from the Herbie Hancock CD of the same name, was reproduced with midrange to die for, though the low frequencies were a touch over-ripe, I thought.
You get used to hearing expensive over-the-top systems at an audio Show, but the real delight is discovering more affordable set-ups that sound better than you expect. Such was the case when I entered the Bluebird Music room, where the Spendor A6 two-way tower speakers were being demmed with Exposure's 3010S integrated amplifier and an Exposure CD player, wired with van den Hul cable. The total system prices was $7500, and, again playing "The Mooche" from Editor's Choice, I was struck by how seamless the presentation was, with natural tonal qualities, well-defined stereo imaging, and good dynamics, if not quite in the same class as the much more expensive system featuring the Avantgarde horns I had heard just before.
Stephen Mejias reported a couple of days ago on the excellent sound being made in the room featuring DeVore Fidelity's Gibbon Nine speakers, driven by a Leben integrated amplifier. I was equally impressed when I auditioned a Curtis Mayfield live album in this all-analog room, played on the Clearaudio Champion Wood turntable fitted with a Clearaudio Unify arm with a carbon-fiber armtube and an EMT JSD5 MC phono vcartidge.
...was how SSI organizer Michel Plante had billed our "Ask the Editors" session, and (from left to right), Stephen Mejias, Robert Deutsch, and Art Dudley joined me in an animated discussion. Topics covered included the vinyl revivial, whether there is still a role for paper magazines in an Internet world, how does someone become a reviewer, and will Blu-ray be a viable medium for high-quality music.
i saw a familiar face when I went into the Veloce room, as Mark Conti, who designed the unusual Impact speakers from a few years back, is now involved in this line of battery-powered amplification. My eyes were attracted by the Veloce Platino LFT-1 linestage in the photo ($12,500), which will run for 70 hours before needing recharging, but driving the Marten speakers in the room via Purist cables was a pair of battery-power monoblocks ($12,000/pair). Battery power? Yes, the input stage, based on a 6922 tube, is transformer-coupled to a high-efficiency class-D output stage based on the Hypex module designed by famed Dutch engineer Bruno Putzys. A charge will last 4080 hours depending on the speaker's load impedance, Mark told me.
Wilson Audio Specialties' Peter McGrath (second from left) is embraced by the crew of Coup de Foudre (lr): Jennifer ("Just Jennifer. No surname. You may have heard of me."), Graeme Humfrey, and Erik Fortier.
Component supports take a variety of forms: squishy, rubbery things; hard, pointed things; ball bearings (loose or constrained); air or liquid bladders, etc. The Spike component supports, imported by Divergent Technologies, were a new one for me: they use magnetic levitation. Now, I'm familiar with platforms using this principle, but these are individual component feet, each with opposed magnetic components. A box of these "Spikes" contains four such feet, and the price for the total is CN$200. I was surprised that magnets could be made strong enough in this small size to be able to support equipment of substantial weighthich they apparently can.